1,720,961 research outputs found
Filosofia e diritto tra French Theory e Italian Thought
Scopo di questo lavoro è indagare il rapporto tra filosofia e diritto nei maggiori autori della "France Theory" in rapporto ad alcune delle più interessanti riflessioni sul tema di alcuni esponenti dell'"Italian Thought"
Ripresa, a priori storico, sistemi di pensiero
In questo contributo si intende affrontare, in un modo che potrebbe sembrare certamente azzardato, il progetto filosofico weiliano, e in particolar modo la nozione di ripresa, affiancandolo a quello foucaultiano. Le considerazioni che vi vengono svolte, tuttavia, non intendono mostrare che tra i due progetti si dia una sostanziale comunanza e nemmeno istituire tra essi una sorta di confronto o parallelismo. L’intento, assai più circoscritto, è piuttosto quello di tentare di gettare una luce diversa su alcuni aspetti della nozione weiliana di ripresa collocandosi in parte al di fuori della costruzione della «logica della filosofia», ovvero a partire da una possibile piattaforma esterna rappresentata, in questo caso, dalla scelta di alcuni elementi del discorso foucaultiano, e in modo particolare della nozione di “a priori storico”.Neste contributo pretende-se enfrentar, de um modo que poderá parecer arriscado, o projecto flosófico weiliano, e em particular o conceito de reprise, confrontando-o com o foucaultiano. As considerações que aqui desenvolvo, contudo, não visam demonstrar que entre os dois projectos exista uma semelhança substancial, ou sequer estabelecer entre eles uma espécie de confronto ou paralelismo. O objectivo, bem mais limitado, é antes o de tentar esclarecer diversamente alguns aspectos do conceito weiliano de reprise ficando em parte fora da construção da «lógica da filosofia», ou seja, a partir de uma possível plataforma externa representada, neste caso, pela escolha de alguns elementos do discurso foucaultiano, e em particular do conceito de “a priori histórico”
chr(38)quot;Got(t)heitchr(38)quot;: a deidade em Eckhart e Heidegger
O presente artigo tem por objetivo investigar e comparar o sentido do termo chr(38)quot;deidadechr(38)quot; (Gottheit) nas obras de mestre Eckhart (1260-1328) e Martin Heidegger (1889-1976). Não obstante as reduzidas referências explícitas à utilização eckhartiana do termo, podemos verificar que aspectos fundamentais desta utilização são retomados por Heidegger servindo, todavia, ao desenvolvimento de um projeto completamente com a intenção de Eckhar
‘We have nothing in common’: Rethinking community and the mechanisms of creating a sense of belonging
We live in an era of crisis for community and commonality. Our present
experience, as noted by Derrida, is that of an aporia at the heart of
belonging. Yet, it is in the very space torn apart by this aporia that we can
try to conceive of a new sense of community and transform our way of thinking
about being in common, which means the deconstruction of “Us” and of its
enunciation. In the light of such a deconstruction, what makes for effective
and powerful change in a struggle for emancipation, or in a protest for the
recognition of one or more rights, when carried out by a collective movement
or a group? This paper aims to answer that question, by seeking to
investigate the conceptual and theoretical mechanisms that make a plural
subject’s protest or claim concrete in its quest for justice and equality, in
the face of a growing and likewise concrete (or real) inequality
Heidegger e l’altro inizio nell’età della tecnica
The comparison of ecological thought with Heidegger’s philosophy is played out in the tension between the call for an alternative ecological ethos to the world of technology and the impossibility of an exit from it. Starting with the lecture The Question of Technology, the contribution aims to consider the way in which Heidegger, through his meditation on technology and art, conceives the overcoming (Verwindung) of technology and opens up to another (poetic/dichterisch) way of inhabiting the earth
(Pre-)politiche dell'umano. La riduzione all'elementare tra diritti e violenza
The increasingly frequent appeal to the universality of human rights risks dissimulating a danger: the bearer of universal rights is void of any belonging and citizenship, is reduced as it were to what is basic, and thereby is exposed to violence. The paradox of those who have no country of belonging — the immigrants who disembark on the Italian coasts — is that of having to claim belonging to a qualified, differentiated, “political” identity that protects them from the metaphysical violence that may nestle in any form of universalism
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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