3,372 research outputs found
O ideal de liberdade em o diário de Anne Frank
No full textA pesquisa procura problematizar acerca do ideal de liberdade presente em O Diário de Anne Frank. Para responder e esclarecer esta problemática, são primeiramente introduzidos o contexto internacional foco da pesquisa, o nazismo, a biografia de Anne Frank e apresentação da obra, O Diário de Anne Frank e a confrontação de elementos conceituais sobre a liberdade em diferentes aspectos e produzidos por autores de áreas e épocas distintas. Segue-se então, apresentação e desenvolvimento das metodologias e idéias que tornaram a pesquisa possível, guiada pela lente pós-positivista do conhecimento científico. Ao final, retoma-se o tema do holocausto judeu na Segunda Guerra Mundial, adicionam-se mais explanações a respeito do modelo teórico, fundamentalmente baseado nas idéias de Gadamer, tendo por fim a análise da obra O Diário de Anne Frank conduzida com os instrumentos fornecidos pela filosofia do citado autor.The research seeks to question about the ideal of freedom present in Anne Frank: the diary of a young girl. To respond and clarify this issue, are first introduced the international focus of research, nazism, the biography of Anne Frank and presentation of the work, Anne Frank: The Diary of a young girl and conceptual elements of confrontation on freedom in different aspects and produced by author of different areas and seasons. It follows then, presentation and development of methods and ideas that made the research possible, guided by the post-positivist lens of scientific knowledge. In the end, explanations on the subject of Jewish Holocaust in World War II, add more explanations about the theoretical model, essentially based on ideas of Gadamer, and finally the analysis of the work The Diary of Anne Frank conducted with the instruments provided by the philosophy of that author
A sojourn in Paris 1824-25: sex and sociability in the manuscript writings of Anne Lister (1791-1840)
No full textThis thesis examines the day to day practices that constituted Anne Lister's (1791-1840) sexuality and sociability within the range of her writings, as well as her society. Anne's writings were a detailed account, spanning her lifetime, of her own love and relationships with the 'fairer sex' (Whitbread 1988, 145). Anne's sociality, seen in her correspondence and plain handwritten journal entries, has been explored by Muriel Green in Miss Lister of Shibden Hall and Jill Liddington in Female Fortune and Nature's Domain (Green 1992; Liddington 1998; 2003). As a gentlewoman of adequate means, Anne has garnered some attention from women's historians interested in her agency within an early nineteenth century social and historical context. Anne's sexual identity has been extensively analysed over the past nearly twenty years by lesbian feminists, queer theorists, women's historians and historians of sexuality concerned with the history and development of modern Western female homosexuality and gender. The source for theorising Anne's sexuality has been the edited selections of the crypted journal entries, published by Helena Whitbread in I Know My Own Heart and No Priest but Love (Whitbread 1988; 1992). However, many analyses deal either with the theorisation of Anne's sexuality or her sociality; the theoretical difficulty with reconciling these categories has troubled the analysis of her complex subjectivity. Drawing upon the archival materials, I have used an interdisciplinary feminist approach to analyse the sexual and social processes of Anne's everyday interactions in her writings. Taking the seven month period of the sojourn to Paris in 1824-25, I have focused upon Anne's textual practices within her journal volume and letters during her residence in Paris, her social practices with the other guests at the guesthouse 24 Place Vendome and her sexual practices with her lover, the widow Mrs. Maria Barlow. The journal volumes and correspondence are a valuable historical record of one gentlewoman's engagement with early nineteenth century British culture
Traducció i anàlisi comparativa dels dos primers capítols d'"Anne of Green Gables" de L. M. Montgomery
No full textAquest treball té com a objectiu proposar una nova traducció al català de la novel.la Anne of Green Gables, de Lucy Maud Montgomery. Per a fer-ho, ens proposarem uns objectius i una metodologia a seguir i elaborarem un marc teòric investigant sobre l'obra, l'autora, la situació de la dona en l'època i la traducció de literatura infantil i juvenil. A continuació, elaborarem la traducció dels dos primers capítols de la novel.la i analitzarem els aspectes relacionats amb la traducció de literatura infantil i juvenil que hagen suposat una dificultat. Finalment, reflexionarem sobre tot el procés i sobre els resultats obtinguts en la conclusió.Este trabajo tiene como objetivo proponer una nueva traducción al catalán de la novela Anne of Green Gables, de Lucy Maud Montgomery. Para ello, nos propondremos unos objetivos y una metodología a seguir y elaboraremos un marco teórico investigando sobre la obra, la autora, la situación de la mujer en la época y la traducción de literatura infantil y juvenil. A continuación, elaboraremos la traducción de los dos primeros capítulos de la novela y analizaremos los aspectos relacionados con la traducción de literatura infantil y juvenil que hayan supuesto una dificultad. Finalmente, reflexionaremos sobre todo el proceso y sobre los resultados obtenidos en la conclusión.This project aims to propose a new Catalan translation of Lucy Maud Montgomery's novel Anne of Green Gables. To do so, we will propose goals and a methodology to follow and we will develop a theoretical framework in which we wil research the novel, the author, the situation of women at the time and the translation of children's literature. We will then work on the translation of the first two chapters of the novel and discuss the issues related to translating children's literature that have presented difficulties. Finally, in the conclusion we will reflect on the whole process and on the results obtained
. 26 (1991) abril-septiembre. Historias. Revista de la Dirección de Estudios Históricos
No full text- El juez y el historiador por Carlo Ginzburg. - El inquisidor como antropólogo por Carlo Ginzburg. - Indios en cabildo: historia de una historiografía sobre la Nueva España por Francisco G. Hermosillo. - La prostitución en los siglos XVI y XVII. Una alternativa para la supervivencia femenina por Ana María Atondo. - El criollismo y los símbolos urbanos por Jorge González Angulo. - Luis Campa, grabador y fotógrafo por Patricia Masse. - La formación de los intelectuales del Ateneo por Susana Quintanilla Osorio. - La cultura libresca de un converso procesado por la Inquisición de Lima por Pedro Guibovich Pérez. - Cincuenta años de edición y estudios de fuentes documentales y crónicas de Indias en España por Ma. Concepción Bravo Guerreira. - Los indicios del historiador por David Harlihy. - Marija Gimbutas y las diosas de la Vieja Europa por Rodrigo Martínez. - En busca de un concepto por Guillermo Turner R. - Historia subterránea por Anne Staples. - Una nueva fuente. Las alcabalas por Jorge Silva Riquer. – Crestomanía por José Mariano Leyva
Consumption Growth and Agricultural Shocks in Rural Madagascar
No full textThe aim of this paper is to evaluate the effect of rainfall and agricultural shocks on consumption growth in Madagascar. We are also interested in the impact of local endowments in infrastructures and social services on consumption growth. To achieve this goal, a micro model of household consumption growth is estimated thanks to household panel data collected by the Reseau des Observatoires Ruraux (ROR) between 1999 and 2004. Additional data sources include the 2001 communes census organized by the Ilo program of Cornell University. Altogether these different data sources make an unusually rich data set, at least when considered with developing country standards. We use panel data fixed effect estimation technique to remove unobserved household and community level time invariant heterogeneity. We find that production shocks have a substantial impact on consumption growth and we find sign of persistence of rainfall shocks. Roads and education seems to improve household’s consumption growth and remotness decreases it.risks, growth, poverty, Food Security and Poverty,
Diario de Campo: Boletín Interno de los investigadores del área de Antropología. 98 (2008) junio. Diario de Campo
No full text- Presentación. Texto introductorio a la revista Diario de Campo en su décimo aniversario por Alfonso de María y Campos. - América y Mesoamérica en un recorrido del Musée du Quai Branfy por Fabienne de Pierrebourg. - Conversos, redentores y elegidos. Trasformaciones cosmogónicas entre los ñüñho del sur de Querétaro por Beatriz Ultrilla Sarmiento. - Proyecto Catálogo Escultórico-Iconográfico de Tula, Hidalgo: sus imágenes en piedra por Elizabeth Jiménez García. - Lo sagrado y lo profano. La entrada de velas y flores de San Caralampio en Comitán, Chiapas por Gabriel Laló Jacinto. - El Musée du Quai Branly: un encuentro entre Antropología e Historia de las Artes por Anne Christine Taylor. - Protocultura en el traspatio por Hilario Topete Lara. - Reconocimiento, estatus y catalogación de las lenguas indígenas mexicanas por H. Antonio García Zúñiga. - Caminos impuestos sobre caminos sagrados por Paul Liffman. - Boletín del Archivo Histórico del Agua No. 37 por Francisco Herrera Cipriano. - Cuadernos de Etnología 4. El venado, el maíz y el sacrificado. - Suplemento 48. Las formas expresivas del arte ritual o la tensión vital de los gestos creativos
Processos de Criação em Anne Sauvagnargues
No full textThis paper consists in problematize the processes of creation based on the work of Anne Sauvagnargues. For that, it shows an introduction to the conception elaborated by this artist and philosopher. The object of analysis are three of her paintings: “Station Saint Michel”, “Viva Italia!” and “Arrêt à Marseille”. The initial exposure increase, an approximation with the concept of blockage develops - for the author the blockage is who creates - and with the notion of subtraction - since for Sauvagnargues, creation is always subtractive. The hypothesis defended by the trial is that there is a creation theory in Anne Sauvagnargues at the same time is related to the idea of blockage - which could be distinct from a certain understanding about the concept of resistance in Gilles Deleuze: to create is to resist - and with subtraction while invalidating a naturalized law. Naturalization, in turn, prevents the perception that the defense of coherent systems are always impositions of a specific reading. In this direction, the paper´s bet is that Anne Sauvagnargues´ work, seldom translated in Brazil, have important contributions to cartography whose intention is to map relationships that involve the processes of creation and processes of subjectification.
Este artículo busca problematizar los procesos de creación basados en el trabajo de Anne Sauvagnargues. Para eso, presenta una introducción a la concepción elaborada por esta artista y filósofa, que tiene como objeto de análisis tres de sus pinturas: “Station Saint Michel”, “Viva Italia!” y “Arrêt à Marseille”. A partir de esta exposición inicial, entonces, se desarrolla una aproximación con el concepto de bloqueo, ya que para el autor es el bloqueo quien crea, y con la noción de substracción, visto que para Sauvagnargues, la creación siempre es substractiva. La hipótesis defendida por el ensayo es que hay una teoría de la creación en Anne Sauvagnargues que al mismo tiempo está relacionada con la idea de bloqueo, lo que sería distinto de una cierta comprensión del concepto de resistencia en Gilles Deleuze: crear es resistir, y con substracción mientras invalida una ley naturalizada. La naturalización, que a su vez, impide la percepción de que la defensa de sistemas coherentes son siempre imposiciones de una lectura específica. En este sentido, la apuesta del trabajo es que el trabajo de Anne Sauvagnargues, aún poco traducido en Brasil, tiene importantes contribuciones a la cartografía cuya intención es mapear las relaciones que involucran los procesos de creación y los procesos de subjetivación.
O presente artigo busca problematizar os processos de criação a partir da obra de Anne Sauvagnargues. Para isso apresenta uma introdução sobre a concepção elaborada por esta artista e filósofa tendo como objeto de análise três de suas pinturas: “Station Saint Michel”, “Viva Italia!” e “Arrêt à Marseille”. A partir dessa exposição inicial desenvolve-se, então, uma aproximação com o conceito de bloqueio - visto que para a autora é o bloqueio quem cria - e com a noção de subtração - visto que para Sauvagnargues a criação é sempre subtrativa. A hipótese defendida pelo ensaio é de que haja uma teoria da criação em Anne Sauvagnargues que ao mesmo tempo se relaciona com a ideia de bloqueio - a qual seria distinta de uma determinada compreensão do conceito de resistência em Gilles Deleuze: criar é resistir - e com a subtração enquanto invalidação de uma lei naturalizada. Naturalização, que por sua vez, impede a percepção de que a defesa de sistemas coerentes são sempre imposições de uma leitura em específico. Nesse sentido a aposta do trabalho é de que obra de Anne Sauvagnargues, ainda pouco traduzida no Brasil, tenha contribuições importantes para cartografias cuja intenção passe pelo mapeamento de relações que envolvem os processos de criação e os processos de subjetivação
Anne Shirley do século XXI: a adaptação da personagem na série Anne With An E
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2021.Este é um estudo sobre a personagem Anne Shirley, protagonista de Anne of Green Gables (1908), da autora canadense L. M. Montgomery, tal qual adaptada na série Anne With an E (2017), de Moira Walley-Beckett, produzida pelo canal canadense CBC (Canadian Broadcasting Corporation) e transmitida pela plataforma de streaming Netflix. O presente trabalho tem como objetivo central analisar os principais recursos audiovisuais adotados para a introdução da personagem no episódio-piloto da série, baseando-se em noções de adaptação propostas por Julie Sanders (2006), Deborah Cartmell (1999), Brian McFarlane (1996) e, sobretudo, Linda Hutcheon (2013). Como metodologia para a construção dessa análise, foram selecionados três recursos audiovisuais de adaptação largamente presentes no primeiro episódio da série: flashback, enquadramentos em primeiro plano (ou close) e falas de efeito enunciadas. Também é discutido o possível impacto do streaming na distribuição e recepção do entretenimento contemporâneo ? para abordar esse fenômeno, recorreu-se a estudiosos da área da comunicação, como Chris Anderson (2006), John Fiske (2011), Pierre Levy (2013) e Raymond Williams (2016), entre outros. Esta pesquisa está ancorada, ainda, em parte da vasta fortuna crítica de mais de 100 anos da obra de Montgomery, de modo a fundamentar a hipótese de que a série atualizou a personagem Anne com vistas ao público do século XXI.Abstract: This study approachesthe character of Anne Shirley, protagonist of Anne of Green Gables (1908), by Canadian author L.M. Montgomery, as adapted into the series Anne with an E (2017), by Moira Walley-Beckett, produced by the Canadian channel CBC (Canadian Broadcasting Corporation) and broadcasted by Netflix. This work has as main objective analyzing the main audiovisual resources chosen and applied to the presentation of the character in the series? pilot episode, based on the concepts of adaptation proposed by Julie Sanders (2006), Deborah Cartmell (1999), Brian MacFarlane (1996) and, mainly, Linda Hutcheon (2013). As a methodology to build the analyses three audiovisual resources largely presented at the first episode of the series were selected: flashbacks, close-ups, and eloquent speech. The possible effect of the streaming at the distribution and reception of contemporary entertainment is also discussed ? this phenomenon is understood by gathering ideas from scholars of communication, as Chris Anderson (2006), John Fiske (2011), Pierre Levy (2013) and Raymond Williams (2016), among others. Furthermore, this research is based on some of the extensive critical fortune of more than 100 years of Montgomery?s work, to support the hypothesis that the series updated the character Anne as a means of aiming at 21st century?s audience
'The cracked mirror': Anne Sexton's poetics of self-representation
No full textThis thesis re-evaluates the work of the poet Anne Sexton (1928-1974), concentrating, in particular, on the indeterminacies, contradictions and aporia which it finds to be characteristic of her ostensibly frank and self-revelatory writing. The study is based on a close textual
analysis of Sexton's writing, is informed by oststructuralist theories, and is sustained by an
examination and discussion of archive collections of her previously unpublished papers. In seeking an understanding of Sexton's poetics, the thesis identifies and interrogates the strategies of denial and obfuscation apparent in her own explication of her work - principally, by scrutiny of the unpublished, and previously unresearched, drafts of a series of lectures
which she delivered in 1972. Chapters One and Two consider the origins of `confessional' or - Sexton's preferred term - 'personal' poetry and reassess her place within contemporary poetry. They suggest that
Sexton's writing is engaged in a process of negotiation and contestation, both with the boundaries and expectations of confessionalism, and with the strictures of T. S. Eliot's theory of `impersonality'. In support of these arguments, Chapter Two offer a reading of Sexton's
little-known poem, `Hurry Up Please It's Time', alongside its intertext, Eliot's The Waste Land. Chapter Three reassesses received views of the supposedly beneficial interrelationship between confessional speaker and reader. It examines Sexton's appropriation of dramatic
masks and personae and her use of metaphors of striptease and prostitution, and suggests that these are employed simultaneously to appease and to repel an intrusive audience. Similarly, Chapters Four and Five trace Sexton's problematisation of two previously-accepted tenets of confessional poetry: its status as autobiography and its truthfulness, drawing attention to the techniques employed in order to give the impression of both. Chapter Six considers Sexton's
problematic engagement with a language which is not malleable, transparent, and referential but, rather, is experienced as uncooperative and occlusive. Finally, the thesis recuperates Sexton from the common charge of narcissism, arguing that it is the writing, rather than the poet, which is self-reflexive and self-conscious. In this respect, it concludes that her work - perhaps unexpectedly - anticipates many of the tendencies of postmodernist writing
Diario de Campo: Boletín Interno de los investigadores del área de Antropología. 97 (2008) abril. Diario de Campo
No full textImágenes del mundo nahua en el acervo de la Tototeca "Nacho López" de la CDI por Xilonen Luna Ruiz y Margarita Sosa Suárez. - El nagualismo en época prehispánica y colonial por Roberto Martínez González. - Aspectos para la práctica pericial por Roberto Martínez González. – Cristianos ortodoxos y maronitas en Yucatán por Iván Frannco. - Conformación, desarrollo, reorganización y actualización del acervo hemerográfico de la Biblioteca Nacional de Antropología e Historia por Angélica Hernández Pérez y Teresa Serrano Espinosa. - Los haberes del patrimonio cultural material e inmaterial, voces permitidas por María del Carmen Lechuga García y Marisol Salas Díaz. - Etnografía, epistemología y el proyecto de una antropología teóricamente dialógica por Johannes Neurath. - Maíz, Naturaleza y Cultura por Cristina Barros. - Henrietta Yurchenco (1916-2007). Uno de sus días, como un sueño musical por Benjamín Muratalla. - Etnografía de los confines: Andanzas de Anne Chapman por Francisco Barriga Puente. - Arqueología y antropología de las religiones por Druzo Mardonado Jiménez. - Conceptos, imágenes y representaciones de la salud y la enfermedad en México. Siglos XIX y XX por José Luis Juárez López. - Ciudad de pueblos. La macrocomunidad de Milpa Alta en la ciudad de México por Hilario Topete. - Las mujeres en Mesoamérica prehispánica por Gabriela Frinee Mateos Flores. - Mujeres en el arte popular. de promesas, traiciones, monstruos y celebridades por Martha Monzón. - Suplemento 47. El mundo nahua: parentesco y ritualidad
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