998 research outputs found
La prosa documentale di Svetlana Aleksievič: tra reportage e memoir collettivo
No full textThis essay offers an analysis of the work of Svetlana Alexievich as the most complete expression of documentary prose, defined as a hybrid narrative and combining the genres of the reportage and the collective memoir. This narrative trend attained full development in Soviet literature during the 1970s and is characterized by a transfer from the author to direct witnesses of the narrated events. While Iryna Shylnikova traces the origins of this trend, a diachronic study of documentary prose allows her to reconstruct Svetlana Alexievich’s artistic method. She explains, at the same time, how a recourse to living testimonies on real facts can be transformed into an aesthetic phenomenon. In particular, Shylnikova focuses on Second-hand Time in an attempt to establish the core points of the author’s poetics
Provenance as a tool for supporting the dashboard onboarding process
No full textAuthor Iryna KondrashchenkoMasterarbeit Universität Linz 202
Chernivtsi as a text in Iryna Vilde’s story cycle “Butterflies on the Pins”
No full textУ статті пропонується аналіз семіотичного простору чернівецького тексту в циклі повістей Ірини Вільде «Метелики на шпильках». Розглядаються особливості тексту міста у його візуальному, культурологічному, ольфакторному аспектахThis article draws attention to the semiology of Chernivtsi as a text in Iryna Vilde’sstory cycle “Butterflies on the Pins”. The author of the essay analyses the most important visual, cultural and olfactoral aspects of the city text
Frontline: Writer/Director Iryna Tsilyk on filmmaking in Ukraine during the Russo-Ukrainian War (2014-)
No full textInterview with Iryna Tsilyk
Iryna is a filmmaker and writer born in 1982 in Kyiv. Since 2014 her work has captured the events that followed Russia’s invasion and annexation of Crimea, the subsequent war in the Donbas, and the full-scale Russian invasion of Ukraine which took place in February 2022.
Iryna’s short film Home (2016) was included in the short film collection Ukrainian New Wave 20/16+ and her films Tayra and Kid formed part of the anthology documentary Invisible Battalion (Dir. Gorlova, Lishchynska, Tsilyk, 2017) released as part of a global advocacy project that documented the participation of Ukrainian women in the conflict.
Her own debut feature documentary The Earth Is Blue as an Orange won the Directing Award at the Sundance Film Festival in 2020, and formed part of the official selection for Berlinale, IDFA, CPH:DOX, Hot Docs and more than 100 other international film festivals. The film featured single mother Hanna Gladka and her four children, bringing to life the family’s experience as residents of the front-line war zone in Donbas, Ukraine.
Iryna is also the author of eight books of poetry and short stories published both in Ukraine and having been translated into a number of languages. Her next project is the feature-length fiction film Rock. Paper. Grenade, adapted from the novel “Who are you?” by Ukrainian novelist, and Iryna’s husband, Artem Chekh
Classical Crossover and Its Russian and Ukrainian Interpretations
No full textThis article aims to explore the phenomenon of “classical crossover,” a contemporary music trend that blends “high” and “low” elements. In addition to analyzing the genre’s main features and cultural preconditions for its emergence, the article will examine its historical origins and development. The second part of the article focuses on examples of classical crossover in Russian and Ukrainian music, with an analysis of several artists who have ventured into this new type of production, including the Terem Quartet, Anna Netrebko, Olga Chubareva, and Arina Domski. By applying historical and cultural methodology, the article suggests that classical crossover has a broad audience in Russia and Ukraine, allowing musicians to introduce elite classical music to the masses. Although some may view the genre as a dilution of classical music’s distinctive qualities in order to cater to popular tastes, it also provides musicians with the opportunity to create original pieces that merge tradition with innovation. Considering all of the above, the author of this article aims to explore the cultural significance and impact of classical crossover in the music industry
Constructing an integrated model of public-sector leadership competencies: an exploration
No full textDriven by the forces of globalization, the sweeping developments of recent decades have prompted changes in societal perceptions of leadership. The meaning of the concept itself has changed so dramatically that public leadership does not mean public-sector leadership anymore as the sectoral boundaries have been crossed to include individuals from the private and nonprofit sectors, civic leaders, and community volunteers involved in addressing pressing social, economic, and environmental problems (Luke, 1998). And yet, the chain of recent, universally acknowledged public sector leadership failures indicate that lack of leadership in public organizations is, if not immediately apparent, quite real. Increasingly, leadership quality is being linked to leadership training and development. In particular, an approach to leadership development and selection that is gaining momentum under “the pervasive influence” of New Public Management in the US and a number of other countries (Mau, 2009) is based on a set of identifiable personal characteristics called competencies. This research offers an analysis of competency-based approaches and addresses the need for better articulation of leadership models to ensure a better fit with the public sector (Trottier et al., 2008). The purpose of this theory-building exercise has been to create an integrated model of public-sector leadership competencies that could be used as a template in developing a leadership training program for public sector executives and/or managers. Exploratory in nature and qualitative in terms of methodology, the research offers a phenomenological perspective and provides critical assessment of the competency movement’s place within the processes transforming public service. Grounding the analysis in the existing leadership and public administration literature, I ask the questions: How well does the competency-based approach serve the mission of producing public leaders capable of sustaining high performance in their work communities—departmental units or agencies? And is it capable of capturing and integrating new and emerging competencies as they appear? The synthesis of selected competency models into the integrated model brings the disparate and disjointed language of competency modeling one step closer to a common denominator, thus deepening our understanding of this phenomenon. It also responds to the perceived need to further develop competency-based theory of leadership and contributes, through the advancement of the topic, to the improvement of our civil service and its leadership cadre’s training and development.Ph. D.Includes bibliographical referencesIncludes vitaby Iryna Illias
«Glory to live-giving talent». The problem of artist and society in the poems of Iryna Zhylenko
No full textУ статті вперше розглянуто особливості художньої інтерпретації проблеми взаємин митця й
суспільства в ранніх поемах Ірини Жиленко «Цар-Колос. Ода Катерині Білокур», «Збережи сонце для сві-
танку», «Облога. Поема про втечу і повернення». З’ясовано, що їх тематичною домінантою є розкодування
таємниці творчості, осмислення буттєвого вибору генія. Простежено, що проблему взаємин митця й сус-
пільства авторка розглядає через призму несприйняття соціумом «інакшості» героя, котрий, переживши
кризу самоідентифікації, формулює новий сенс свого життя, стає трагедійним персонажем, який безпри-
страсно піднімається над земною марнотою заради вічності, універсальних цінностей буття. Наголоше-
но, що загалом проблема митця й суспільства, сенсу творчості в аналізованих поемах має оптимістичне,
життєствердне вирішення. Указано, що художньому втіленню проблематики сприяють не тільки значні
за обсягом внутрішні монологи відомих митців, але й фрагментарна композиція творів.The article deals with the problem of interaction between the artist and the society in early poems
of Iryna Zhylenko for the first time. Theme dominant is defined as decodering of the mystery of creative
work, identification of the problem of genius’ choice in the poems of Iryna Zhylenko «Tsar-ear. Ode to Kateryna
Bilokur», «Save the Sun at the sunrise» and «Seige. The poem about escape and returning back». Lyric heroine
has an imaginary dialogue with prominent painters Kateryna Bilokur, Anry Matisse and Micelangelo Buonarotti.
All of them experience catharsis while coping with doubt. Interaction between the personality and the
society in the works mentioned above is considered via perception of the difference of the genius-artist by the
society. Having survived the crisis of self-identification and formulates new sense of life: «to serve the mankind
and the epochs», becomes a tragic character which impartially rises above earth misery for the sake of eternity,
universal values of life. The author is interested in characters’ critic psychological states, but in general the
problem of the artist and the society, the sense of creative work in the works we analyze has optimistic lifeaffirming
solution. Long inner monologues of famous artists and fragmentary composition promote its artistic
incarnation. Iryna Zhylenko grasps the idea of favouritepainers’ outlook and style evolution, the process of
identification their goal: to serve people. Poems «Tsar-ear. Ode to Kateryna Bilokur», «Save the Sun at for sunrise
» and «Seige. The poem about escape and returning back» confirm the development of author’ poetic skills,
incarnate typical for her concepts of home, garden, town, happiness, heart, light. They reflect the evolution of
Iryna Zhylenko’s poetics : from quiet self-concentration, meditation, privacy, self-irony to publicistic and civic
writing, ontological comprehension of the urgent problems of the second half of the twentieth century
Correction to: An ethico-legal framework for social data science (International Journal of Data Science and Analytics, (2021), 11, 4, (377-390), 10.1007/s41060-020-00211-7)
No full textThe article ‘‘An ethico-legal framework for social data science’’, written by Nikolaus Forgó, Stefanie Hänold, Jeroen van den Hoven, Tina Krügel, Iryna Lishchuk, René Mahieu, Anna Monreale, Dino Pedreschi, Francesca Pratesi, David van Putten originally published electronically on the publisher’s internet portal (currently SpringerLink) on April 10, 2021 without open access. The copyright of the article changed t
Евтаназія або паліативна допомога: правові принципи впровадження в контексті реалізації права людини на життя (Scopus)
No full textChekhovska Iryna Euthanasia or palliative care: legal principles of the implementation in the context of the realization of human rights to life / Iryna V. Chekhovska, Olha M. Balynska, Roman I. Blahuta, Valeriy V. Sereda, Serhii O. Mosondz // Wiadomości Lekarskie. - 2019. - tom LXXII. - № 4. - P. 677-681.Право на життя - природне природжене право людини, основний принцип існування людства, визнане всіма цивілізованими країнами. Він закріплений у численних міжнародних та національних правових актах як найважливіша користь людини. Однак є дискусії щодо використання евтаназії. Тому проблема легалізації евтаназії потребує ретельного вивчення. Метою цієї статті є аналіз та систематизація існуючих проблем легалізації евтаназії. Основна мета статті - вивчити правові підстави запровадження евтаназії в контексті реалізації права на життя, вивчити зміст паліативної допомоги, розрізнити бар'єри для її розвитку та сформулювати пропозиції щодо їх усунення. У ході дослідження були використані теоретичні (аналіз, синтез, узагальнення, систематизація тощо) та емпіричні методи (спостереження, опитування, класифікація тощо). Автор виявив негативне ставлення медичного персоналу до можливості використання різних форм евтаназії під час дослідження. Визначено причини позитивного ставлення пацієнтів, які перебували в термічній стадії до евтаназії. Встановлено, що виправлення більшості причин призводить до значного зниження відсотка позитивного ставлення до евтаназії. Проаналізовано аргументи противників та прихильників легалізації процедури евтаназії. Виходячи з цього, автор довів об'єктивну відсутність правових підстав для легалізації процедури евтаназії та прямого
порушення прав людини на життя. The right to life – is natural inherent human right, the fundamental principle of the existence of mankind, recognized by all civilized countries. It is enshrined in numerous international and national legal acts as the most important beneft of a man. However, there are discussions about the use of euthanasia. Therefore, the problem of the legalization of euthanasia requires careful study. The purpose of this article is to analyze and systematize existing problems of the legalization of euthanasia. The main objective of the article is to study the legal grounds for the introduction of euthanasia in the context of realizing the right to life, to study the content of palliative care, to distinguish the barriers to its development, and to formulate propositions for their elimination. Theoretical (analysis, synthesis, generalization, systematization, etc.) and empirical methods (observation, survey, classifcation, etc.) were used in the course of the research. The author has revealed the negative attitude of medical staff to the possibility of using different forms of euthanasia during the study. The reasons for the positive attitude of patients, who were in the thermal stage to the euthanasia, have been determined. It has been established that the correction of most causes leads to a significant reduction in the percentage of positive attitude to euthanasia. The arguments of opponents and supporters of the legalization of euthanasia procedure have been analyzed. On this basis the author has proved the objective absence of legal grounds for the legalization of euthanasia procedure and direct
violation of human rights to life
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