137,749 research outputs found
We are mock'd with art: theatricalizing devices in performances of Shakespeare's The Winter's Tale
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2011This dissertation discusses the use of theatricalizing devices in four stage productions of William Shakespeare's The Winter's Tale. The selected performances were staged by the Royal Shakespeare Company (England, 1992), Théâtre de la Complicité (England, 1992), Folger Theatre (United States, 2009), and Companhia Atores de Laura (Brazil, 2004-2005). The discussion is structured following the notion of "performance text", proposed by Marco de Marinis (1993), which testifies to the importance of analyzing a performance in terms of its stage elements and also its contextual circumstances. Hence, the notion of "theatricalizing devices" is proposed in the present study as a tool to look at those devices employed on stage that can, simultaneously, comment on the theatrical medium and its conventions and help a production address themes and concerns related to the world outside the theater building. Additionally, the referred devices have to do with further fictionalizing the already fictional stage reality, without losing sight of the fact that those making and attending any given performance are inserted in an outside context.A presente tese discute o uso de recursos teatricalizantes em quatro produções teatrais de O Conto do Inverno, de William Shakespeare. As performances selecionadas foram produzidas pela Royal Shakespeare Company (Inglaterra, 1992), Théâtre de la Complicité (Inglaterra, 1992), Folger Theatre (Estados Unidos, 2009), e Companhia Atores de Laura (Brasil, 2004-2005). A discussão está estruturada seguindo a noção de "texto espetacular" proposta por Marco de Marinis (1993), a qual testemunha a favor da importância de se analisar uma performance em termos de seus elementos de palco e também de suas circunstâncias contextuais. Dessa forma, a noção de "recursos teatricalizantes" é proposta na presente tese como ferramenta para olhar aqueles recursos empregados no palco que podem, simultaneamente, comentar o meio teatral e suas convenções e ajudar uma produção a tratar temas e preocupações relacionados ao mundo existente para além do auditório do teatro. Além disso, os referidos recursos associam-se com ficcionalizar mais profundamente a realidade já fictícia do palco teatral, sem perder de vista o fato que os indivíduos que realizam e assistem a qualquer performance estão inseridos em um contexto exterior
“O, she’s warm!”: The taking of hands … and bears … and time’s … in The Winter’s Tale
No full textShakespeare wrote words and plays. Words might well be considered to be the ‘life blood’ of a play. But plays are more than words. Plays have characters, movement, costumes and props. Words inhabit and animate, give rhyme and reason to an actor being on a stage, performing for an audience. But between the words, the play still exists. This thesis is an exploration of those ‘moments’ that are played out in silence and are watched rather than heard. To tell the story of The Winter’s Tale, Shakespeare was faced with some specific problems. There are essentially two tales to be told in the space of one play. The first requires for an all consuming jealousy to be played out. He solved this with a simple and understandable wordless action. Then to conclude this first tragic section, the story demanded that a helpless baby be abandoned - lost. Here he used an old trick in a new and surprising way, to be played quickly and, with his unerring sense of staging, for a laugh. The second tale then had to begin, and the baby had to become a woman. For this he used a convention - unconventionally. Finally, at the end of the play, he decided to change the story. To conclude his tale, the tale he was telling, with an image of redemption, reconciliation and hope. Of all the moments, this is the one that is the quietest, slowest and most beautifully painted. This thesis is an exploration of those moments. A discussion about how Shakespeare, who has probably added more words into the lexicon that any other person, was also essentially a visual artist. That he ‘drew and painted and sculpted’ - creating stage pictures
The Hasidic Tale
No full textStory-telling has been an integral part of the hasidic movement from its inception. Stories about the hasidic leaders and their mystical powers attracted followers and maintained their devotion, and still do so today. This important work, based on analysis of all the published anthologies of such stories, presents them by theme and traces their origins. Originally published in Hebrew and expanded for this edition, it makes a fascinating contribution to the history of hasidism, of Hebrew literature, and of Jewish popular culture.Cover -- Contents -- Note on Transliteration, Translation, and Names -- Introduction -- 1. The Hasidic Tale as Perceived by Hasidim -- 2. The Tsadik, his Followers, and his Opponents -- 3. Matchmaking and Marriages -- 4. The Blessing of Children: Birth and Offspring -- 5. Agunot -- 6. A Life of Sin -- 7. Illness and Physicians -- 8. The Dead, Burial, and the World to Come -- 9. Transmigration of the Soul and Dybbuks -- 10. The Powers of Evil and the War against Them -- 11. Apostasy and Apostates -- 12. Ritual Slaughterers -- 13. The Tamim: The Simple Person -- 14. Hidden Tsadikim -- 15. Hospitality -- 16. The Prophet Elijah -- 17. The Ba'al Shem Tov's Unsuccessful Pilgrimage to the Land of Israel -- Appendix: Supplementary Notes -- Glossary -- A -- B -- C -- D -- E -- G -- H -- I -- K -- L -- M -- N -- P -- R -- S -- T -- U -- V -- W -- Y -- Z -- Gazetteer of Place Names in Central and Eastern Europe -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- ZStory-telling has been an integral part of the hasidic movement from its inception. Stories about the hasidic leaders and their mystical powers attracted followers and maintained their devotion, and still do so today. This important work, based on analysis of all the published anthologies of such stories, presents them by theme and traces their origins. Originally published in Hebrew and expanded for this edition, it makes a fascinating contribution to the history of hasidism, of Hebrew literature, and of Jewish popular culture.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
The Winter's Tale [picture] /
No full textNavy & white poster with large book and depictions of characters. Includes information on performance date and time.; Part of collection : Collection of Josef Stejskal theatre and other posters.; Inscriptions: "Josef Lada Stejskal 1981" -- in print lower right border.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn3312230.The Theatre of the Deaf presents the Winter's Tale by Willy Shakespeare & Ian Watso
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
A Grammar of the Eastern European Hasidic Hebrew Tale
No full textA Grammar of the Eastern European Hasidic Hebrew Tale provides the first detailed linguistic analysis of the Hebrew narrative literature composed in late nineteenth- and early twentieth-century Eastern Europe by followers of the Hasidic spiritual movement. It presents a thorough description of Hasidic Hebrew orthography, morphology, syntax, and lexis illustrated with extensive examples. Attention is devoted to the relationship between Hasidic Hebrew and its biblical, rabbinic, and medieval antecedents; to its links with Aramaic, contemporaneous Maskilic Hebrew, and its authors’ native Yiddish; and to its contributions to Modern (Israeli) Hebrew. The grammar fills a major scholarly gap on the diachronic development of Hebrew and as such will be a key resource for anyone interested in the language’s history
The Silk Road - Cultivating a Hybrid Garden
No full textThis conference paper explores the creative process behind the development of The Stolen Button picture book focusing on the themes of migration, displacement, and the representation of multicultural stories in an Australian landscape. The Silk Road is a historical location, a cultural melting point where East meets West. This transport corridor facilitated the exchange of goods but more importantly, it transmitted ideas and stories. Classic tales such as Journey to the West and Aladdin have their roots along the Silk Road. However, the authors do not use the Silk Road as a realistic backdrop. It is an imaginative space to portray an exotic other, a wilderness, a place to face demons, spirits and foes. Likewise, the Silk Road of our imagination is a fantastical place – a hybrid garden of Chinese stories from childhood memories of the author of the book mixed with illustrative elements from the illustrator’s Persian painting background.No Full Tex
Square Dancing with the Stars to Enhance Dynamic Hirschman Linkages?
No full textIn this Presidential Address, the author takes the reader on a reconnaissance of his life and time as a regional scientist. He points out scenery he found scintillating along the way, hoping that some may pick up the banner and chew on a few of the ideas for a while. He suggests a revisit to Albert O. Hirschman’s notion of key sectors and more empirical analysis related to Marcus Berliant’s and Masahisa Fujita’s notion of knowledge creation and transfer.Presidential Address, San Antonio, Texas, March 29, 2014 (53rd Meetings of the Southern Regional Science Association
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
The fraternal kiss in Chaucer's « Summoner's Tale »
No full textKellogg Alfred L. The fraternal kiss in Chaucer's « Summoner's Tale ». In: Scriptorium, Tome 7 n°1, 1953. p. 115
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