30,969 research outputs found
Preussische Landwehr bei Dennewitz, 6. Sept. 1813, Karl Maria Stadler
No full textPREUSSISCHE LANDWEHR BEI DENNEWITZ, 6. SEPT. 1813, KARL MARIA STADLER
Preussische Landwehr bei Dennewitz, 6. Sept. 1813, Karl Maria Stadler ( -
The Diary Edition in the context oft he Carl Maria von Weber Complete Edition (WeGA)
No full textSolveig Schreiter und Peter Stadler liefern Einblicke in das Projekt der Carl-Maria-von-Weber-Gesamtausgabe, das von 1992 bis 2026 (200. Todestag) anberaumt ist und in dem seit 2011 sämtliche Textteile (ausschließlich der Notentexte) als digitale Edition publiziert werden. Alle Dokumente (Schriften, Tagebücher, Briefe, Pressetexte sowie Personenbiogramme, Orts- oder Werkbeschreibungen) werden dabei manuell nach den Richtlinien der TEI resp. der MEI (Music Encoding Initiative) ausgezeichnet.
The Diary Edition in the context of the Carl Maria von Weber Complete Edition (WeGA): In the context of the 1992 to 2026 (200th death anniversary) project of a Carl Maria von Weber Complete Edition, all text segments (excluding sheet music) are in the process of being published as a digital edition since 2011. All documents (writings, diaries, letters, press texts as well as biograms of individuals or descriptions of places and oeuvres) are manually tagged according to the TEI or MEI (Music Encoding Initiative) guidelines, as Solveig Schreiter and Peter Stadler explain in their work in progress report.The Diary Edition in the context oft he Carl Maria von Weber Complete Edition (WeGA): In the context of the 1992 to 2026 (200th death anniversary) project of a Carl Maria von Weber Complete Edition, all text segments (excluding sheet music) are in the process of being published as a digital edition since 2011. All documents (writings, diaries, letters, press texts as well as biograms of individuals or descriptions of places and oeuvres) are manually tagged according to the TEI or MEI (Music Encoding Initiative) guidelines, as Solveig Schreiter and Peter Stadler explain in their work in progress report
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
The Philosophy of Science in a European Perspective
No full textThis series is a serious attempt to open up the subject of European philosophy of science to real thought, and provide the structural basis for the interdisciplinary development of its specialist fields, but also to provoke reflection on the idea of ‘European philosophy of science’. This efforts should foster a contemporaneous reflection on what might be meant by philosophy of science in Europe and European philosophy of science, and how in fact awareness of it could assist philosophers interpret and motivate their research through a stronger collective identity. The overarching aim is to set the background for a collaborative project organizing, systematizing, and ultimately forging an identity for, European philosophy of science by creating research structures and developing research networks across Europe to promote its development. As such under the general rubric of ‘the present situation in the philosophy of science’, the emphasis is on as a first step identifying traditions and research structures already present, and the directions in which this research was leading. The European perspective in philosophy of science is the inclusion of the historical roots of current debates and the focus on methodological problems that cross the various sub-disciplines. This historical dimension is complemented by the evident broad scope of European philosophy of science which embodies not only a strong tradition of history and philosophy of science, history of philosophy of science, but also philosophy with respect to the cultural and social sciences as part of (not separate to) the discipline, combined with more traditional philosophical issues and approaches, such as the application of formal methods, the problem of realism, determinism and chance or the natural kinds debate
Michal: Tochter Schauls, Frau Dawids – Liebende. Leidende. Widerständische. Die Rezeption der Figur Michal als Protagonistin in der deutsch-jüdischen Literatur des 20./21. Jahrhunderts vor dem Hintergrund ihrer antiken Vorlagen
No full textThe first part of the dissertation presents Michal's biography according to 1-2 Sam. The literary quality of the Hebrew text is discussed as well as the questions which it raises, its lacunae and how these are filled in other ancient Jewish texts (1 Chr, LXX, Josephus, rabbinical literature) and in German translations of the last two centuries. The second part elucidates the attractivity of the Michal-figure as a protagonist in the work of German-Jewish poets from the past century to the present, the significance of the choice of this protagonist for their biography and work, their filling of the gaps of the Hebrew text and the contribution of their literary creations to the broadening of the scholarly horizon and of academic interpretations. Due to the focus in the second part of the dissertation, Jewish biblical scholarly approaches are used in dealing with the Hebrew text. Both, the German-Jewish literature and the Hebrew text, are approached from the point of view of literary studies
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Imagens de Otto Maria Carpeaux: esboço de biografia
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present
Figurationen des Übergangs / Welches Geräusch macht dein Gehen? : literarisches Postskriptum von Anna Maria Stadler
No full textS. Franciscus Seraphicus Als ein Ebenbild Christi ... In einer Lob- und Ehren-Rede ... In Dem ... Gotts-haus der ... Franciscaneren zu Hall Vorgestellet
No full textDe ferro optimo auro medico
No full textQuam ... Praeside ... D. Andrea Josepho Rügemer, Philosophiae & Medicinae Doctore, ... Publicae eruditorum disquisitioni submittit Joannes Maria Stadler, Wirceburgensis, ... die [] Anno MDCCLIVAutopsie nach Ex. der ULB DüsseldorfVorlageform der Veröffentlichungsangabe: Typis Joannis Jacobi Christophori Kleyer, Univ. Typogr.Datum fehlt im Druck, handschriftlich ergänztUniversität Würzburg, Dissertation, 6. Dez. 175
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