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GAYA PERMAINAN GITAR KERONCONG TUKIYO TJIPTOMARTONO
Full text linkPenelitian berjudul Gaya Permainan Gitar Keroncong Tukiyo Tjiptomartono ini bertujuan untuk mengidentifikasi dan menjelaskan gaya permainan gitar keroncong Tukiyo Tjiptomartono (1948-2021). Tukiyo Tjiptomartono adalah seorang musisi keroncong di Surakarta yang memiliki ciri khas gaya permainan gitar keroncong yang menarik untuk dipelajari lebih jauh berdasarkan proses perjalanan kesenimanannya hingga bentuk ciri khas dari gaya permainan gitar itu sendiri.
Penelitian ini berangkat dari landasan pemikiran tentang gaya permainan gitar keroncong Tukiyo Tjiptomartono yang dapat diidentifikasi berdasarkan pemahaman konsep gaya yang dijelaskan oleh Bruno Nettl dan beberapa pemikiran yang lainnya. Konsep gaya yang dipahami sebagai konfigurasi atribut dari suatu pola atau cara yang menjadi pembentuk identitas seniman dapat dijadikan sebagai pijakan dasar untuk memahami gaya permainan gitar keroncong Tukiyo Tjiptomartono. Metode yang digunakan dalam penelitian ini yaitu metode kualitatif dan pendekatan intersubjektif. Data-data yang diperlukan dalam penelitian ini dikumpulkan melalui beberapa tahapan, antara lain pengamatan, pengamatan terlibat, wawancara, studi arsip dan dokumen, dan studi kepustakaan. Hasil penelitian ini menunjukan bahwa Tukiyo Tjiptomartono sebagai seniman musik keroncong, yang dikenal dan dikenang oleh seniman-seniman musik keroncong dengan ciri khas melodi gitarnya. Ciri khas yang muncul dapat diidentifikasi berdasarkan (1) Teknik permainan, (2) Pola permainan gitar keroncong, dan (3) Variasi atau pengembangan pola gitar gaya Tukiyo Tjiptomartono. Teknik permainan merupakan tata cara teknik dasar dalam permainan gitar keroncong, pola permainan yang dimaksud merupakan bentuk-bentuk melodi pada pola akor dalam struktur keroncong asli akor 1, 2, 4, dan 5. Variasi atau pengembangan merupakan hasil dari kreativitas Tukiyo Tjiptomartono dan dapat dianalisis melalui perpindahan akor, susunan not, dan improvisasi-improvisasi yang dilakukan oleh Tukiyo Tjiptomartono.
Kata kunci : Gaya, Tukiyo Tjiptomartono, Gitar, Keroncong, Kesenimana
Kreasi Musik dalam Gaya Permainan Gitar Keroncong oleh Tukiyo Tjiptomartono
Full text linkPenelitian ini bertujuan untuk mengidentifikasi dan menjelaskan tentang kreasi musik dalam gaya permainan gitar keroncong Tukiyo Tjiptomartono. Tukiyo Tjiptomartono adalah seorang musisi keroncong yang lahir di Surakarta, 15 November 1948 dan wafat di Surakarta, 19 Oktober 2021. Kebiasaan dan kegemaran semasa hidupnya dalam melakukan eksplorasi dan eksperimen untuk mengulik teknik dan pola permainan gitar keroncong telah menjadikan dirinya memiliki gaya yang khas, sehingga banyak seniman dan penikmat musik keroncong yang mengakui dan mengagumi kepiawaiannya dalam membawakan permainan melodi gitar keroncong hingga saat ini. Temuan dari penelitian ini menunjukkan bahwa Tukiyo Tjiptomartono sebagai seniman musik keroncong, yang dikenal dan dikenang oleh seniman-seniman musik keroncong dengan ciri khas melodi gitarnya. Ciri khas yang muncul dapat diidentifikasi berdasarkan teknik permainan, pola permainan gitar keroncong, dan variasi atau pengembangan pola gitar gaya Tukiyo Tjiptomartono. Teknik permainan merupakan tata cara teknik dasar dalam permainan gitar keroncong, pola permainan yang dimaksud merupakan bentuk-bentuk melodi pada pola akor dalam struktur keroncong asli akor 1, 2, 4, dan 5. Variasi atau pengembangan merupakan hasil dari kreativitas Tukiyo Tjiptomartono dan dapat dianalisis melalui perpindahan akor, susunan not, dan improvisasi-improvisasi yang dilakukan oleh Tukiyo Tjiptomartono.Music Creation in Keroncong Guitar Playing Style by Tukiyo Tjiptomartono. AbstractThis research aims to identify and explain the musical creations in Tukiyo Tjiptomartono's keroncong guitar playing style. Tukiyo Tjiptomartono is a keroncong musician born in Surakarta on November 15, 1948, and died in Surakarta on October 19, 2021. His lifelong habit and passion for exploration and experimentation to explore the techniques and patterns of keroncong guitar playing have made him a distinctive style that many artists and keroncong music lovers recognize and admire his expertise in performing keroncong guitar melodies to this day. The findings of this study show that Tukiyo Tjiptomartono is a keroncong music artist known and remembered by keroncong music artists for his characteristic guitar melodies. Playing styles, keroncong guitar playing patterns, and modifications or advancements of Tukiyo Tjiptomartono-style guitar patterns can all used to identify the qualities. The playing technique is an essential technical procedure in playing the keroncong guitar. The playing pattern is the melody formed in the chord pattern in the original keroncong structure of chords 1, 2, 4, and 5. Variation or development results from Tukiyo Tjiptomartono's creativity and can be analyzed through chord switching, note arrangement, and improvisations made by Tukiyo Tjiptomartono.Keywords: music creation; playing style; Tukiyo Tjiptomartono; keroncong guitar; artistr
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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