1,721,109 research outputs found
[[alternative]]A Study on the Reception, Dissemination and Deriration in Shi Shou(Xin Yu)Bu toward Shi Shuo(Xin Yu)
No full text系統編號: PE10007-0494計畫編號: NSC100-2410-H343-011執行機構: 南華大學文學系研究期間: 10008~10107[[abstract]]本計畫以「《世說新語補》對《世說新語》的接受、傳播與衍異研究」 為題，以王世貞（1526-1590）於嘉靖三十五年（1556）刪定的《世說新語 補》為研究對象，置放於中晚明的文化場域中，採取文體學的研究視野，分 別從接受、傳播與衍異的角度入手，探討《世說補》在接受與傳播的歷時性 進程中，對再現《世說新語》經典過程中所產生的變異。 本計畫的論述要點有四：一是《世說新語補》的版本考述，留心《世說 補》版本的流傳系統，以版本為研究計畫的起點，涉及《世說補》刊行的時 代、版式，以及各刊本間形式與內容的校雔。二是釐析《世說新語補》刪定 《世說》與《語林》的法則，突出王世貞特重文學語體的「世說體」意識。 探討《世說新語補》如何接受《世說》與《語林》的文體特性，關注題材內 容的選取原則、.類目之設定以及文體性質之釐定。三是結構《世說新語補》 的傳播網絡，審視《世說新語補》傳播的功能、作用和影響，以《世說補》 的傳播，推動「世說體」範式化的過程，在明中晚期引起《世說》的熱潮與 續仿《世說》的巨潮，形成晚明時代特有的文化現象為論述的焦點。四是借 徑文學詮釋學，尋繹《世說新語補》對《世說》與《語林》在文體學上的衍 異。以王世貞刪定《世說新語補》的《世說》闡釋意識為主軸，在《世說補》 組合與聚合《世說》與《語林》的原則下，對《世說》文體的接受與重構， 變異《世說新語》特具的風姿加以探討，進而擴大明代「世說體」撰述的自 主性，開啟「世說體」撰述的創造性。[[abstract]]A Study on the Reception, Dissemination and Derivation in Shi Shuo (Xin Yu) Bu toward Shi Shuo (Xin Yu) This project, entitled “A Study on the Reception, Dissemination and Derivation in Shi Shuo (Xin Yu) Bu toward Shi Shuo (Xin Yu) ”, aims on the subject matter of Shi Shuo Bu, compiled and revised in Year of 35, Jia-Jing (1556) by Wang Shi-zhen (1506-1573). Placed within the cultural Field in the Mid and Late Ming Dynasty, this study, from the view of reception, dissemination and derivation through the research approach of stylistics respectively, attempts to probe into the diachronic process of the reception and dissemination in Shi Shuo Bu on the variation which was generated in the diachronic process of the representation of classics of Shi Shuo. There are four main arguments discussed in this study as follows: First, it aims on the topic of editions spread and textual research of Shi Shuo Bu to start with the research on its publishing age, issuing format and the variation of printing layouts and textual revisions of respective edition. Second, it attempts to clearly expound the rules of the deletion and revision in Shi Shuo Bu toward Shi Shuo and (He’s)Yu Lin, to highlight the awareness of literary genre of Shi Shuo Styles in Wang Shi-zhen’s, and to probe into the variance of the response-inviting on Shi Shuo Bu toward Shi Shuo from the view of reception aesthetics, concerning the formation of stylistic features, the selection of subject matters, and its classification of categories. Third, it is about to construct the spreading network of Shi Shuo Bu to examine the function, role, and impact of the dissemination in Shi Shuo Bu. Also, with its spread, it gives impetus to the process of paradigm-modeling in Shi Shuo Styles to cause a frantic enthusiasm of Shi Shuo and its sequel books in the Mid and Late Ming Dynasty, concerning much on the issues of the formation of the unique cultural phenomenon in the contemporary trend of thought in the Late Ming Dynasty. Fourth, it attempts to trace the derivation of stylistics on Shi Shuo Bu toward Shi Shuo and Yu Lin by means of the approach of hermeneutics. Therefore, in the end, it aims to give prominence to the interpretation consciousness of Shi Shuo Bu toward Shi Shuo, to survey the reception and the representation of stylistics of Shi Shuo Bu with the combination of Shi Shuo and Yu Lin, to explore the derivation of its unique stylistic features, and then to spread out the liberation of Shi Shuo Styles writing in the Ming Dynasty to enlighten the creativity of Shi Shuo Styles from then on
The Study on Origin and Interpretation of “Shi-Shuo-Xin-Yu”
No full text[[abstract]]劉義慶所編撰之《世說新語》一書，記載了秦末至劉宋初年間人物的遺聞軼事。其所涵蓋的內容旨趣甚為廣泛，因而向來被學人視為探索魏晉歷史、語言、文學、思想與文化的百科全書，於是形成學術界對《世說新語》的研究成果過於偏向原典文獻之探討，反而該書往前溯源與往後流播的研究成果相對而言是較被忽略。
職是之故，研究者試圖將視域轉換在「溯源與流播」的向度，在往前溯源部份，論述《世說新語》與《論語》的關係，這部分以《世說新語》中對《論語》之接受材料作為研究對象，透過全面的梳理與解析，試圖朗現《世說新語》中的《論語》身影，從中觀察《論語》對《世說新語》所產生的影響，探究《世說新語》如何接受《論語》，論證《世說新語》確為一部「新《論語》」之書，進而補強現行「世說學史」溯源之研究成果。
《世說新語》自從問世之後，後代無數箋釋批點的文獻如同涓涓細流，逐漸匯聚成「世說學」洪流，馳騁於文化的歷史長河之中，積累出的眾多接受文獻資料，值得深入探索。在往後流播部分，本文擇取劉辰翁、李卓吾、余嘉錫等人進行整理歸納，從而指出「會心」尚巧與「徵實」重真兩種不同詮解類型，期望這樣的研究視野，能對《世說》學史之拓深有所助益。[[abstract]]"Shi-Shuo-Xin-Yu" written by Liu Yiqing records anecdotes of the characters from the Western Han Dynasty to the early years of Liu Song. Its content is very broad, so it has always been considered by scholars as an encyclopedia to explore the history, language, literature, thought, and culture in Wei and Jin Dynasties.Therefore,the research situation has been formed that the academic research on "Shi-Shuo-Xin-Yu" tend to discuss the original documents. Instead, it is easier to overlook the forward traceability and backward spread of the book.
Therefore, the researchers try to transform the perspective to "traceability and spread" .In the part of forward traceability, the relation between "Shi-Shuo-Xin-Yu" and "Analects of Confucius" has been discussed.This part takes the materials accepted from The "Analects of Confucius" in "Shi-Shuo-Xin-Yu" as the research object.Through a comprehensive review and analysis, the researcher attempts to clarify the shadow of The "Analects of Confucius" of "Shi-Shuo-Xin-Yu", observe the influence of the "Analects of Confucius" on the "Shi-Shuo-Xin-Yu", discuss "Shi-Shuo-Xin-Yu" how to accept the "Analects of Confucius",demonstrate that "Shi-Shuo-Xin-Yu" is indeed a "new Analects of Confucius ", and then make up for the existing research results of the traceability of the history of " the Study of Shi-Shuo-Xin-Yu ".
Since the advent of "Shi-Shuo-Xin-Yu", countless commentaries of the offspring have become trickles, gradually converge into a torrent of "the Study of Shi-Shuo-Xin-Yu " and gallop in the long river of culture and history.The accumulation of many documents are worth in-depth exploration. In the backward part of the spread, this article choose Liu Chenweng, Li Zhuowu, Yu Jiaxi and others to arrange and summarize, which point out that the "Knowing is Still Skillful" and "Consummation of Truth" two different types of interpretation. Expecting such a research perspective can help the expansion of the history of the "the Study of Shi-Shuo-Xin-Yu".[[note]]博
Comparison of the Publication of Shi Shuo Xin Yu Bu in Joseon and Edo and its Reader Group
No full text본 논문은 2014년도 8월 21~22일에 열린 ' 동아시아 출판문화와 기록: 지식의 형성과 유통' 중 「전통시대 동아시아 서적의 출판과 향유 방식의 상관성」이라는 주제의 패널에서 발표된 것이다.In this study, I report on the circulation of Shi Shuo Xin Yu(世說新語) in East Asia from comparative perspectives. Shi Shuo Xin Yu was originally published in Wei-Jin and North-South dynasties and gained popularity in literary world, followed by publication in various forms through generations. during the Ming dynasty, Wang Shi Zhen(王世貞) published an augmented version, shi Shuo Xin Bu(世說新語補) which became even more popular than the original, reaching out to Joseon and Edo literary worlds. Since 17th century, it started to be published in Joseon and Edo, commonly based on Li Zhuo Wu Shi shuo Xin Yu Bu(李卓吾批點世說新語補). Between the two countries, the versions contrast in many aspects including the format, publisher, and reader group.
In Joseon, it was only published in metal types. There being almost no commercialization of books, it was accessible and circulated by limited class of writers. In Edo, two versions were published in late 17th century and many footnoted and commented versions bursted out from mid 18th century. Notably, they were all published in wood block for mass reproduction
The Drafter of the Studies: Comments on Liu Qiang’s “An Introduction to the Studies on Shi Shuo Xin Yu”
No full text[[abstract]]本文為一書評性文章，旨在對劉強《世說學引論》一書進行介紹與評論。文章一開始先對劉強教授其人與著作略作紹述，隨後試圖闡發該書的殊勝之處。筆者認為該書的特點有二：（一）、「世說學」系譜的脈絡化（二）、「世說學」概念的顯題化。劉氏從宏觀的視角與多層面的進路擬構出《世說》學的研究藍圖，對於日後《世說》學的探索上提供了值得期待的研究願景。[[abstract]]This paper is a book review that purports to present and comment on Liu Qiang‘s―An Introduction to the studies on Shi Shuo Xin Yu.‖ It begins with a brief introduction of Professor Liu Qiang and his works, followed by expounding the intriguing aspects of the book. The author maintains that Liu‘s book has two distinctive features, i.e. contextualization and conceptual thematization. From macro and multi-dimensional perspectives, Liu Qiang outlines a research blueprint for studies on Shi Shuo Xin Yu, thus providing a grand vision for its future research
Studies on ＂Huo Ni＂ in Shi Shuo Hsin Yu
No full text本文旨在論考「惑溺」此一條目於《世說新語》中之實質內涵，透過對「惑溺」之詞義考究暨該篇所錄七則內容之分析，揭其立目之所由。結論為「惑」、「溺」二字連用，乃首創於《世說新語》，且全書僅條目用之，不見於他處。在此之前，惑自惑，溺自溺；唯惑因情迷，溺由嗜欲，引申之，該詞便易與男女關係結合，後世遂進而認其為專為女性所設之「不德」條目。實則分析〈惑溺〉內容，所錄七則雖皆有女性，然多半為惑溺之「對象」，而非「惑溺者」本身；換言之，是篇所責多男性，而非女性。如曹操惑溺於惠而有色之甄氏而屠鄴，荀粲惑溺於有色之婦而獲譏，賈充惑溺於酷妒之郭槐而無子，王戎惑溺於婦而恒聽其卿，王導惑溺於幸妾致有雷尚書之譏皆屬之。凡此適可說明何以〈排調〉、〈規箴〉中時見違禮無行之婦女，卻不入〈惑溺〉，蓋其所責，本非女性之不德，而是男性見此等行徑後之順承及應許─即成為惑溺者後之偏差行為。此外，篇中惑溺之對象不全為女性，男性亦得居之，如賈充女惑溺於美姿容之韓壽而弗拒其求即是，故不宜將「惑溺」一詞直接與「沈迷女色」畫上等號。該條目於《世說新語》中當屬一人性缺失之表徵，其入選標準暨表述形式為「惑溺對象」使「惑溺者」做出「不當行為」所致之「後果」或「負評」。唯「惑溺者」暨「惑溺對象」並不限單一性別，男女皆得當之，此條目非專為負評女性所設。研究結果有助於釐清〈惑溺〉之去取標準，重新認識該篇在書中之定位，並思考《世說新語》之條目創建暨其所由。This paper aims to explore the entry, ＂Huo Ni,＂ in ＂Shi Shuo Hsin Yu＂. By investigating the contexts of ＂Huo Ni＂, this paper argued that the use of ＂Huo Ni＂ as a phrase started in ＂Shi Shuo Hsin Yu＂. Moreover, the use of ＂Huo Ni＂ is merely seen in the entries of ＂Shi Shuo Hsin Yu＂. Based on the researcher's investigation, ＂Huo＂ was defined as being seduced, and ＂Ni＂ referred to the desires for something. As a consequence, the phrase ＂Huo Ni＂ tended to be inferred as the relationship between two sexes, which in later literature people considered this classification specifically to be created for ＂vicious＂ women. However, if we further analyze the seven contexts of ＂Huo Ni;＂ it becomes relatively easy to figure that female characters were the targets (objects) of the vicious behaviors. In other words, ＂Huo Ni＂ was meant to blame on the males (the actors) but not the females. For example, Cao Cao coveted after Zhen Shi, Gu Chong lusted for Guo Huai, and Xun Can, Wang Rong, and Wang Dao had affairs with beauties. This also explained why the vicious females were documented in ＂Pai Diao＂ and ＂Gui ＂Zhen＂ but not in ＂Huo Ni＂. The purpose of ＂Huo Ni＂ was to blame on the males' misbehaviors, having affairs with females. In addition, Not only females but also male could be the targets of ＂Huo Ni.＂ For example, Gu Chong Ru to Han Shou. Therefore, it was inappropriate to directly related ＂Huo Ni＂ to being lascivious. ＂Huo Ni＂ in Shi Shuo Hsin Yu was classified as a deficiency for human beings. The doer of ＂Huo Ni＂ conducts something inappropriate to the target of ＂Huo Ni＂, and thus gave rise to the following consequences. Furthermore, the doer of ＂Huo Ni＂ and the target of ＂Huo Ni＂ should not be categorized exclusively to one sex, both sexes could be the doer or the target. Hence, this ＂Huo Ni＂ could not be viewed particularly as a category for vicious females. In short, this paper helps to clarify some concepts in ＂Huo Ni＂ and create a new understanding for ＂Huo Ni＂ in the context of ＂Shi Shuo Hsin Yu＂
A Study on the Distinctive Vocabulary Using in Shi Shuo Xin Yu
No full text《世說新語》是一部記錄魏晉名士言行，富含口語的筆記小說。本文藉由討論其中的特殊詞彙，觀察中古詞彙特色，並說明社會文化與詞彙演變之間的關係。本文探討的特殊詞彙，為當代的新興詞彙或具有新生義的舊詞，包含口語、方言，和書面語。東漢末年以降，中國歷經四百多年的政治墮落和南北分裂，造成社會動盪不安，人口大量遷徙。此期名士為逃避政治禍害，依於門第之下，精神則寄託於清談、文學和佛教之中。名士間談玄與品評風氣之盛，形成魏晉風流。北方外族以及西域佛教徒帶來異質文化，為漢文化注入新的元素。這些魏晉的時代精神，都反映在《世說新語》的特殊詞彙之中。除了考釋個別特殊詞彙在《世說新語》中的意義和用法，亦旁及六朝相關文獻，並考察其來源和發展。根據本文討論的結果，《世說新語》的特殊詞彙不僅符合中古詞彙雙音節化的特色，同時也反映魏晉社會的變遷，表現詞彙與文化緊密的連結。研究漢語詞彙除了需要從漢語發展史的角度來討論，漢民族的歷史與文化亦是不可忽視的重要材料。The thesis focuses on the distinctive vocabulary using in Shi Shuo Xin Yu which assembles essays and criticism from celebrities called Ming-Shi in Wei and Jin Dynasties. There languages of colloquial, dialect are written in the book is the main research area in the study. The purposes of studying the distinctive vocabulary are to understand the lexical characteristics of Middle Ages of Chinese, and further to explain the relationship between vocabulary changes and contemporary social-culture. Since the late Eastern Han, the collapsed society and politics had been lasting for over 400 years. In order to prevent from the political prosecution, Ming-Shi started placing their attention on Qing-Tan, literature, and Buddhism. Therefore, the prevalence of Qing-Tan and personal editorial gradually formed Wei-Jin Feng-Liu among Ming-Shi in Wei and Jin Dynasties. Meanwhile, acculturation from North and Western Buddhism was injected into Han’s culture. These features are detailed described in terms of the distinctive vocabulary in Shi Shuo Xin Yu. The thesis not only discusses the meaning and the grammar of the distinctive vocabulary but also cooperates with the literature of The Six Dynasties in finding their origins and evolutionary process. Based on the results, high relevance between the features of the distinctive vocabulary in Shi Shuo Xin Yu and the morphology of Middle Ages of Chinese was found. Moreover, the distinctive vocabulary greatly reflects the culture changes along the time in Wei and Jin Dynasties. In addition to understanding the vocabulary evolution, Chinese culture and history are also crucial materials for the research
A Study of the Influence over the Works Brought out by Shi Shuo Xin Yu-Based on the Perspective of Intertexuality
No full text成書於西元五世紀的《世說新語》是中國志人小說體的典範之作，在一千餘則的軼事中涵攝了魏晉士人的生命精神與超逸才情，向來是知識份子津津樂道的重要典籍。在《世說新語》存世的一千六百年之中，它不但對中國之士文化有深遠的影響，而且廣泛地滲透到各種文本之中，在唐詩、宋詞、元曲、戲劇、篆刻印文、兒童圖書、連環漫畫上，都可以發現呈顯於其中的成語、典故和故事主題；此外，在文體形製和語言風格上，《世說新語》不但直接促成歷代「世說體」小說的形成，而且也間接微縮成當代雜誌與報紙的同名專欄。整體來看，《世說新語》的語義及文化潛能豐沛，不但在中國文學、藝術上進行了詞彙與典故的移植，同時也經由兩個文本的交互作用，實踐了跨文本的文化對話。本計畫的研究主旨正是在這個現象的基礎上，探討《世說新語》如何在相異的時空環境、文體形式規範、作家個體生命志趣等因素下，達成對《世說新語》文本的分解、重組與再製，同時也雙向地從各類文本所留下的《世說新語》印迹，玩索顯現於文字表層的詞彙編織技巧，以及內隱於字裏行間的文化意涵，包括書寫者對個體生命形象的體認、對社會主流價值規範的調節因應以及對魏晉士人風度的想像與身分認同。在研究方法上，主要採行文學接受理論及互文性的文化論述觀點，逐一從文體期待、形象期待、意蘊期待等三層先在心理結構，觀察中國歷代文士對《世說新語》的接受反應。在內容安排上，將分從四個子題進行考察，一是「世說體」的形式再製。二是詩、詞、曲、文對《世說新語》的典故移植。三是印文、圖畫、題畫詩、戲劇對《世說新語》的題材利用。四是揭示各文本在與《世說新語》對話時所流動的文化內涵。Accomplished in the fifth century, Shi Shuo Xin Yu is one of the classic of Chinesebiographic fiction. It containsWei Jin people's spirits towards life and their extraordinarytalent in its more than one thousand interesting stories, and that's the reason why thisimportant work is so popular among Chinese scholars. It has deeply influenced Chineseculture and it has widely appeared in all kinds of literary works since its publication 1,600years ago.We can discover its existence by forms such as idioms and phrases, allusion, andthemes in Tang poetry, Song Yuan verse, drama, seal stamping, Chinese calligraphy, andcomic books. In addition, when it comes to literary forms and language styles, Shi Shuo XinYu not only accelerated the evolvement of Shi Shuo style fiction directly, but also transformedinto the namesake column of newspapers and magazines at that time. All in all, its languagemeanings and the cultural potential are abundant. It has transplanted to itself a large amountof vocabularies and allusions from Chinese literature, and history of art and culture throughits verbal message. It has also fulfilled the cultural conversation across texts through theinteraction between two texts. This project is focus right on the basis of this phenomenon. Ittends to discover how Shi Shuo Xin Yu has decomposed, recombined, and remade its text indifferent period of time, different conditions, different standards of literary forms, differentwriters'characteristics. It also appreciates the authors'composing skills and the meaningbetween lines, which includes the thoughts towards life, the response towards the socialvalues, and the imagination and the identification towardsWei Jin scholars, through theinteraction with it. This project uses acceptance theory and the concept of cultural discussionwhich is brought out by intertexuality. It first discovers how Chinese scholars have acceptedthe inspiration from the messages in Shi Shuo Xin Yu on psychology basis, which are theirrecognition to the feature of its writing structures and forms, fantasy ofWei Jin ideals,appreciation of the beauty, and the vibration towards the perspective of life, step by stepthrough three layers, the expectation of literary form, the expectation of images, and theexpectation of meanings. The accepters admireWei Jin people and examine themselves viathe guidance of these messages. Reading Shi Shuo Xin Yu as well as rewriting a new versionof it. The interaction with the text and the conversation with the meaning are the point ofstudying Shi Shuo Xin Yu through interxuality
Compare and contrast 'The Seven Sages of the Bamboo Grove' in Shi Shuo Xin Yu and Jin Shu
No full text碩士魏晉之時政治動盪，身家性命朝不保夕。在爭權奪勢與階級鬥爭中，誕放於山林之中，縱情詩酒，清談玄理成為魏晉獨有的特色。而劉義慶之《世說新語》為展現此時期的政治形態與社會風貌，特以文人雅士之風談言行作為主體，用短小精煉的文字與自然表現的寫作手法，呈現這時代風情，自然而然的保存了許多歷史資訊，可供參照。故在此條件下，《世說新語》與《晉書》、「十八家晉史」等史書可互相參照、對比。在魏晉這一戰亂毀書與私家修史風氣盛行的時代，「文史互證」是可以在眾多散雜的資料中尋找史實一大途徑。
在《世說新語》中竹林七賢可謂一書之「靈魂人物」，但因史料的遺失與文人傳抄和史臣編修下，其言行事蹟難免有誤，在此般形況裡，任何資料都可能是找尋歷史的素材。故本文將以小說與史書的互證研究，追尋竹林名士之風貌。Wei, Jin, when political turmoil, his life precarious. In the struggle for dominance and class struggle gave birth to put in among the mountains, and indulge in poetry and wine, talk Wei Jin Metaphysics become unique characteristics. And Liu Yiqing''s "Shi Shuo Xin Yu" to show political form and social landscape of this period, especially in the literati style talk words and deeds as the main body, refined writing style with short text and natural expression, showing that the era of style, naturally It saves a lot of historical information for reference. Therefore, in this condition, "Shi Shuo Xin Yu" and "Jin Shu", "Eighteen Jin Historical records" can refer to each other and other historical contrast. The war ruined the book in the Wei, Jin and the Private Compiling History rampant era, "History, Literature," is looking for facts in a big way in a number of bulk materials.
In "Shi Shuo Xin Yu" in The Seven Sages of the Bamboo Grove can be described as a book of "soul," but the loss of historical and literary editing chuanchao and Shi Chen, the words and deeds of their deeds will inevitably be wrong, in this case shaped like , the data are likely to be looking for any historical material. Therefore, this paper will be novel and historical research Mutual certificate, bamboo Lin Mingshi pursuit of style.目次
第一章 緒論 1
第一節 研究動機 1
第二節 研究價值 2
第三節 文獻回顧 3
第四節 研究方法 7
第二章 《世說新語》之成書與歷史意義 9
第一節 成書原因 9
第二節 歷史意義 10
第三章 《晉書》之版本 12
第四章 竹林七賢交遊及史事比較 18
第一節 「竹林七賢」之由來 18
第二節 「竹林七賢」之交遊 22
第三節 「竹林七賢」之史事異同考辨 24
一、阮籍 24
(一)、少年時期與族中提拔者 25
(二)、飲酒態度 28
(三)、表面德行的真相 29
(四)、長嘯 31
(五)、東平相與步兵校尉非閒職 33
二、嵇康 44
(一)、於史無載的兄長 44
(二)、婚姻 45
(三)、廣陵絕響 46
三、山濤 49
(一)、品評人物 49
(二)、仕宦 50
四、劉伶 51
(一)、酒德頌 51
(二)、為官之夢 53
五、阮咸 54
(一)、禮法所譏 54
(二)、南阮北阮 55
(三)、與豬同飲 56
(四)、善解音律 57
(五)、仕宦歷程 60
六、向秀 63
(一)、造事營生 63
(二)、衝突的箕山之志 65
七、王戎 68
(一)、三語掾 68
(二)、吏部人選問題 75
第五章 結論 82
徵引書目 85
附錄 88
圖目錄
圖一 59
圖二 65
表目錄
表一 15
表二 16學號: 602010075, 學年度: 10
A Study on the Pragmatic Use of “Pian Zhi Xiang Zi” in Shi Shuo Xin Yu
No full text本文探討在《世說新語》中所謂「偏指相字」的語用現象。文中首先對歷來「偏指相字」的研究作一檢討，指出「偏指相字」在語法上，並非如呂叔湘氏所說的代詞性副詞；其真正語法作用是省略「相+V」之後的賓語。一般 多以為「偏指相字」具有指代作用，本文則主張「相」字其實並無指代作用，它之所以讓人誤解真有指代作用是由於「相+V」之後一般皆有賓語省略現 象，因此常讓人誤以為「相」字指代被省略的賓語。由於此類「相」字本身語意已經虛化，並不帶有實質語意，其作用主要在省略動詞後的賓語，因此本文主張其既非代詞，亦非副詞，而應歸為動詞詞頭 ( 或前綴詞 ) 。在語用層面上，《世說新語》中「偏指相字」的類型以對話類和敘事領區分，則是敘事類型較多，而對話類較少，兩者比例約為5：3。就語用功能而言，本文反對「偏指相字」屬於具有尊敬意義的禮貌敬語的看法，因為在《世說新語》中，可以看到各種地位、立場不同的相字句使用類型，例如「上對下」 、 「下對上」 、 「平輩之間」 、 「夫妻之間」 、 「對陌生人」 、 「褒揚讀譽」和「貶抑責難」等各種立場不同的使用類型。是以本文認為它所反映的是一種以施事者為中心，企圖顯示與對方地位平等的語用策略。因而隨著施事者與受事者相對地位的不同，可以靈活的調整自己與受事者之間的社會距離。此外，本文亦指出由於「偏指相字句」所省略的賓語皆為已知的舊訊息，「偏指的相字句」比互指的相字旬，在語言篇章的使用上更受限制。This article deals with the special kind of "Pian Zhi Xiang Zi" in the text of Shi Shuo Xin Yu (A New Account of Tales of the World) from two perspectives, one grammatical and the other pragmatic. From the grammat-ical perspective, we refute the traditional view that the "Pian Zhi Xiang Zi " is either a pronoun or an adverb (or a pronominal adverb), and suggest that it actually works as a verb prefix and its grammatical function is to delete the object after verb in the "Pian Zhi Xiang Zi" construction. It is the connection between the "Xiang Zi" and the deleted object that often leads to the common misconception that the "Pian Zhi Xiang Zi" stands for a deleted pronoun. From the pragmatic point of view, we argue against an assertion established by previous studies, namely, that the "Pian Zhi Xiang Zi" is a polite form in speech. By examining the data in Shi Shuo Xin Yu, we demonstrate that the sociolinguistic situations in which the "Xiang Zi" is used are far wider than a polite form of speech. It can be found in both the appreciation and criticism; it can also be found in the speech use of high status to low status, low status to high status, and between equal statuses. Thus, we conclude that the "Xiang Zi" demonstrates a pragmatic strategy which tends to show a more equal status between the agent and the object in the construction. In other words, the "Pian Zhi Xiang Zi" reflects a flexible adjustment between the social distance of the agent and the object. This flexibility raises an interesting point which deserves our attention, especially when we consider the strict social statuses in the world of Shi Shuo Xin Yu. In addition, this paper points out that since the object deleted by the "Pian Zhi Xiang Zi" construction always stands for old information, not new information, the use of "Pian Zhi Xiang Zi" is therefore even more restricted than the use of normal "Xiang Zi."
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