264,736 research outputs found

    Artworks SetoMonogatari 1-4:Displayed in Retrospective Exhibition, Seto International Ceramics and Glass Art Exchange Program , Seto , Japan

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    This retrospective exhibition celebrated the 20th anniversary of the Seto International Ceramics and Glass Art Exchange Program. 68 artists have participated in this programme since its inception in 2000. In this exhibition, the artwork of 13 of these artists was selected and displayed at the Seto Ceramic and Glass Art Center from 26 September-1 November 2020. This included 4 of the pieces made during my participation in the programme in 2015.Greeting statement included in leaflet: Almost five years have passed since I first visited Seto as a ceramic artist in residence. I remain fascinated by the city’s rich ceramic culture, past and present, and I have since visited a further five times.Then, the freedom to travel and experience new places and cultures seemed like an unassailable human right. Seto’s residency programme is a reminder of the importance of grassroots global collaboration and understanding in this unprecedented time of international crisis. I will never forget the unparalleledcamaraderie, kindness and hospitality I experienced during my time in Seto. The Covid-19 pandemic has offered us a chance to reflect on the past and plan for an alternative future. I am delighted to be represented in this timely retrospective exhibition.I wish to thank the Seto City Cultural Promotion Foundation, the Shinseiki Kougeikan, and the people of Seto for the life-changing opportunities provided by this experience

    Project 13 Project Research on the Advanced Utilization of Multi-Element Mössbauer Spectroscopy for the Study of Condensed Matter

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    PR13-1 Magnetism of an iron oxypnictide Cr-doped CeFePO. Okano T. Matoba M. Sakai Y. Sakurai A. Fujioka H. Wakatuki A. Takeuchi K. Nagamine K. Kitao S. Seto M. Kamihara Y.PR13-2 A study of Formation of Au(III) Surface Complex on Manganese Dioxide by 197Au Mössbauer Spectroscopy. Yokoyama T. Okaue Y. Kawamoto D. Ando H. Ohashi H. Kitao S. Kobayashi Y.PR13-3 Mössbauer Spectroscopy of Novel Ferroelectric Materials. Nakamura S. Kano J. Oshime N. Ikeda N. Kobayashi Y. Kitao S. Seto M.PR13-4 Mössbauer Spectra of Oriented Thin Sections and Small Grain of Magnetite Single Crystal. Kamiryo T. Shinoda K. Kobayashi Y.PR13-5 Electronic States of Negative/Zero Thermal Expansion Materials. Yamada I. Marukawa S. Kitao S. Seto M.PR13-6 Mössbauer Study of Fe-Based Superconductors, Ba1-xKxFe2As2. Kitao S. Kurokuzu M. Kobayashi Y. Saito M. Seto M

    TARI TURONGGO SETO;SEBUAH KREASI BARU BERBASIS RAKYAT

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    Skripsi dengan judul “Tari Turonggo Seto; sebuah Kreasi Baru Berbasis Raky at” merupakan kajian yang memfokuskan pengamatannya pada persoalan tari kreasi baru Turonggo Seto . Penelitian ini pada dasarnya bertujuan untuk (1) mengetahui wujud tari Kreasi Baru Turonggo Seto , dan (2) mengetahui faktor -faktor yang mengakibatkan terbentuknya tari kreasi baru Turonggo Seto . Asumsi yang dibangun dalam penelitian ini adalah bahwa hadirnya tari Turonggo Seto sebagai tari kreasi baru merupakan kreativitas , tindakan seniman tari dan sekaligus dorongan terhadap pemenuhan kebutuhan estetis tari masyarakat Desa Samiran , Kecamatan Selo , Kabupaten Boyolali yang menghendaki kebaruan dalam sajian tari. Selain itu, tari Turonggo Seto dari tari rakyat menuju tari kreasi baru tidak dapat terlepas dari cara senimannya dalam mengambil unsur -unsur tari sebe lumnya dan mengkombinasikan kembali unsur -unsur tersebut dengan cara-cara baru dan menciptakan bentuk-bentuk baru. Penelitian ini menggunakan konsep “kreasi baru” sebagai pendekatan dalam menjawab persoalan. Kreasi baru dalam konteks ini merupakan implika si dari proses dinamis yang dilakukan seniman tari Turonggo Seto . Kedinamisan tersebut tidak dapat terlepas dari pengungkapan ide senimannya untuk melakukan pengembangan tari. Pengembangan tersebut dilakukan melalui tahapan interpretasi. Interpretasi berko relasi dengan tari-tari sebelumnya, yakni tari Reog Mardi Utomo dan tari Turonggo Kencono . Upaya reflektif pemaknaan kesenian masa lalu memperlihatkan, kehidupan kesenian tradisi onal di Desa Samiran, Kecamatan Selo, Kabupaten Boyolali tidak dapat lepas dar i aspek seni tari yang ada sebelumnya. Perwujudan tari Turonggo Seto disebabkan oleh hubungan timbal balik antara tindakan kreatif dan “hasrat hiburan” yang d imiliki masyarakat Desa Samiran. Tindakan kreatif dan “hasrat hiburan” dipengaruhi proses interaks i sosial di antara sesama anggota masyarakat pendukung. Melalui interaksi sosial masyarakat pendukung tari Turonggo Seto , keberadaan tari Turonggo Seto sebagai kesenian rakyat dapat hadir di tengah -tengah masyarakat Desa Samiran secara nyata. Penelitian ini menggunakan data -data kualitatif yang selanjutnya dianalisis dan hasilnya dijelaskan secara deskriptif analitis . Hasil analisis disimpu lkan bahwa hipotesa yang diaju kan memperlihatkan kebenarannya , realitas hadirnya tari kreasi baru Turonggo Seto diseba bkan oleh tiga fak tor , (1) faktor tindakan seniman tari, (2) faktor kreativitas penari, dan (3) pemenuhan kebutuhan estetis tari. Melalui tiga faktor tersebut tari kreasi baru Turonggo Seto mampu hadir secara kokoh di tengah -tengah masyarakat Desa Samiran, Kecamatan Selo, Kabupaten Boyolali

    The experimental realism of William Dean Howells

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    The “experimental” in my title refers to Howells’s self-conscious development of a literary form that could give the most complete, deepest account of a reality characterized by the ordinary and even the banal. For the middle class, Howells’s perennial subject, the norm is to aspire to transcend, and the ordinary can appear elusive, even nonexistent. Of course, in political terms, a middle class culture considers everyone basically the same, this resemblance defining the ordinary. It is assumed that everyone shares the same economic goals, and the same desire for familial and individual success. Being ordinary is therefore a moral quality. This means, paradoxically, that ordinariness can only prove itself in exceptional individuals. To strive is virtuous, to fail is shameful; either way one’s ordinariness is subsumed to a greater drama. The drama at the center of middle class art is the plight of the exceptional individual demonstrating a Platonic ordinariness. It is hard to think of characters in novels who are not exceptional financially or morally. In Henry James’s The Portrait of a Lady and The Wings of the Dove finance and morality go together. The novels of Eliot, Dickens, even those of the French realists unfold stories in which ordinary characters, by some exceptional moral quality, try to transcend their economic and historical situations. Howells called this story romantic and insisted on writing about the most mundane aspects of ordinary life. His novels were not about the exceptional who rise above the crowd but about ordinary people who do not transcend but stay on the ground. Howells described this divide between moral ideals and actual economic circumstance as “the infernal juggle of the mind. ” This contradiction at the heart of everyday life was what he wanted to depict. His design of characters and plots, even his sentences, develop continuously into further complexity as they discover the tensions and self-betrayal inherent in middle class optimism. “Discover” is the key term: Howells wrote in order to find out the truth about ordinary life, and the more he discovered the more his novels tended toward disjunction. In resisting the urge to reaffirm middle class morals, he was having not only a political argument with the dominant ideology of late-nineteenth century America but a formal argument with the conventional novel. Down the critical years, Howells’s trust in the novel form to do its own work has been difficult to see because his way of demonstrating it was so unusual. To the extent that his form was un-transcendent, descriptive rather than theoretical, it has been unapparent. My dissertation is an attempt to make evident and describe the working of Howells’s unapparent form. I have used a method of analysis congruent with his practice. I proceed as he wrote, historically, by following the unfolding events of his style and form.Ph.D.Includes bibliographical referencesIncludes vitaby Brian Seto McGrat

    Numerical Study of Tidal Water Mass Exchange in Ikara-seto

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    A control volume based up-wind finite element method was applied to the two-dimensional tidal flow in Ariake Sea and Yatsushiro Sea. Water mass exchange in Ikara-seto located south-west of Yatsushiro Sea was investigated by pursuing the fictitious water particles as well as estimating the inflow and outflow water masses through boundaries. The main results are as follows : i) From Euler's point of view, water mass flows into Ikara-seto from Yatsushiro Sea and flows out to Nagashima Strait ; 86.5% (13.5%) of water mass flows out from the north (north-west) boundary, ii) From Lagrange's point of view, fictitious water particles flow out from the north and north-west boundaries. 66.1% (21.9%) of water particles flow out within 1 period when particles are thrown into the sea at low tide (high tide), iii) After 4 periods, most part of the water particles flow out from Ikara-seto. However, the water particles in Ikara Bay still remain

    Chemical composition of pond waters on the ilands located in the Seto Inland Sea

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    Freshwater ponds are found on a number of islands located in the Seto Inland Sea. The author made observation of the chemical properties of pond water at some of the ponds located on the islands in the western part of the Seto Inland Sea. The primary purpose of this survey was to know the effect of the "sea breeze" from the chlorine contents of pond water. Some of the surveyed ponds were utilized for irrigation. Almost all the surveyed ponds were relatively shallow, and dissolved oxygen was poor in the bottom layer. Chlorine contents were considerably lower than expected. Other chemical compositions and their contents in each pond were not extraordinary; they were of the same order as the average values reported by Dr. S. YOSHIMURA for the lake waters of Japan. The results of the observation and water analysis are shown in Table I. It seemed that all the surveyed ponds could be utilized for the culture of freshwater fishes

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Numerical Study of Tidal Water Mass Exchange in Ikara-seto

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    A control volume based up-wind finite element method was applied to the two-dimensional tidal flow in Ariake Sea and Yatsushiro Sea. Water mass exchange in Ikara-seto located south-west of Yatsushiro Sea was investigated by pursuing the fictitious water particles as well as estimating the inflow and outflow water masses through boundaries. The main results are as follows : i) From Euler's point of view, water mass flows into Ikara-seto from Yatsushiro Sea and flows out to Nagashima Strait ; 86.5% (13.5%) of water mass flows out from the north (north-west) boundary, ii) From Lagrange's point of view, fictitious water particles flow out from the north and north-west boundaries. 66.1% (21.9%) of water particles flow out within 1 period when particles are thrown into the sea at low tide (high tide), iii) After 4 periods, most part of the water particles flow out from Ikara-seto. However, the water particles in Ikara Bay still remain.departmental bulletin pape

    EXPERIMENTAL STUDIES ON THE TIDAL MIXING IN SETO INLAND SEA (I)

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    The mechanism of the tidal mixing and its effect on the tidal flushing in Seto Inland Sea arestudied with use of a small hydraulic model, of which the horizontal and vertical scales are 1100000and 1/1000 respectively.The tidal residual circulations near the straits and within the bays are most effective on thehorizontal mixing of large scale.There are some regions, where the tidal residue is much smaller, in the midst of Hiuchi-Nada, Iyo-Nada and so on, where the diffusion is so weak that the matter released in the Bisan-Seto Straitshardly reach westwards beyond there.The mechanism of the tidal mixing and its effect on the tidal flushing in Seto Inland Sea arestudied with use of a small hydraulic model, of which the horizontal and vertical scales are 1 / 100000and 1/1000 respectively.The tidal residual circulations near the straits and within the bays are most effective on thehorizontal mixing of large scale.There are some regions, where the tidal residue is much smaller, in the midst of Hiuchi-Nada,Iyo-Nada and so on, where the diffusion is so weak that the matter released in the Bisan-Seto Straitshardly reach westwards beyond there
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