101,063 research outputs found
Maktabat Al Muthanna Baghdad Feb-May 1962
No full textOn the same date, Ali Al-Mansouri issued an official financial statement confirming that the Al-Khanji Foundation owed a total of 11.375.أصدر علي المنصوري بيانًا ماليًا رسميًا بتاريخ 25 نيسان 1962 يُفيد بأن مؤسسة الخانجي مدينة بمبلغ إجمالي قدره 11,375
ANALISIS RESEPSI TERHADAP FIKSIONALISASI HISTORI TOKOH SULEYMAN AL-KANUNI DI DALAM SINETRON TURKI “ABAD KEJAYAAN”
Get PDFArtikel ini mendiskusikan fiksionalisasi histori tokoh Sultan Suleyman, Khalifah ke-10 Dinasti Turki Osmani, di dalam sinetron Turki ”Abad Kejayaan”, yang menimbulkan kontroversi. Di dalam teks sejarah, Sultan Suleyman dikenal sebagai pemimpin Turki Osmani terlama dan yang paling berhasil membawa Turki Osmani ke puncak masa kejayaan. Sultan Suleyman yang memerintah pada 1520-1566 juga mendapat julukan Suleyman Al-Kanuni (Suleyman Law-giver) karena kemampuannya membangun undang-undang yang diterapkan di Kekhalifahan Turki Osmani selama berabad-abad. Namun, di dalam sinetron ”Abad Kejayaan” Sultan Suleyman digambarkan sebagai tokoh laki-laki yang disibukkan oleh istri dan selir-selir yang saling berkonflik memperebutkan perhatiannya. Sinetron ini juga menampilkan latar kehidupan di wilayah harem dengan penampilan perempuan-perempuan berbusana terbuka dan adegan-adegan erotis, yang sangat bertentangan dengan etika Islam. Gambaran tokoh Sultan Suleyman Al-Kanuni sangat jauh dari horizon ekspektasi audiens. Dengan teori resepsi, artikel ini bertujuan untuk menganalisis secara kritis horizon ekpektasi dari audiens dan preferred reading dari kreator sinetron ”Abad Kejayaan”. Temuan dari penelitian ini adalah sinetron ”Abad Kejayaan” merupakan karya fiksional yang menimbulkan ketegangan, karena adanya jarak yang jauh antara horizon ekspektasi dan preferred reading
Qilādat al-jawāhir fī dhikr al-Ghawth al-Rifāʻī wa-atbāʻih al-akābir
No full textA book on Sufism on the Rifa'i way, in which the author collects virtues, conditions, dignity, sayings, behavior, method, and the realizations of the truth of Sheikh Ahmed Muhyi al-Din Abu al-Abbas al-Kabeer al-Rifa'i. Furthermore, the user talked about the widespread support he receives from his followers and the key aspects of his method
Ash-Shuo'a" the UNDIVIDED by Imam Omar Bin Abdulaziz Al-Boukhary in the Hanafi School
No full textThis research treating a study and investigation of the book titled "Ash-Shuo'a" THE UNDIVIDED by Imam Omar Bin Abdulaziz Al-Boukhary in the Hanafi school. It contains an Introduction and two chapters, the introduction displays the reasons for choosing the research title, it's important, the previous studies, its objectives, its methodology and the abstract. The first chapter: the theoretical contains two themes. The first identify the author, the second identify the investigated book. The second chapter: the investigation which includes the methodology followed in the investigation of manuscript, the photos and the investigation of the book. Finally, I have showed the most important results and recommendations. Also, I mentioned the index of resources and references used in study and investigation
Musical Instruments in Al-Jahiz
Get PDFفي كتابات الجاحظ، تناول أديب العرب الجاحظ قضايا الموسيقى والطرب والغناء. كان الجاحظ معروفًا بعلمه وأدبه، وكتب العديد من الأعمال التي تسلط الضوء على جوانب الحياة المترفة في المجتمع. كتب كتابًا بعنوان "أخلاق المغنين" وآخر بعنوان "المغنين والغناء والصنعة". في هذه الكتب، دافع الجاحظ عن الغناء كفن فني، ورأى أنه يمتلك قواعد وأسسًا علمية تشابه مع غيره من الفنون والآداب. كان يروج للغناء باعتباره متعة فنية. وعلى الرغم من انتمائه للمعتزلة، إلا أن الجاحظ كان مشجعًا للغناء ومغنين، وكتب عن أخلاقهم وفنونهم. وفي رسالته "القيان"، تناول الجاحظ تأثير بيوت القيان والقيان نفسهن في المجتمع الإسلامي، حيث أشار إلى الفسق والعشق والفجور الذي قد ينتج عن هذا التأثير. بشكل عام، تركت كتابات الجاحظ أثرًا مهمًا في فهمنا لثقافة الموسيقى والطرب والغناء في العصور القديمة.In his writings, the Arab author Al-Jahiz addressed issues related to music, Tarab (a genre of music), and singing. Al-Jahiz was known for his knowledge and literature, and he wrote numerous works that shed light on the luxurious aspects of society. He authored a book titled "Ethics of Singers" and another titled "Singers, Singing, and the Craft." In these books, Al-Jahiz defended singing as an artistic form and believed that it possessed scientific principles and foundations similar to other arts and literature. He promoted singing as a pleasurable art form. Despite his affiliation with the Mu\u27tazila school of thought, Al-Jahiz was a supporter of singing and singers, and he wrote about their ethics and arts. In his treatise "Al-Qiyan," Al-Jahiz discussed the influence of courtesans and their households on Islamic society, pointing to the immorality, passion, and vice that may result from this influence. Overall, Al-Jahiz\u27s writings have had a significant impact on our understanding of music, Tarab, and singing in ancient times
DIWS: AS A MYTHOLOGICAL ELEMENT IN SULEYMAN-NAME
No full textSüleymân-nâme-i Kebir; tarihçi, edebiyatçı ve mutasavvıf kişiliğe sahip olan Firdevsî-i Rûmî’nin XV. yüzyılın sonlarına doğru kaleme almaya başladığı, 81. cildine kadar çeşitli kütüphanelerde nüshaları bulunan eseridir. Süleymân-nâme’de Hz. Süleymân’ın hayatı mitolojik, destansı ve efsanevî unsurlarla karışık olarak detaylı ve kapsamlı bir şekilde ele alınmaktadır. Eser, Hz. Süleymân’ın hayatının Şeh-nâme kahramanlarının hayatları ile birleştirildiği farklı bir kurguya sahiptir. Bu sebeple eser hem Tevrât’tan hem de Şeh-nâme’den önemli izler taşımaktadır. Süleymân-nâme’de, Hz. Süleymân’ın hayatı ekseninde aktarılan ana hikâye içinde tarihten coğrafyaya, mitolojiden antropolojiye, savaş sanatından astronomiye, tıptan astrolojiye, botanikten zoolojiye, hadisten tefsire, siyerden tasavvufa birçok alanla ilgili bilgi, kavram ve varlıklara genişçe yer verilmektedir. Süleymân-nâme’de önemli bir yere sahip olan varlıklardan biri de İran mitolojisinde ve Şeh-nâme’de bahsi sıkça geçen dîvlerdir. Türkçede “dev” olarak kullanılan dîv, klasik edebiyatta ve Süleymân-nâme’de, insana benzeyen ve iri cüsseli olan masal kahramanından daha farklı varlık ve kavramlar için kullanılmaktadır. Süleymân-nâme’ye göre insandan önce yaratılmış bir ırk olan dîvler, bir anda istedikleri yere gidebilen ve oldukça güçlü yapıda olan varlıklardır. Eserin tahkiyevî kurgusunda övülüp yüceltilen kahramanların, karşısında yer alan ve mutlak surette kötülüğü temsil eden dîvler; tasavvufî boyutta nefs-i emmâreyi temsil etmektedir. Bu çalışmada, Süleymân-nâme’ye göre dîvlerin yaratılışı ve özellikleri ile eserde yer alan dîv kahramanlar ve bunların temsil ettiği tasavvufî hususlar incelenmiştir.Suleyman-name-i Kebir, a work of literature which is up to 81 volumes of copies can be found in various libraries, was tried to be written towards the and of the 15th century by Firdewsi Rumî, who has a historian, literary and mystical personalty. In Suleyman-name, life of the Prophet Suleyman (Solomon), which was blended in with mythological, epic and legendary elements, was discussed in detail and comprehensively. The work has a different fiction in which the life of Propher Suleyman is combined with the lives of the heroes Shah-nameh. For this reason, the work bears important traces from both Torah anf Shah-nameh. In the Suleyman-name, the main story that was shaped around the life of the Prophet Suleyman includes wide information concept and existence which are releated to different fields: from history to geography, from mythology to antropology, from warcraft to astronomy, from medicine to astrology, from botanic to zoology, from hadith to tafseer. One of the important creature that take place in Suleyman-name is “diw” (deamon) whose name is also mentioned in Persian mythology and Shah-name fruquently. İn classical litarature an Suleyman-name, teh diw –his Turkish form is dev- is used to describe a creature which is different existentialy and in concept from humanoid and bulky characters of tales. Acording to Suleyman-name, diws, whose race was created before humanbeings, can in an instant move to a place they want and are stroge creatures. In the narrating fantasy of this work, against the praised and glorified heroes are the Diws that absolutely represent evil, hence correpond to “al-nafs al-ammareh”in Islamic sufism (mystisicm) In the study, according to Suleymanane, the genesis and the features of the Diws, with the Diw characters and the mystic cases they represent were examined
Theoretical Insights of History, Morality, and Society as the Literary Trio of the Author-Reader Relationship.
No full textThis paper attempts to examine the relationship between the author and the reader by polarizing history, morality, and society as a selected triad of theoretical interpretation. The study mainly focuses on the theoretical insights of these relationships in order to give proper clues for delving deep into the technical and thematic peculiarities of different literary genres. Therefore, it follows a qualitative approach to some fictional works, particularly novels, to demonstrate how the authorial perspective intersects with the reader’s ability to grasp the latent textual messages projected by authors in the course of the plots. The relationship between the author and the reader will be limited to three related topics, namely, history, morality, and society. As for history, the study sheds light on the postcolonial attributes of literature to reveal the function of liberal humanism in bridging the gap between the colonized people and the colonizers. Morality, on the other hand, will be discussed to explore the relative view of morality by authors and how the reader might conceptualize it according to his/her cultural background. Lastly, the discussion of society will be limited to the social customs and norms approached by authors to deliver a comprehensive depiction of the social reality in which the reader lives his/her true life
Historiography in the Reign of Suleyman the Magnificent
No full textConsidered to have begun with Germiyan (1) Ahmedi,
Ottoman historiography.Continued during the
reign of Murad II with anonymously composed works
entitled Tevarih-i al-i Osman (Chronicles of the Exalted Osmanlis)
that were qweated principally from historical
chronologies
Examining the Authorship of Nahj al-Balāgha: Between Ali Ibn Abi Talib, al-Sharif al-Radi, and al-Sharif al-Murtad
No full text"نهج البلاغة" كتاب يُنسَب إلى عليّ بن أبي طالب رضي الله عنه يتضمّن عددًا من الخطب والمواعظ والعهود والرّسائل والحِكَم والوصايا والآداب، توزّعت على 238 خطبة، و 79 رسالة و 489 قولا، يرى الشّيعة في "النّهج" أنّه أحد الكتب المهمّة الّتي يجب على الشّيعي قراءتها والأخذ والتعلّم منها، وقد اختلف الدّارسون والنّقّاد القدامى والمعاصرون في مؤلّـِفه، فمنهم مَن اعتبره لعليّ بن أبي طالب ومنهم من اعتبره للشّريف الرَّضيّ، وفريق ثالث جعله للشّريف المرتضى. تتناول هذه الدراسة بالاستقصاء والتحقّق والتحليل نسبة الكتاب إلى صاحبه أو ما يُزيل الإبهام، هل هو عليّ بن أبي طالب؟ أم الشّريف الرَّضيّ؟ أم الشّريف المرتضى؟ ويحاول أن يرجّح لمن يُنسَب كتاب نهج البلاغة، وما مدى مصداقيـّته؟ وما مدى صحّة نسبة كتاب نهج البلاغة لعليّ، وما رأي الدّارسين والعلماء فيه؟ وما هي أهمّ المطاعن الموجّهة إلى نهج البلاغة؟The book Nahj al-Balagha is a collection of sermons, letters, adages, commandments, and etiquettes, divided into 238 sermons, 79 treatises, and 489 sayings. People following the Shiite sect regard it as a crucial text for teaching and learning, and they attribute it to Ali Ibn Abi Talib. Yet, the book’s real author is still disputed among Sharia scholars. While some attribute it to Ali Ibn Abi Talib, others claim that al-Sharif al-Radi is the book’s actual author, whereas another group attribute it to al-Sharif al-Murtada. This study employs a comprehensive approach to investigate and analyze the book’s authorship. It involves a detailed literary and historical analysis, examining primary sources, scholarly works, and critical literature to explore the real author of the text. It compares the content of the book with other authenticated works belonging to the potential authors in order to identify similarities and differences. By evaluating the style, language, and themes of Nahj al-Balagha, as well as reviewing historical documents and manuscripts, the study aims to trace the text’s origins and transmissions. In doing so, it addresses the significant critiques and controversies surrounding the text, enhancing our understanding of its historical and literary significance. The study further contributes to the ongoing discourse on the book’s authorship, providing more clarity on the topic and promoting additional scholarly research
Kitab fima yahtaju ilayhi al-sani min a'mal al-handasa
No full textpage, folios 34 & 35 showing text and geometric figure
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