1,721,109 research outputs found

    Subodh Gupta

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    Comme un écho à la rétrospective de Subodh Gupta orchestrée par Germano Celant en 2014 au MMK de Francfort, la monographie publiée à l’occasion de la première exposition solo de l’artiste indien en France à la Monnaie de Paris en 2018 fait la part belle à une compréhension globale de l’œuvre dans son entièreté et sa diversité. Bilingue français/anglais, le catalogue est généreusement illustré, et présente des textes essentiels, des notices thématiques (objets quotidiens transfigurés, cuisine,..

    Cibo per l'anima

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    Monografia dedicata all'artista indiano Subodh Gupta

    Cibo per l'anima

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    Monografia dedicata all'artista indiano Subodh Gupta

    Subodh Gupta : adda / rendez-vous

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    Land dispute resolution in Mozambique: institutions and evidence of agroforestry technology adoption

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    Successful adoption of natural resource management technologies requires that important fundamentals of property rights be established. Because disputes over property rights occur universally, the ability to successfully defend one's rights to property exercises a central influence on the tenure security necessary for technology adoption. However, defending rights to property rests upon the possession of evidence that is readily available and widely regarded as legitimate. This paper presents work carried out in postwar Mozambique on the availability and legitimacy of evidence pertaining to land tenure dispute resolution. What is unusual about the Mozambique case is that the physical presence of a natural resource management technology—agroforestry trees in this case—also serves as one of the most widely available and legitimate forms of evidence in the postwar period. Such an arrangement reveals important aspects about the reverse relationship between property rights and technology adoption. While such an evidence role for a technology may at first appear to encourage further adoption of agroforestry, important influences on property rights in the postwar setting serve to discourage full adoption and jeopardize the long-term presence of existing agroforestry trees. It remains to be seen if recent legislative changes regarding property rights will successfully engage customary forms of evidence and encourage full adoption of agroforestry in Mozambique.Conflict management.,

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    La pauvreté et l’art misérable.

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    Vrai laitier à Masindray (Madagascar). Il gagne moins d’un euro par jour… En découvrant « Cow » dans un article du Monde consacré à la Foire internationale d’art contemporain, j’ai ressenti un choc violent. Non pas de ceux qui vous saisissent quand vous êtes en présence de « Guernica » ou du « Cri ». Non, plutôt une forme de honte et de dégoût. Parce que des vélos et des bidons comme celui que Subodh Gupta a voulu montrer aux amateurs d’art contemporain (pour ..
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