1,720,957 research outputs found
Ver-te caminhar, forever. Conversa sobre fotografias, arquivos e resistências político-sexuais
This conversation took place during the final stage of the production process for the book Verte caminar (Trazar, 2025), a work that compiles five years of documentation and advocacy for the Ballroom scene in Chile, as seen through the lens of dissident artist Forever. On this occasion, we exchanged impressions on liminal, deviant, and dissenting artistic trajectories within the more traditional fields of the arts and photography. In addition, we explored and reflected on other political-affective spaces that allow us to understand our/other personal trajectories as intimate legacies that spread through the streets, rehearsals, and temporary shelters shared with others, in times when they are increasingly scarce.Esta conversación se llevó a cabo en la etapa final del proceso de producción del libro Verte caminar (Trazar, 2025), una obra que compila cinco años de documentación y reivindicación de la escena Ballroom en Chile, vistas a través del lente de lx artista disidente Forever. En esta oportunidad, intercambiamos impresiones sobre las trayectorias artísticas liminales, desviadas y desistentes dentro de los campos más tradicionales de las artes y la fotografía. Además, exploramos y reflexionamos sobre otros espacios político-afectivos que nos permiten comprender nuestras/otras trayectorias personales como herencias íntimas que se contagian en las calles, en los ensayos y en los refugios temporales que se comparten con otrxs, en tiempos donde son cada vez más escasos. Esta conversa ocorreu na fase final do processo de produção do livro Verte caminar (Trazar, 2025), uma obra que compila cinco anos de documentação e reivindicação da cena Ballroom no Chile, vista através das lentes do artista dissidente Forever. Nesta ocasião, trocamos impressões sobre as trajetórias artísticas liminares, desviadas e desistentes dentro dos campos mais tradicionais das artes e da fotografia. Além disso, exploramos e refletimos sobre outros espaços político-afetivos que nos permitem compreender nossas/outras trajetórias pessoais como heranças íntimas que se contagiam nas ruas, nos ensaios e nos refúgios temporários que são compartilhados com outras pessoas, em tempos em que são cada vez mais escassos.
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
La repartición de los afectos. Escenas de consenso y disenso en el Chile de la transición
El propósito del presente texto será analizar algunos acontecimientos claves del retorno a la democracia en Chile, particularmente el acto inaugural del gobierno de Patricio Aylwin llamado “Así me gusta Chile”, realizado en el Estadio Nacional el año 1990. Intentaremos evidenciar el rol del Estado en la repartición de los afectos −institución y distribución de éstos− con el fin de reconstruir el entramado social nacional durante la transición. Además, revisaremos algunos episodios posteriores, principalmente las movilizaciones estudiantiles del 2011, buscando problematizar las escenas impuestas de reconciliación y encuentro social y su proyección en los espacios actuales de participación y descontento
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Vivir en estado de búsqueda. Las Antígonas modernas del desierto y el Río de la Plata
The present text seeks to highlight the intertextual connections that exist between the myth of Antigone and other relations—audiovisual, photographic and theatrical—in order to unravel the vital power of its protagonists. The legacy of the Antigone archetype is present in hypertexts as a disobedient force towards official mandates, a female figure who resists injustice and the patriarchal order imposed by the laws of the city of Thebes. The documentary Nostalgia de la luz by the Chilean Patricio Guzmán, the Uruguayan theater play Antígona Oriental by Volker Lösch and Marianella Morena and the Siluetazo (silhouette drawings on the ground) made by the Mothers of Plaza de Mayo in the company of three visual artists will be the works that will allow us to get closer to the Antigone figure from the testimonies of the women who lost their brothers, parents and children—descendants of Polinices—in the framework of the dictatorships of the seventies in the Southern Cone. El presente texto busca poner en evidencia las relaciones intertextuales que existen entre el mito de Antígona y otros relatos —audiovisuales, fotográficos y teatrales— con el fin de ir desentrañando la potencia vital de sus protagonistas. El legado del arquetipo de Antígona se hace presente en los hipertextos como una fuerza desobediente a los mandatos oficiales, una figura femenina que se resiste a la injusticia y al orden patriarcal impuesto por las leyes de la ciudad de Tebas. El documental Nostalgia de la luz del chileno Patricio Guzmán, la obra de teatro uruguaya Antígona Oriental de Volker Lösch y Marianella Morena y el Siluetazo realizado por las Madres de Plaza de Mayo en compañía de tres artistas visuales serán las obras que nos permitirán aproximarnos a la figura de Antígona desde los testimonios de las mujeres que perdieron a sus hermanos, padres e hijos —descendientes de Polinices— en el marco de las dictaduras de los años setenta en el Cono Sur.
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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