965 research outputs found

    L'Œuvre sans fin. Réception des romans de Monique Saint-Hélier par la critique française (1932-1955)

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    Monique Saint-Hélier became quite successful during the 1930s in particular because of the violent controversy that surrounded her second novel, Bois-Mort. How is it that Saint-Hélier’s work provoked such passionate criticism, but encountered nothing but disinterest after the war? Studying unpublished sources as well as a vast corpus of book reviews, the author explores by this quite particular literary path, as well as the variations in how a work is received over time.Monique Saint-Hélier (1895-1955) connaît le succès dans les années trente en France, grâce notamment à la violente polémique que suscite son deuxième roman, Bois-Mort (1934). Pourtant, dès les années cinquante, la romancière disparaît durablement de l’histoire littéraire française. Pourquoi les romans de Monique Saint-Hélier déchaînent-ils les passions critiques, puis ne rencontrent-ils plus que le désintérêt après la Seconde Guerre mondiale? Comment expliquer le silence éditorial de près de vingt ans qui sépare la publication des ouvrages des années trente de ceux des années cinquante, alors même que ces romans appartiennent à un même ensemble narratif? Fondée sur des sources inédites et un vaste corpus de comptes rendus, l’étude de la réception critique de l’œuvre de Monique Saint-Hélier en France apporte des réponses aux nombreuses questions soulevées par cette trajectoire particulière. Malgré toute sa singularité, ce parcours permet également une réflexion plus générale sur les variations de la réception d'une œuvre à des époques différentes

    Monique Mongeau : Épine peine

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    In her study of Mongeau’s pictorial exploration of endangered plant species, Parent focuses on the panel entitled “Acacia,” the ascetic aspect of which marks a turning point in the series. The author discusses the symbolism of the thorn motif and the metaphysical dimension of the artist’s work. Texts in English and French. List of works, 31 bibl. ref

    Author Correction: An automated deep learning pipeline for EMVI classification and response prediction of rectal cancer using baseline MRI

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    Correction to: npj Precision Oncologyhttps://doi.org/10.1038/s41698-024-00516-x, published online 22 January 2024 “In this article, the name of the author Monique Maas was misspelled as Monique Mass. The original article has been corrected.”</p

    Monique Truong oral history interview and transcript

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    This recording and transcript form part of a collection of oral history interviews conducted by the Chao Center for Asian Studies at Rice University. This collection includes audio recordings and transcripts of interviews with Asian Americans native to or living in Houston.Born in 1968, Monique Truong is a Vietnamese American author who embraces writing and storytelling as a way to build empathy, subvert expectations, and spark dialogue. She grew up in Vietnam but at age six came to the U.S. as a refugee, arriving at Camp Pendleton, in California. After her family found a sponsor, they relocated again—this time to Boiling Springs, North Carolina, where Truong experienced constant bullying and racial discrimination. In middle school, her family moved to Centerville, Ohio, and then to Alief, Texas as Truong entered high school. Although Alief was racially diverse, Truong still saw herself as an outsider and struggled to mesh with other Vietnamese American students. For Truong and her parents, food was an essential connection to Vietnam ⁠— they would drive for hours to find the ingredients to prepare traditional meals. Facing racism and bullying at school, Truong also found solace at the local library. After graduating high school, Truong attended Yale University as a literature major. Here, she not only gained a better understanding of her own identity as an Asian American, but also grew passionate about America’s treatment of Asian Americans and other minority groups as a whole. This later pushed her to study law at Columbia Law School. However, practicing law in an unhealthy work environment took an intense physical and emotional toll, so Truong gradually transitioned out of law and into writing. As she set down her new career path, Truong interacted closely with other writers in organizations such as the Asian American Writers’ Workshop, Center for Fiction, and Powderkeg. So far, she has written three bestselling, award-winning novels: The Book of Salt (2003), Bitter in the Mouth (2010), and The Sweetest Fruits (2019). In these novels, Truong explores complex themes such as race, family, and voice. She also conducted extensive historic research to reach back in time and honor the stories of those who have traditionally been overlooked. In addition to novels, Truong also writes essays, choral, and theatrical works, and serves on multiple literary arts organizations . She hopes to publish a work of speculative fiction in the future

    Helping Client to Rise Above the Impact of An Abusive Relationship-Identifying Patterned Behaviour in Culturally Diverse Clients

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    Helping Client to Rise Above the Impact of An Abusive Relationship-Identifying Patterned Behaviour in Culturally Diverse Clients by Monique Toohey for 1st Malaysia International Counselling Conference (MICC 2014). Monique Toohey is a consultant psychologist and owner of private psychology practice,NasihahConsulting Group Pty.Ltd. She is an award winning youth advocate and the author of Without You: Rising above the Impact of an abusive realtionship. The workshop covers risk factors for SV/DV, Prevention, Intercultural competence skills, cross cultural counselling skills

    La mise en jeu de la ville dans « Les aurores montréales » de Monique Proulx

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    L’auteure analyse le travail d’écriture que suscite Montréal dans « Les aurores montréales » de Monique Proulx à l’aide de la notion de jeu telle qu’elle est conceptualisée par Hans-Georg Gadamer. L’auteure propose ainsi de considérer l’expérience esthétique de la ville comme une manière de se comprendre à travers l’autre.In this article the author analyzes the act of writing inspired by Montreal in Monique Proulx's "Aurora Montrealis" using the phenomenological concept of Play as elaborated by Hans-Georg Gadamer. The author suggests we consider the aesthetic experience implicit in the act of writing the city as a means of understanding oneself through the other

    Le théâtre de Marivaux, une « phénoménologie du cœur » ?

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    Monique Jutrin-Klener : The theatre of Marivaux — A «Phenomenology of the heart » ? This article studies Marivaux's theatre in the light of Hegelian thought as expressed in the Phenomenology of the Spirit. The author suggests that Marivaux's theatre is ' phenomenological ' in the Hegelian sense of the term. She emphasizes the analogy between the Hegelian process and the development of Marivaux's characters, and examines several ' Hegelian situations ' in his theatre : surprise and self-awareness, love and recognition, and especially the dialectic of master and slave. After the initial surprise, the characters progress, through various trials and by means of dialogue and a dialectic movement, towards the discovery of the truth.Jutrin Monique. Le théâtre de Marivaux, une « phénoménologie du cœur » ?. In: Dix-huitième Siècle, n°7, 1975. pp. 157-179

    Madame Bovary de Monique Proulx et L'Apparition de Roland Bourneuf: Flaubert revisité par la nouvelle québécoise contemporaine

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    The article analyzes two short stories – “Madame Bovary”  by Monique Proulx and “L’Apparition” by Roland Bourneuf. The author compares and contrasts the two texts, referring, at the same time, to their common “model” – Gustave Flaubert’s novel “Madame Bovary”. Key-words : Quebec; Monique Proulx; Roland Bourneuf; Flaubert; Emma Bovary; Salomé; Hérodias; short story; rewriting; hypertext; hypotext; literary myth

    Madame Bovary de Monique Proulx et L\u27Apparition de Roland Bourneuf: Flaubert revisité par la nouvelle québécoise contemporaine

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    The article analyzes two short stories – “Madame Bovary”  by Monique Proulx and “L’Apparition” by Roland Bourneuf. The author compares and contrasts the two texts, referring, at the same time, to their common “model” – Gustave Flaubert’s novel “Madame Bovary”.Key-words : Quebec; Monique Proulx; Roland Bourneuf; Flaubert; Emma Bovary; Salomé; Hérodias; short story; rewriting; hypertext; hypotext; literary myth

    Organizing for regime change: an analysis of community unionism in Los Angeles, 2000 - 2010

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    Since the 1990s in Los Angeles, working class residents have crossed ethnic, religious, and spatial divides to form working class coalitions aimed at enacting social, economic, and environmental justice. This trend, referred to as community unionism, challenges elites‘ narrow distribution of scarce public resources by fighting for community-driven reforms that advance the interests of broadly-shared prosperity (Tattersall, 2010; Reynolds, 1999). Using document analysis and semi-structured interviews, I analyze three broad-based community-labor coalitions that emerged in Los Angeles between 2000 and 2010 to understand how urban governance has changed – both as a result of the progressive community‘s recent coalition building efforts and as a result of the ways in which L.A.‘s broader power structure, itself, has evolved. Specifically, I ask the following questions: (1) what factors account for the three coalitions‘ emergence and relative success and (2) to what extent has a broad-based community-labor power bloc emerged, consolidated, and became robust enough to successfully challenge the agenda of L.A.‘s historically-powerful elite regime? This case study of progressive, working class activism in Los Angeles conveys detailed interpretations of specific coalition phenomena and also offers broader theoretical implications about the contemporary nature of urban governance in America. I argue that a number of complex endogenous and exogenous factors significantly undermined the strength of L.A.‘s elite governing coalition since the 1980s. Simultaneously, Los Angeles‘ progressive community organized diligently to become an active player in the region‘s governing coalition. There has not, however, been a distinct transition from an elite regime to a stable progressive regime. I conclude that L.A.‘s progressive community may deepen its capacity to govern if it continues to: improve race relations, create a culture of authentic internal democracy, overcome resource constraints, coordinate progressive electoral politics, and bridge institutional fragmentation.Ph.D.Includes bibliographical referencesIncludes vitaby Samonne Monique Montgomer
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