1,720,963 research outputs found
Prasasti Huruf Arab Koleksi Museum Masjid Agung Demak
This article discusses an inscription of a historic mosque in Java, namely the Demak Mosque Regol inscription in 1804. The inscription contains information relating to the construction of the mosque Regol by the regents of Demak, KRMT Arya Purbaningrat in 1292 AH (1875 AD). In this inscription it was also mentioned the name of Mas Haji Muhammad Khasan Basri, the qadi or Imam of Demak Mosque. This study concludes that the inscription collection of the Museum of the Great Mosque of Demak is the construction regol or gate Masjid Demak by the Regent of Demak, Kanjeng Raden Mas Tumenggung Arya Prabuningrat, in 1292 H (1875 AD) and the development Tarub Tratag Rambat in 1308 H (1819 AJ) which coincides with 1889 AD, not 1885 as stated on its inscription by the Regent of Demak, Kanjeng Raden Panji Tumenggung Adiningrat. According to the Museum Great Mosque of Demak, the second building (Regol and Tarub Tratag Rambat) was dismantled in 1966. If true, then the demolition of the building took place during the reign of the Regent of Demak Raden Indriyo Yatmo Pranoto (1958-1966). From the reading of inscriptions that the year 1804 was not found. The year (1804) was obtained if the number 1292 H is converted to Java year system, so the numbers refer to the year 1804 Javanese year (1804 AJ). In other words, the numbers associated with the 1804 inscription naming Regol Masjid was never mentioned in the inscriptions, so the inscription naming here is less relevant. 
Keywords: Mosque, Inscription, Demak, Java, Museum, History.

Artikel ini membahas sebuah inskripsi Mesjid bersejarah di Jawa, yakni Inskripsi Regol Masjid Demak tahun 1804. Inskripsi tersebut memuat informasi berkenaan dengan pembangunan Regol Masjid oleh bupati Demak, yaitu KRMT Arya Purbaningrat pada tahun 1292 H (1875 M). Dalam inskripsi ini disebut juga nama Mas Haji Muhammad Khasan Bashri, qadi atau imam Masjid Demak. Studi ini berkesimpulan bahwa isi prasasti koleksi Museum Masjid Agung Demak adalah tentang pembangunan regol atau pintu gerbang Masjid Demak oleh Bupati Demak, Kanjeng Raden Mas Tumenggung Arya Prabuningrat, pada tahun 1292 H (1875 M) dan pembangunan Tarub Tratag Rambat pada tahun 1308 H (1819 AJ) yang bertepatan tahun 1889 M, bukan tahun 1885 M seperti tertera pada prasastinya oleh Bupati Demak, Kanjeng Raden Tumenggung Panji Adiningrat. Menurut catatan Museum Masjid Agung Demak, kedua bangunan itu (Regol dan Tarub Tratag Rambat) dibongkar pada tahun 1966. Jika benar, maka pembongkaran bangunan itu berlangsung pada masa pemerintahan Bupati Demak Raden Indriyo Yatmo Pranoto (1958 1966). Dari hasil pembacaan inskripsi juga tidak ditemukan angka tahun 1804 dalam prasastinya. Angka tersebut (tahun 1804) diperoleh jika angka tahun 1292 H dikonversikan ke tahun Jawa, sehingga angka 1804 mengacu kepada tahun Jawa (1804 AJ). Dengan kata lain, angka 1804 yang dikaitkan dengan penamaan Prasasti Re gol Masjid tidak pernah disebut dalam prasastinya, sehingga penamaan prasasti tersebut menurut hemat penulis kurang relevan. 
Kata Kunci: Masjid, Prasasti, Inskripsi, Demak, Jawa, Museum, Sejarah.</jats:p
Bendera Macan Ali Koleksi Museum Tekstil Jakarta
<span lang="IN">The Textile Museum of Jakarta in Tanah Abang preserves a ragged animal calligraphy embroidered in indigo banner framed in white silk cloth of the Cirebon Sultanate made in 1797. The old bunting has three pictures of “Ali” Tiger painted in Arabic letters, a double-edged Sword of Zulfakar, four magical square boxes decorated with Arabic inscription, and Arabic letters quoted from the Quran on five-cornered stars. The paper describes the significance of the regalia: it does not only function as the symbol of sovereignty of the Cirebon Sultanate, but it also has a magical power to protect the kingdom.</span></jats:p
Morfologi kota jakarta pada abad ke 16 dan ke-18: kajian data kartografi=Morphology offakarta City in the 16th and 18th Centuries: :A Study on Cartography
Based on lizerman\u27s map, the morpftology Rf Jakarta city was identical with that of traditional cities in Java from 16 to 18 centuries like Demak, Cirebon, Banten, Kota Gede, Kartasura, Surakarta, and Yogyakarta From Der Parra\u27s map Jakarta in 18\u27 century developed into a colonial city with streets and canals crossing one another like grid pattern. The center of the city was surrounded by walls and canals or moats and Kali Ciliwung with streets in the left or right as backbone of the city. The planning of city like this was a typical Dutch city plan that was common for towns in Europe in the 17th to 18th centuries.
Keywords: traditional city -- colonial city -- typical Dutch city pla
Kota dan masyarakat Jakarta dari kota tradisional ke kota kolonial (Abad XVI - XVIII)
Bai
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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