5,866 research outputs found
Jacques Gardelles, Dictionnaire des châteaux de France : Guyenne, Gascogne, Béarn, Pays-Basque. Sous la direction d'Yvan Christ
No full textTaillard Christian. Jacques Gardelles, Dictionnaire des châteaux de France : Guyenne, Gascogne, Béarn, Pays-Basque. Sous la direction d'Yvan Christ. In: Bulletin Monumental, tome 141, n°3, année 1983. pp. 327-328
La mondialisation
No full textAntheaume Benoît,Dollfus Olivier,Durand-Dastès. François,Brunet Roger,Grasland Claude,Grataloup Christian,Knafou Rémy,Levy Jacques,Pumain Denise,Rey Violette,Robic Marie-Claire,Saint-Julien Thérèse,Taillard ChristianAntheaume Benoît, Dollfus Olivier, Durand-Dastès. François, Brunet Roger, Grasland Claude, Grataloup Christian, Knafou Rémy, Levy Jacques, Pumain Denise, Rey Violette, Robic Marie-Claire, Saint-Julien Thérèse, Taillard Christian. La mondialisation. In: L'Espace géographique, tome 28, n°1, 1999. pp. 36-48
Derrida - Artaud
No full textA conference on Antonin Artaud by Jacques Derrida. Seminar In homage to Antonin Artaud organised in New Delhi by the National School of Drama, Delhi University and the French Embassy, 23 January 1997.Conferencia de Jacques Derrida sobre Antonin Artaud. Seminario In homage to Antonin Artaud, organizado en New Delhi por National School of Drama, Delhi University y la Embajada de Francia, el 23 de enero de 1997.Conférence de Jacques Derrida sur Antonin Artaud. Séminaire In homage to Antonin Artaud organisé à New Delhi par National School of Drama, Delhi University et l'Ambassade de France, le 23 janvier 1997
Maintenance of Wakefulness Test scores and driving performance in sleep disorder patients and controls
No full textPierre Philip, Cyril Chaufton, Jacques Taillard, Patricia Sagaspe, Damien Léger, Monika Raimondi, Andrew Vakulin, Aurore Capell
Dear Jacques ... Lecoq in the twenty first century
No full textThis essay considers Jacques Lecoq's influence almost 20 years after his death. Arguing that Lecoq's pedagogy is largely as relevant today as it was when he was still alive, the author speculates whether Lecoq would have welcomed developments in the use of digital technology within live performance. The essay proposes that much of Lecoq's teaching with its emphasis on play, complicite, invention, imagination and the creative actor remains relevant to contemporary developments in site-specific, immersive and postdramatic theatre. The essay is constructed in the form of a posthumous letter to Jacques Lecoq
Essai de vulgarisation des homélies métriques de Jacques de Saroug
No full textIn this series of articles originally published in Revue de l’Orient Chrétien from 1912-1914, Babakhan aimed to popularize the work of Jacob of Sarug, a large collection of whose homilies had recently appeared in the monumental edition of Paul Bedjan. Babakhan gives, with very brief introductions, rhymed French translations of five of Jacob’s homilies, namely, Bedjan’s nos. 2 (on the descent of the most high on Mount Sinai, and the symbol of the Church), 95 (on the decapitation of John the Baptist), 99 (on the Apostle Thomas), 103 (on the love of money), and 194 (on the end of the world, and marriage), with some parts omitted. This French translation may still serve as a vehicle of introduction to Jacob’s poetry, much of which remains untranslated
Da ideia de infância em Jean-Jacques Rousseau ou do "sono da razão"
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina. Centro de Ciencias da Educação. Programa de Pós-Graduação em EducaçãoOs pensamentos expostos no século XVIII pelo genebrino Jean-Jacques Rousseau influenciaram de maneira decisiva a forma como o Ocidente passou a perceber a infância. Este autor provocou uma verdadeira divisão de águas ao publicar Emílio ou Da Educação (1762). Com este feito, mais que balançar os alicerces educacionais da época, ele delega à criança um lugar no mundo. A infância passa a ter um valor em si mesma, e a ser vista como etapa fundamental na constituição humana. Ao destacar este período da vida, além de romper definitivamente com o que vigorava em seu tempo, no qual a criança era tida como um erro passageiro - um infante (aquele que não fala); um "adulto em miniatura"; ou mero objeto de paparicação e prazer - Jean-Jacques cria uma ótica inovadora de conceber a criança. Dizia que: "A natureza quer que as crianças sejam crianças antes de serem homens." Ao elaborar um conceito de infância, Rousseau afirma que "a infância é o sono da razão". O que nos surpreende devido este autor ter vivido em pleno "Século das Luzes", justamente quando a razão era evocada como o guia seguro para o pensamento e para ação em todas as idades. Ao contrário do que possa parecer, Rousseau não desmerece o período infantil, associando-o à escuridão ou a inferioridade primeira da humanidade. Ele é considerado o "inventor da infância". Retomar pensamentos que versam sobre essas ideias rousseaunianas, inaugurais da concepção moderna de Infância, por meio de pesquisa teórica, é o objetivo traçado aqui, com intuito de avançar nas compreensões estabelecidas em torno das contribuições de Jean-Jacques Rousseau para temática em exame.The thoughts exposed in the eighteenth century by the genevan, Jean-Jacques Rousseau, influenced in a decisive way the West has to realize his childhood. This author has caused a real division of the waters or publish Emile, or On Education (1762). With this done more than shake the foundations of educational time, it leaves the child a place in the world. The child is given a value in itself, and be seen as key step in the human constitution. By highlighting this period of life, and the final break with that which prevailed in his time, in which the child was seen as a mistake passenger - an infant (who does not speak), a "miniature adult" or mere object of pampering and pleasure - Jean-Jacques creates a new perspective to conceive a child. He said: "Nature wants children to be children before being men." In developing a concept of childhood, Rousseau says that "childhood is the sleep of reason". What surprises us because this author has lived in the middle of "Age of Enlightenment", just when the reason was mentioned as the sure guide for thought and action in all ages. Contrary to what may seem, Rousseau does not diminish the infantile period, associating him to the darkness or the inferiority of humanity first. He is considered the "inventor of childhood." Resume thoughts that talk about these ideas Rousseau, the inaugural modern conception of childhood, through theoretical research, stroke is the goal here, with the aim to advance the understandings established around the contributions of Jean-Jacques Rousseau to thematic examination
M. Garnerin's Own Account
No full textAccount by André-Jacques Garnerin of a balloon ascent and subsequent parachute descent made from St. George's parade grounds in London on September 21, 1802. This was the first time Garnerin made a parachute descent in England. An accompanying engraving shows the balloon with parachute attached, and a smaller image with the parachute detached.For more information about this item, visit https://archivesspace.mit.edu/repositories/2/digital_objects/66
Jean-Jacques Caffieri (1725-1792), sculptor of the King
No full textJean-Jacques Caffieri (1725-1792) Sculpteur du Roi. Dernier représentant d'une célèbre dynastie d'artistes, originaires de Sorrente (Sicile), J.J. Caffieri fut l'un des plus brillants portraitistes du siècle des Lumières. Fils de l'orfèvre ciseleur du roi, Jacques Caffieri, il débute dans le métier aux côtés de son frère Philippe, puis entre dans l'atelier du sculpteur J.B. Lemoyne. Premier prix de Sculpture en 1748, il effectue une brillante carrière de sculpteur du roi. Pensionnaire à l'Académie de France à Rome, il réside au Palais Mancini jusqu'en 1754. De retour en France, il se distingue avant tout dans l'art du portrait, délaissant parfois la sculpture monumentale. Cependant, la statue en marbre de Pierre Corneille, réalisée pour le Muséum du Roi reste très certainement l'une de ses plus belles réalisations. Rival de Houdon, Pigalle et Pajou, il n'atteindra jamais la renommée de certains d'entre eux, en raison d'un manque de technique évident. Son caractère pour le moins exécrable, ajouté à une personnalité fort antipathique, nuiront onsidérablement à sa carrière et inciteront les collectionneurs français et étrangers à solliciter les services d'artistes plus conciliants. Ses portraits de Benjamin Franklin, de Fabri de Peiresc, du chanoine Pingré ou de l'écrivain Charles-Simon Favart contribuent à assoire la renommée de l'un des plus plus brillants sculpteurs de sa génération.As the last representative of a welle-known dynasty of artists, J.J. Caffieri, a native of Sorrente in Sicily, was one of the greatest portraitists of the lightenment. The son of Jacques Caffieri, Louis XV's goldsmith (and engraver), he started working beside his brother, Philippe? Then he joined Jean-Baptiste Lemoyne's studio. " Premier Prix de Sculpture" in 1748, he pursued a brilliant career as the King's sculptor. After being a resident of the French Academy at Mancini Palace until 1754, he returned ti France. There, he first and foremost distinguished himself in portraiture (he made a name himself by making portraits), sometimes neglecting monumental sculpture. However, the marble statue of Pierre Corneille made for the King's museum; definitely remains one of his finest achievements. He was a rival to Houdon, Pigalle and Pajou, but the never won renown as one of them, because of an obvious lack of technique. His terrible temper, to say the least, added to an umpleasant personality, did conssiderable harm to his career (wrecked his career) and encouraged French and foreign collectors to appeal to more conciliatory artists. The grand portraits of Benjamin Franklin, Fabri de Peiresc, of the canon Pingré, or the writer Charles-Simon Favart are justifiably great masterpieces
Relationality, polemics, incommensurability: thinking the political at the intersections of the work of Jacques Derrida and Michel Foucault
No full textPhDThis thesis is focused on the intersections of ontology and politics in the work of Michel
Foucault and Jacques Derrida. In particular it concerns the ways in which these two thinkers
offer accounts of (ethical, social, political) relations which exceed a traditional dichotomy
between transcendentalism and empiricism. Both Derrida and Foucault show universal
foundations to originate in an anterior play of differences 'between' the transcendental and
empirical. However, as this thesis shows, each thinks this anterior 'medium' of relations in
radically incommensurable ways: as differance or aporia in Derrida and as power and
problematization in Foucault. As such, each necessarily views the other as failing to account
for the ‘true medium’ of relationality and so of its violent effacement and disavowal. This
incommensurability, it is argued, results in a polemic between them which is explicit in their
competing accounts of Descartes’ Meditations and implicit throughout all of their work. This
thesis traces the polemic between Derrida and Foucault across their accounts of subjectivity,
ethics and politics. It is argued that in their engagements with each of these fields they
employ parallel politicizing strategies which are nevertheless wholly exclusive of one another.
The incommensurability between Derrida and Foucault reflects a broader problematic
which any political thought affirming its own finitude cannot explicitly recognize. Postfoundational
accounts of relationality, it is claimed, violently exclude competing
philosophical strategies without the capacity of accounting for this exclusion
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