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    Catholicism and Cinema : Modernization and Modernity

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    This book investigates the Catholic Church’s film policy illuminating for the first time, by means of a systematic analysis, a vast body of documents preserved at the Vatican Secret Archives and at numerous Italian Catholic archives – some of them indexed and opened to scholars, like the Archivio Storico dell’Istituto Luigi Sturzo [Historical Archive of the Luigi Sturzo Institute] and the Archivio dell’Istituto per la storia dell’Azione Cattolica e del Movimento Cattolico in Italia Paolo VI [Archive of the Institute for the History of Catholic Action and the Catholic Movement in Italy Paul VI]; other only partially indexed like the Nazareno Taddei Archive or faced with the risk of closure, like the Associazione Cattolica Esercenti Cinema [Catholic Exhibitors’ Association] Archive

    Cattolicesimo e cinema: cronologia

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    Cronologia dei rapporti tra Cattolicesimo e cinema dal 1926 al 1971.Chronology of the relations between Catholicism and cinema from 1926 to 1971

    Ricominciare ogni volta: il tempo come infinita serie di inizi nella trilogia di Heimat

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    Il saggio analizza le procedure di articolazione del tempo nella trilogia di Heimat, di Edgar Reitz, monumentale impresa di ricostruzione della storia tedesca, di oltre cinquanta ore. L'inesausta attivazione di sempre nuovi inizi (del racconto, ma anche delle azioni rappresentate) corrisponde a un'idea del tempo e della Storia come incessante rigenerazione

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Il medioevo di Francesco giullare di Dio

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    Francesco d'Assisi come spunto, nel film di Rossellini, per una riflessione sui temi della marginalità sociale e dell'anticonformismo
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