128 research outputs found
KONSTRUKSI PEDOMAN PENJATUHAN PIDANA BERSYARAT UNTUK TERPIDANA PERKARA KEKERASAN DALAM RUMAH TANGGA YANG DILAKUKAN OLEH ANGGOTA MILITER
No full textThe Regulation of Conditional Punishment in Indonesia is stipulated in the Criminal Code. Conditional punishment serves as an alternative to incarceration. With the current developments in sentencing, conditional punishment has become one of the primary sanctions imposed. This is evidenced by its inclusion as a principal type of punishment in the National Criminal Code. However, the author has discovered a legal fact that in several case samples from military courts dealing with domestic violence, there are decisions with sentencing disparities. This issue arises due to the absence of sentencing guidelines for judges in imposing conditional punishments. This study aims to establish the construction of sentencing guidelines for conditional punishment for perpetrators of domestic violence committed by military personnel. The research method used is normative legal research, utilizing primary and secondary legal data. This normative juridical research emphasizes literature studies, where the researcher examines literature or secondary data.
Based on the findings using a juridical analysis from the perspectives of sentencing development, legal policy, and judicial reasoning derived from several court decision samples, the author identifies the construction of sentencing guidelines for conditional punishment for perpetrators of domestic violence committed by military personnel. These guidelines must include classifications of domestic violence offenses eligible for conditional punishment, forms of conditional punishment, and specific instructions for imposing such punishments. These guidelines are intended to assist judges in reducing sentencing disparities when imposing conditional punishment
Rethinking the author in contemporary literature
Full text linkEntre las muchas perspectivas desde las que se han estudiado la autobiografía y la autoficción, se echa de menos una aproximación teórica que dé cuenta de las dificultades planteadas por uno de sus elementos fundamentales: el autor. Los estudios autoriales recientes destacan la importancia de volver la mirada sobre la instancia autorial a fin de reevaluar los vínculos con su propia obra y el papel que juega en el entramado de las relaciones que esta establece con el contexto. Al dar lugar a autofiguraciones, los géneros autobiográficos problematizan el estatuto del creador y, por lo tanto, lo convierten en el centro del conflicto realidad-ficción, origen de numerosas discusiones. Por esta razón, aquí propongo una reflexión que considera al autor como el indicador principal del carácter referencial adjudicado a ambos géneros, pero también, y por su misma naturaleza inestable y fragmentada, como la fuente de las paradojas que contaminan a la autobiografía y definen a la autoficción.Among the various perspectives from which autobiography and autofiction have been studied, there is no theoretical approach that shows the difficulties created by one of the main elements of these genres: the author. Recent studies about the author underline the importance of going back to this concept to reevaluate the connections between writers and their work, along with the role it plays in their relationships with the context. Because they create autofigurations, autobiographical genres problematize the creator’s status and, for instance, he/she becomes the center of the conflict between reality and fiction (origin of numerous discussions). For this reason, in this paper I propose an analysis that considers the author as the main focus of the referentiality related to both genres but also –due to its own unstable and fragmented nature– as the source of the paradoxes that taint autobiography and define autofiction
Filmowe czytanie Szekspira. Adaptacja jako interpretacja. O książce "Lustra i echa. Filmowe adaptacje dzieł Williama Shakespeare’a", red. O. Katafiasz, Kraków 2017, ss. 434
No full textFILM READING OF SHAKESPEARE. ADAPTATION AS INTERPRETATIONThe text is a review of a book entitled Lustra i echa. Filmowe adaptacje dzieł Williama Shakespeare’a Mirrors and Echoes. Film Adaptation of William Shakespeare’s Works edited by Olga Katafiasz. The monograph is a compilation of studies and essays prepared by filmologists, theatre studies and culture studies scholars referring to various film adaptations of William Shakespeare’s works. At the beginning the reviewer reminds film theories concerning film adaptation and the output of filmology on the topic of film adaptations of Shakespeare’s works. The author situates the book in view within the map of past and update researches of both types and evaluates their quality as a part of them. She underlines that the variety of points of view and research approaches to Shakespeare himself and to his oeuvre in Olga Katafiasz’s elaboration highlight the distinctive place of Shakespeare in nowadays culture, including pop-culture. Moreover, the variety of scholar and artistic approaches to the master from Stratford reveals also cognitive and creative abilities of film art and makes clear cultural productivity and actuality of Shakespeare. The latter means first of all possible achievement of historical and cultural accommodation to different discourses as well as of being a tool of update cultural communication. Namely in Marczak’s opinion Mirrors and Echoes… provides a practical implementation of the film theory of adaptation as interpretation of the source text and endeavors to be a response to those who ask whether Shakespeare remains a vivid author, delivering important questions and important answers for human beings of 21st century. FILM READING OF SHAKESPEARE. ADAPTATION AS INTERPRETATIONThe text is a review of a book entitled Lustra i echa. Filmowe adaptacje dzieł Williama Shakespeare’a Mirrors and Echoes. Film Adaptation of William Shakespeare’s Works edited by Olga Katafiasz. The monograph is a compilation of studies and essays prepared by filmologists, theatre studies and culture studies scholars referring to various film adaptations of William Shakespeare’s works. At the beginning the reviewer reminds film theories concerning film adaptation and the output of filmology on the topic of film adaptations of Shakespeare’s works. The author situates the book in view within the map of past and update researches of both types and evaluates their quality as a part of them. She underlines that the variety of points of view and research approaches to Shakespeare himself and to his oeuvre in Olga Katafiasz’s elaboration highlight the distinctive place of Shakespeare in nowadays culture, including pop-culture. Moreover, the variety of scholar and artistic approaches to the master from Stratford reveals also cognitive and creative abilities of film art and makes clear cultural productivity and actuality of Shakespeare. The latter means first of all possible achievement of historical and cultural accommodation to different discourses as well as of being a tool of update cultural communication. Namely in Marczak’s opinion Mirrors and Echoes… provides a practical implementation of the film theory of adaptation as interpretation of the source text and endeavors to be a response to those who ask whether Shakespeare remains a vivid author, delivering important questions and important answers for human beings of 21st century
Local periodicals of the Patriotic Movement for National Rebirth in the Poznań Region from 1983 to 1989
Full text linkAutor scharakteryzował przykładowe czasopisma Patriotycznego Ruchu
Odrodzenia Narodowego (PRON), jakie ukazywały się w dawnym województwie
poznańskim w latach 1983–1989. Należały do nich następujące miesięczniki:
„Echa Opalenickie” (1983–1989), „Głos Śremski” (1984–1989), „Kórniczanin”
(1988–1989), „Wiadomości Grodziskie” (1986–1989), „Wiadomości Nowotomyskie”
(1986–1989), oraz dwumiesięcznik „Ziemia Szamotulska” (1988–1989). Przedstawił
inicjatorów tych wydawnictw oraz ich cele, zadania i zawartość, a także niektórych
autorów materiałów prasowych.The author characterizes the examples of periodicals published by the Patriotic
Movement for National Rebirth (PRON) in the then Poznań Region from 1983 to
1989. The following monthlies were among them: “Echa Opalenickie” (1983–1989),
“Głos Śremski” (1984–1989), “Kórniczanin” (1988–1989), “Wiadomości Grodziskie”
(1986–1989), “Wiadomości Nowotomyskie” (1986–1989), and a bi-monthly
“Ziemia Szamotulska” (1988–1989). The author presents their founders, tasks and
content as well as selected authors of materials published
The ETA–ESE statement on the European Chemicals Agency opinion on iodine as an endocrine disruptor
No full textIn 2022, the European Chemicals Agency (ECHA) made a statement concluding that iodine is an endocrine disruptor (ED). We stress the fact that the ECHA opinion ECHA/BPC/357/2022 is based on their misguidedly zooming in on exclusively the biocidal products (e.g. hand disinfectants, disinfection of animals’ teats/udder, embalming fluids before cremation) that contain molecular iodine (I2), entirely neglecting the 2013 ECHA Regulation (EU) no. 528/2012 describing iodine as being of ‘great importance for human health’. Clearly, the current sweeping and erroneous classification of ‘iodine’ as an endocrine disruptor is ill-advised. We moreover call upon the scientific and medical community at large to use the accurate scientific nomenclature, i.e. iodide or iodate instead of ‘iodine’ when referring to iodized salts and food prepared there with. Drugs, diagnostic agents, and synthetic chemicals containing the element iodine in the form of covalent bonds must be correctly labeled ‘iodinated’, if possible, using each time their distinctive and accurate chemical or pharmacological name. © 2024 the author(s)
Echa piktorialne w autorskiej twórczości fotograficznej
Full text linkWhile engaging in photography, it is crucial to understand the inextricable relationship between the
technical ancestry of this medium and the possibilities of free artistic creation. Photography facilitates accurate
documentation of reality, reaching back to the language of the visual arts at the beginning of its existence
while at the same time developing its own language of fact, devoid, on principle, of any aestheticization. This
early period of photography known as pictorialism lasted from the end of the 19th century until the year 1914.
The main feature of pictorial photographs was the interference of the author into the mechanically recorded
photographs in order to imbue them with the qualities of unique artistic depictions. In time, such methods were
substituted with pure recording to enhance the impact of the particular message. However, the history of social
communication reveals certain misuses of manipulation in seemingly objective photographic documents. Thus, it would be possible to posit that interference with the image has been and continues to be present in the history of photography, while digital photography broadens those possibilities even wider. The arguments concerning the purity of the medium are, therefore, not indicative of the objective truth. Perhaps, then, the use of the pictorial method in contemporary photography allows the artists to more fully describe the world from their own subjective point of view
El relato como práctica socio-cultural-histórica. Un análisis transdisciplinario: memoria, saberes y poderes
No full textLos seres humanos narran, y la dinámica de este tipo de procesos, lejos de ser simplista, echa a andar una serie de mecanismos sofisticados. En nuestro caso particular, el objeto de estudio gira y tiene su centro en el planteamiento de que los relatos son formas de transmisión de saberes de manera que su vida, la vida de los relatos, nuestra vida y la vida cotidiana se vuelven un complejo de estrategias y procesos cuyas raíces tejen y muestran una realidad patente: el hombre existe en, para y por las ideas. Los cuentos y los relatos abren esa posibilidad de descubrimiento y de comprensión que pueden contribuir a tender hilos entre todas formas de conocimiento y de saberes de este ‘complexus’ en el que vivimos y somos.Tesis para optar por el grado de doctorado en Antropología Social</p
Echa twórczości Stanisława Lema w powieściach science fiction Rafała Ziemkiewicza
Full text linkThe article discusses about the impact of Stanislaw Lem’s art. in Rafal Ziemkiewicz’s
prose, exactly on his two science-fiction novels: Pieprzony los kataryniarza and Walc stulecia. In the first part, the author analyzes the similarity of technocratic vision of the future of both authors, then is subjected to analysis Ziemkiewicz’s themes of identity, which also corresponds with the Lem’s theses. The analysis covered are also categories of femininity, metaphysics, knowledge and labyrinth whose representation is in both authors very simila
Twórcze echa neurotycznej młodości Żeromskiego, czyli pisarstwo wywiedzione z Dzienników
Full text linkUntil now, Stanisław Żeromski’s writings have not been viewed with regard to literature common to the age of anxiety from the turn of the eighties and nineties of the 19th century, though there are numerous common aspects shared by both. These are clearly discernible in the early works of the writer, written in his youthful days, and shaped among others by J. Ochorowicz’s literary piece Z dziennika psychologa (“From a psychologist’s diary”) concerning the latter’s views on the neuropsychological system of man, the acquired habitual self-analysis and autobiographism rooted in the practical activities of a diarist; all of which surface both in the subject matter, the singularity of style, narration, as well as the composition of later works by the author. By devoting the majority of space and attention to identifying and tracing literary awareness in his intimate notes from 1882 to 1891 – of which one volume carries the title Dziennik człowieka nerwowego (“Diary of the anxious man”) – R. Okulicz-Kozaryn portrays its role in Siłaczka (“The Strongwoman”), Mogiła (“The Grave”) and Źródło (“The Source”), also in Ludzie bezdomni (“The Homeless”). He further claims that Żeromski’s Dzienniki (“Diaries”) should be presented as its laboratory sample, whereas the entire literary output of the writer ought to be interpreted as more advanced consequences of the then initiated experiment.Until now, Stanisław Żeromski’s writings have not been viewed with regard to literature common to the age of anxiety from the turn of the eighties and nineties of the 19th century, though there are numerous common aspects shared by both. These are clearly discernible in the early works of the writer, written in his youthful days, and shaped among others by J. Ochorowicz’s literary piece Z dziennika psychologa (“From a psychologist’s diary”) concerning the latter’s views on the neuropsychological system of man, the acquired habitual self-analysis and autobiographism rooted in the practical activities of a diarist; all of which surface both in the subject matter, the singularity of style, narration, as well as the composition of later works by the author. By devoting the majority of space and attention to identifying and tracing literary awareness in his intimate notes from 1882 to 1891 – of which one volume carries the title Dziennik człowieka nerwowego (“Diary of the anxious man”) – R. Okulicz-Kozaryn portrays its role in Siłaczka (“The Strongwoman”), Mogiła (“The Grave”) and Źródło (“The Source”), also in Ludzie bezdomni (“The Homeless”). He further claims that Żeromski’s Dzienniki (“Diaries”) should be presented as its laboratory sample, whereas the entire literary output of the writer ought to be interpreted as more advanced consequences of the then initiated experiment
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