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    Statham, P. J.

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    The Crozet natural iron bloom and export experiment (CROZEX)

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    This special issue describes the findings of the first planned natural iron fertilisation experiment in the Southern Ocean, the CROZet natural iron bloom and EXport experiment (CROZEX), which took place from November 2004 to January 2005. The bloom that occurs annually north of the Crozet Islands and Plateau (Crozet) was surveyed and compared with a high-nutrient low-chlorophyll (HNLC) region south of Crozet. Papers in this volume confirm that iron from Crozet fertilised the bloom and that phytoplankton production rates and most export flux estimates were much larger in the bloom area than in the HNLC control area. This introductory paper summarises the reasons for choosing the Crozet area, and provides an overview of the two cruises that comprised CROZEX and their major findings

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Muslims in their European societies of settlement: A comparative agenda for empirical research on socio-cultural integration across countries and groups

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    Islam has become the key site for demarcating boundaries between majority populations and individuals of immigrant origin across Europe. This article outlines a research agenda on the socio-cultural integration of Muslims in their Western European societies of settlement. Integration issues with regard to Muslims have especially tended to focus on cultural and religious aspects. This raises questions. First, does culture/religion matter in shaping Muslims’ relative disadvantage in the socio-economic domain? Alternatively, does Muslim social disadvantage result from majority society's discrimination and bias against religious/cultural difference? Second, religious and cultural difference seems to matter in its own right. Do Muslims identify with their countries of settlement and accept the core liberal democratic values and norms? Or do persistent socio-cultural ‘gaps’ between Muslims and non-Muslims result from intolerance by the majority population? The article outlines a theoretical approach and empirical research programme. The framework is cross-national comparative, including France, Germany, Britain, Netherlands, Belgium, and Switzerland. The main data source is a survey that includes four groups of Muslims from distinct countries of origin (Turks, Moroccans, former-Yugoslavians, and Pakistanis) plus a majority sample, which facilitates cross-group, cross-national comparison. This introduction concludes by introducing contributions that address a specific question embedded within the overall framework

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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