30,187 research outputs found

    Czy niepełnosprawność zawsze znaczy to samo? – analiza wpływu kultury na rozumienie niepełnosprawności

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    Badanie niepełnosprawności w perspektywie etnicznej staje się niezwykle istotne w dobie migracji na szeroką skalę. Ludzie opuszczają swe miejsca zamieszkania nie tylko w poszukiwaniu lepszego, bardziej dostatniego i spokojnego życia, ale również ze względu na konflikty zbrojne i katastrofy klimatyczne. Stają się nie tylko migrantami zarobkowymi, ale uchodźcami wojennymi, politycznymi czy klimatycznymi. Do kraju osiedlenia docierają często osoby z niepełnosprawnościami. Docierają do społeczeństw, gdzie ich niepełnosprawność jest często inaczej rozumiana niż w kraju pochodzenia, stykają się z nowym rozumieniem niepełnosprawności, reprezentowanym między innymi przez instytucje. Coraz więcej migrantów z różnych części świata dociera również do Polski, zatem potrzeba badania różnic kulturowych w postrzeganiu i radzeniu sobie z niepełnosprawnością wydaje się dziś koniecznością. Dodatkowo warto zwrócić uwagę na występujące w wielu regionach nakładanie się różnych wymiarów wykluczenia społecznego i dyskryminacji, których doświadczają osoby niepełnosprawne pochodzące z innych kręgów kulturowych lub z innych niż dominująca grup etnicznych. Zatem pojawia się pytanie, jak różne aspekty nierówności wpływają na codzienne doświadczenie osób niepełnosprawnych. W artykule zostaną podjęte kwestie rozumienia niepełnosprawności w różnych kulturach i wpływ tego rozumienia na podejmowane działania osób z niepełnosprawnością.Publikacja dofinansowana ze środków Polskiego Towarzystwa Socjologiczneg

    Maria Bersani

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    La voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y

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    After publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum

    WYBRANE ASPEKTY ŚWIATA ISLAMU I MUZUŁMANÓW

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    The relatively significant rise in the number of the Muslims in the modern world, the migration crisis and the activity of various Islamic extremist groups make the Muslims a subject of political debate in many countries, including these where the Muslim dispora is small. Many issues related to Islam and the Muslims living in both Muslim countries and diasporas around the world are still unknown to the wider public. The issues related to the revival of Islam in places where it has been completely uprooted for some time, the issues of the presence and the rights of various discriminated groups as well as gender discrimination are becoming important topics in the scientific discussion about the world today. The same is true for the media and literature

    Polish Ummah? The Actions Taken by Muslim Migrants to Set up Their World in Poland

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    This report discusses the ways in which Muslim communities form in Poland, with particular emphasis on the role of migrant men and women from Muslim countries, broken down into activities carried out mainly by women and mainly by men. The division of activities sometimes goes beyond the patterns of Muslim communities in other countries. The specificity of the Muslim community in Poland is related to: the historical context of the origins of its creation, i.e. the presence of Polish Tatars, a small number of Muslims living in Poland, and their diversity in terms of countries of origin

    #ISLAM #MUZUŁMANKA – ANALIZA SPOSOBÓW WYKORZYSTANIA MEDIÓW SPOŁECZNOŚCIOWYCH JAKO GŁOSU NIESŁYSZANYCH

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    The purpose of the article is to analyse Muslim groups in social media in terms of the functions they play in the lives of Muslims, especially the Muslim women living in Poland. The Muslim community is not significant in Poland, so interpersonal contacts in real life may be difficult. Muslims, especially Muslim women experience oppression and discrimination in everyday life, so the Internet can be a place where they will seek understanding and support as well as a way to solve their own problems. There are potentially many areas where the Internet, and especially social media will support Muslim women. To discover them, the contents of selected Facebook groups targeted at Muslims and Muslim women will be analysed

    Imagens de Otto Maria Carpeaux: esboço de biografia

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present
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