100 research outputs found
A DRAMATIC READING OF BAUDELAIRE (IX) Symphonic Poem (II) The Empathy Method
No full textProf. Tuğrul İnal, deals with women’s problems in reality and fiction through the Empathy Method, in destructing Baudelaire’s language in Flowers of Evil. The details of the Empathy Method were published in the 18th edition of “Frankofoni”- pp 3-26. Inal stated that the application of this method to the works of the Turkish poet Orhan Veli and Baudelaire’s texts allows the essayist an artistic and aesthetic freedom, enlarges the limits of creativity, and to a certain extent even allows for the text to be reconstructed. This method also draws attention to the author, and the essayist is faced the vital and aesthetic problematic which Baudelaire dealt with throughout his lifetime. The Empathy Method allows the readers to experience Baudelaire over and over again in an intertextual context and a narrative style befitting the essay. Thus, the essayist becomes an actor, an independent implementer affecting the whole and even the producer. Prof. Inal continues with the use of this method in analysis – this time concentrating on what he calls ‘symphonic poetry’. This paper, reminiscent of the themed partitions of symphonic poetry, is composed of four parts. In the first part which is fiery and impassioned there are Dreams and Passions, the second part initially avid and expeditious then impassive and leisurely is Adulation for a Lover, the third part which starts out in an impetuous manner but then moves to a leisurely pace is called Tranquility, Tension and Anguish, the short final section is entitled Death and the Devil. Death, nihilism and pessimism are the main features of symphonic poetry. Benevolence, grace and euphoria between heaven and hell ends with the tragic defeat of the Devi
A DRAMATIC READING OF CAHİT SITKI TARANCI For a “genre” of poetry-theatre The Empathy Method;UNE LECTURE DRAMATIQUE POUR CAHİT SITKI TARANCI Pour un “genre” de poésie-théâtre Un essai emphatique
No full textTuğrul İNAL, investigates Cahit Sıtkı TARANCI’s poetry through the empathy method developed personally by the academician for the analysis of plays, stories, poetry and the like.. İnal published his first reading through empathy in 2006 in the Frankofoni no 18 pgs 3-13 and 19-26 and the latest in 2014 volume 26 pgs 1-6, 7-13. The author shares the poets stance between life and poetry through analysis of his view of death and with this method that entails the entwines the languages of poetry and drama and praises love.. The love of life and melancholy are intertwined in Tarancı’s poetry. Fear of death is his depression.. Death is inevitable and fearful. In an effort to ease the fear of death, Tarancı inserts a kindness and sweetness into his poetry.. The concepts of life and death are inherent in all his poems. Like a child he is in awe of all he sees and looks at the world through pink glasses, and is sad that all this beauty will come to an end. Happiness and sadness are both present in his poetry.. The ontological dilemma is softened by the poet in his works.;Cette fois, c’est à l’élucidation des poèmes de Cahit Sıtkı TARANCI que Tuğrul İNAL convoque la méthode empathique développée par lui-même et qui peut s’appliquer à la poésie, à la nouvelle et aux monologues théâtraux. Inal a publié le premier manifeste de cette méthode en 2006, dans le numéro 18 de la revue Frankofoni, pg 3-13 et 19-26 et le deuxième et dernier manifeste en 2014, dans le numéro 26 de Frankofoni, pg 1-6 et 7-13. Grâce à cette méthode où s’entremêlent la langue du théâtre et la langue poétique, Inal partage avec le lecteur son analyse de la position du poète qui, entre vie et poésie, fait l’éloge de la vie et de la beauté tout en reconnaissant la supériorité infaillible de la mort. Dans les poèmes de Tarancı, la joie de vivre et la tristesse sont étroitement imbriquées. La tristesse n’est rien d’autre que l’expression de la peur de la mort. Cette dernière, quant à elle, est une terreur sans remède et sans possibilité de salut. Paradoxalement, pour adoucir la peur de la mort et pour l’atténuer, Tarancı donne à ses poèmes des allures joyeuses et douces. La dualité mort-vie apparaît dans presque tous ses poèmes. Comme un enfant, Tarancı s’émerveille de tout ce qu’il voit, porte un regard bienveillant sur le monde sans toutefois pouvoir s’empêcher de s’attrister à la pensée que les beautés entraperçues disparaîtront à la fin, comme s’évapore un rêve. Dans sa poésie, la joie et la peine sont sœurs inséparables. C’est avec une innocence et un fatalisme presque enfantins que Tarancı aborde ce qui fait le tragique de notre condition, la problématique de l’être et du néant
Analisa Pengujian Performansi Mini Forklift Kapasitas Maksimum 5 Kg
No full textSelama pembangunan jangka panjang hingga sekarang produk-produkmesin industri menunjukkan kemajuan sangat pesat, baik segi volume maupun keragaman produk yang dihasilkan. Perkembangan produk ini tidak hanya ditandai dengan terpenuhnya kepentingan masyarakat, tetapi juga mengarah kepada kemampuan dalam memasuki ekspor untuk meningkatkan devisa negara.
Forklift banyak ditemukan di daerah Pabrik atau perusahaan dengan maksud untuk mempermudah memindahkan barang dari gudang ke ruang produksi dan sebaliknya dari ruang produksi yang sudah jadi ke gudang untuk di kemas. Hal ini menjadi sangat dibutuhkan di pabrik, dan seiring perkembnagan zaman forklift semangkin lama semngkin moderen.73 HalamanSkripsi Sarjan
The Transcription and Evaluation of "Kemâlü'l-Kâmil” By İbnülemin Mahmud Kemal Inal
No full textBu çalışma, tarih, edebiyat, biyografi ve kültür sahalarındaki çalışmalarıyla
tanınan İbnülemin Mahmut Kemal İnal„in 1905 yılında telif ettiği Kemâlü‟l-Kâmil
adlı eserinin transkripsiyon ve değerlendirmesine dairdir.
Üç bölümden oluşan araştırmanın birinci bölümünde eserin müellifinin
hayatı, şahsiyeti ve eserleri incelenmiştir. Araştırmanın ikinci bölümünde Kemâlü‟l-
Kâmil adlı eseri incelenmiştir. Eserin yazılış amacı, yazılış tarihi, muhtevası, üslûbu,
kaynakları, başka eserlere tesiri araştırılarak incelenmiştir. Üçüncü bölümde ise
transkripsiyon esnasında takip edilen usullerden bahsedilmiştir. Sonuç kısmında
çalışmayla ilgili genel bir değerlendirme yapılmıştır. Metin kısmında ise Kemâlü‟l-
Kâmil‟in İstanbul Üniversitesi Nadir Eserler Kütüphanesi‟nde bulunan yazma
nüshasının basit transkripsiyonu yapılmıştır.This study is related to the evaluation and transcription of the work named
Kemalül Kamil which was compiled by Ibnülemin Mahmut Kemal Inal who is
known for his studies in the fields such as history, literature and culture.
The life of the author, his character, and his works have been studied in the
first section of the study which contains three sections. In the second section of the
study Kemâlü‘l Kâmil has been studied. The author‟s aim of writing the book, its
content, style and resources have been studied via questioning the book‟s effect on
other works. In the third section of the study there is information about the principles
followed during the transcription of the book. In the conclusion section of the study;
there is an overall evaluation of the work. As for the script of the work, a simple
written copy of Kemâlü‘l Kâmil which is available in „Istanbul University Library of
Rare Works‟ has been transcripted
A dramatic reading of Hale Seval's "Duvarsız Avlu-Bozcaada" (1): using the empathy method
No full textHâle Seval’s last story book is entitled ‘Duvarsız Avlu Bozcaada- Bozcaada a Courtyard with Walls’. The author borrowed the title of this work from the work of Arif Damar- with his permission of course. She composes a story were the images of her world are portrayed in italics and the human-island, human-human, past-present, happiness-misery and even further than that devastation reflected as a dramatic tale. Hâle Seval thanks friends and other witnesses to the islands past and present with all its authenticity and simplicity in the forward to her work. In her work she portrays the lives of the humans and their ontological problems with an incredible patience, in a tasteful manner and with a dramatic language. As in the tribute paid by Şavkar Altınel on the back cover ‘… the vivacious details will attract you like the colors of the rays of sunshine, the islands problems will appeal to your heart, and a layer of salt like the residue of the sea will remain with you forever…’. Tuğrul İnal now uses the Empathy Method to analyze Hâle Seval’s latest stories after his diligent works on Orhan Veli, Baudelaire, and Cevat Şaki
Benim Adım Kırmızı - Mon nom est rouge rencontre des orfévres: Ecrivain-traducteur-lecteur
No full textLa technique raffinee et la description narralivisee auxquelles recourt Orhan Pamuk dans le tissage de Ia trame nairntive de son roman Mon nom est Rouge, rappellent la technique utilisee par les
orfevres, les ciseleurs et Jes miniaturistes du xvreme siecle. Son roman peut, en effet, etre considere comme un roman de la peinture et de la miniature car !'auteur y allie parfaitement et habilement la description et la nan-ation en prcscntant au lecteur un repertoire excessivement riche des reuvres d'art que furent les miniatures au XVJeme siecle. D'autres facettes de ce roman (sociologique, historique, policier ... ) qui pretent a en faire une lecture plurielle, font l'objet d'etude de Mme inal et de M. Kaya. Orhan Pamuk se retrouve, pai• ailleurs, classe parmi de rares ecrivains Tures «exotique-ekphrastique» en raison de ses riches descriptions nanativisees.In structuring his novel, My Name is Reel, Orhan Pamuk uses a refined technique and narrativised description that bring to mind a technique that goldsmiths, engravers and miniaturists used in the
16th century. His novel could be considered a novel on painting and miniatures because the author perfectly and skillfully combines description and murntion to present the reader a rich repertoire
of works of art that were miniatures in the 16th century. Prof. Ina! and Ass. Prof. Kaya also studied other facets of this novel (sociological, historical, detectiv ... etc.) that provide possibilities for
multilevel reading. Moreover, the rich narrativisea descriptions, place Orhan Pamuk among the rare, "exolic-ekphrastic" Turkish writers
Vertical Sundial from the Madrasa of al-Ashraf Inal (No. 158) on Cairo Northern Necropolis
No full textThe primary goal of this paper is a detailed publication of the little known mizwala munharifa (vertical sundial), still preserved on the madrasa belonging to the funerary complex of the Sultan Al-Ashraf Inal (no. 158), on the so-called Cairo North Cemetery. This sundial, dating back to Rabi I, year 871 [AH] – i.e. 11.10.-09.11.1466 AD – is a work of the otherwise unknown ‘poor Hassan al-Tayybi’, pupil of the famous mathematician and astronomer (and a longtime muwaqqit of the Al-Azhar) Muhammad ibn Muhammad ibn Ahmad ibn Muhammad ibn al-Ġazal, widely known as Badr or Sibt al-Din al-Mar[i]dini (AD 1423–1506).
Further on, comparing the mizwala in question with two other sundials preserved in the city center, author attempts to approach the function and role this instrument might have played within the social context of the local population inhabiting the north-east Cairo suburbs (Cairo ‘fuori le mura’, the ‘North Cemetery’ included) – dominated, by the end of the mamluk period, by numerous sufi communities
Erratum: Bioelectronic neural pixel: Chemical stimulation and electrical sensing at the same site (Proceedings of the National Academy of Sciences of the United States of America (2016) 113: 34 (9440-9445) DOI: 10.1073/pnas.1604231113)
No full textCorrection for "Bioelectronic neural pixel: Chemical stimulation and electrical sensing at the same site," by Amanda Jonsson, Sahika Inal, llke Uguz, Adam J. Williamson, Loïg Kergoat, Jonathan Rivnay, Dion Khodagholy, Magnus Berggren, Christophe Bernard, George G. Malliaras, and Daniel T. Simon, which appeared in issue 34, August 23, 2016, of Proc Natl Acad Sci USA (113:9440-9445; first published August 9, 2016; 10.1073/pnas.1604231113). The authors note that, due to a printer's error, the first name of the third author, Ilke Uguz, originally published with the first letter as a lowercase letter l. This letter should instead appear as an uppercase letter i. The online version has been corrected
On the national-artistic base of poetry by Aslanbek Psigusov
No full textThis article examines the issues of the national artistic, aesthetic foundations of the creative life of modern Kabardian poet A. Psigusov. The analysis is carried out on the material of his poems: “Ali Tsirhizh”, “The legend of the blind singer Inal”, “Sultanbek”, “Thrifty neighbor” and others.
The author of the article analyzes the questions the mythological and folkloric bases of A. Psigusov’s poetry, the theme of the Caucasian War, as well as some modern problems.
The greatest emphasis is put on the historical orientation of the poet’s works, among which are the poems “Ali Tsirhizh” and “Sultanbek”. These poems are of epic content, where there is an important effect of the documentary: toponomics, reliance on historical facts, names of historical figures, etc. The article grounds the features of the poetics, its proximity to the folklore of the Adyghe people.
An analysis of the poem “Sultanbek” allows the author to draw conclusions not only about courage, honor and dignity of the representatives of the Adyghe people, but also about the need to protect the peace and rejection of war in any of its manifestation. In this regard, the ethno-folklore elements get, according to the author, a new aesthetic value in the heroic poem “Sultanbek” and “Legend of the blind singer Inal”. Particular attention is paid to the artistic unity of historical fact and fiction in the works of A. Psigusov
Reliability and validity of the turkish version of the feeding/swallowing impact survey
No full textInal, Ozgu (Trakya author)The purpose of this study was to translate the Feeding/Swallowing Impact Survey (FS-IS) into Turkish and to test its reliability and validity in caregivers of children with cerebral palsy (CP). Caregivers accompanying the 117 children with CP who were referred for an instrumental swallowing evaluation were included in the study. The FS-IS was translated from English into Turkish by using the forward, backward, forward translation method. Parents completed the Turkish version of the Feeding/Swallowing Impact Survey (T-FS-IS) which has 3 subscales including daily activities, worry and feeding difficulties. Swallowing function was assessed with Videofluoroscopic Swallowing Study, and penetration and aspiration severity was determined according to the Penetration-Aspiration Scale (PAS). The internal consistency, test-retest reliability, construct validity, and discriminant validity of the T-FS-IS were investigated. Internal consistency was excellent with Cronbach alphas all above 0.8 (Total score=0.99, daily activities=0.98, worries=0.98, and feeding difficulties=0.96). The Intraclass correlation coefficient was 0.93, demonstrating excellent test-retest reliability. All three subscales of the T-FS-IS including daily activities, worry, and feeding difficulties as well as the total score significantly correlated with the PAS scores. Caregivers whose children had aspiration reported worse scores in the T-FS-IS total and its subscales compared with caregivers whose children without airway aspiration according to PAS (p<0.01). The T-FS-IS is a reliable and valid instrument for measuring the impact of swallowing disorders on caregivers of children with CP. It can be used in clinical practice and research. Clinical trial number: NCT03005093
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