1,720,990 research outputs found
Spain and Portugal containing a description of the character, manners, customs, dress, diversions and other peculiarities of the inhabitants of those countries
Copia digital. España : Ministerio de Cultura. Subdirección General de Coordinación Bibliotecaria, 2024Fecha de edición: 1825, tomada de Palau nº 312151
ショベール編 「ミニチュア版 世界」
Shoberl, Frederic(ed. ). The world in miniature, 43vols. London, R. Ackermann, 1821-1828. (解題)boo
ショベール編 「ミニチュア版 世界」
Shoberl, Frederic(ed. ). The world in miniature. 43vols. London, R. Ackermann, 1821-1828. (解題)boo
Picturesque tour from Geneva to Milan, by way of the Simplon : illustrated with thirty six coloured views of the most striking scenes and of the principal works belonging to the new road constructed over that mountain
engraved from designs by J. and J. Lory ... and accompanied with particulars historical and descriptive by Frederic Schober
The world in miniature: Switzerland, Netherlands, Austria [volume 23-26] : Preservation Lab Treatment Report
This is part of a large group of 43 volumes, ranging in condition from poor to fair. In many cases, the cloth covered bindings are breaking along the joints and spines are either detaching or are fully detached and are resting inside the front cover.View Catalog Record</a
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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