5,329 research outputs found

    Scott, Edgar Campbell, VX38551

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/415901Surname: SCOTT. Given Name(s) or Initials: EDGAR CAMPBELL. Military Service Number or Last Known Location: VX38551. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 21741.238054 Item: [2016.0049.48162] "Scott, Edgar Campbell, VX38551

    Ernest Thompson Seton: an unforgettable personality, by Edgar M. Robinson

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    This piece, titled “Ernest Thomas Seton: an unforgettable personality”, gives a first hand interpretation of who Ernest Thompson Seton (it is believed that whoever put the cover on this document spelled his name wrong) was through the eyes of Edgar Robinson. Robinson explains what a strong relationship the two of them had and what a strong mentor Seton was to Robinson. Ernest Thompson Seton was an author and illustrator of more than 50 works, and was largely responsible for the American Indian influence in the Boy Scouts of America that offered young people knowledge of an outdoor life based on Native American Indian customs, legends and beliefs. Seton was Chief Scout of the Boy Scouts of America from 1910 to 1915. Edgar M. Robinson was a 1901 graduate from the YMCA Training School, now Springfield college, where he later returned to serve on the faculty as the Honorary Director of Boys Work Courses and the Adviser in Methods and Principles in Work with Boys from 1927-1937.For biographical information on Edgar M. Robinson, see: https://springfield.as.atlas-sys.com/agents/people/554 For more information on Ernest Thompson Seton, see: https://springfield.as.atlas-sys.com/agents/people/553On the bottom of page number 1 there is a rip, which prevents part of the bottom two lines from being read. On that back of page number one appear the numbers "46757" written in pencil

    Os paratextos das antologias brasileiras de contos de Edgar Allan Poe no século XXI

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014.Esta tese analisa elementos paratextuais em antologias brasileiras de contos de Edgar Allan Poe lançados ou reeditados nos doze primeiros anos do século XXI, verificando de que forma o autor e sua obra são apresentados ao leitor através desses paratextos. Para tanto, analiso quartas capas, orelhas, prefácios, posfácios e notas. O nível de participação do tradutor na utilização desses elementos é também examinado, para que se possa averiguar até que ponto esse intermediador de culturas teve visibilidade nas publicações. A referida análise é norteada, principalmente, pelos fundamentos teóricos de Gérard Genette, sobretudo em seu livro intitulado Paratextos Editoriais (2009), do original Seuils (1987).Abstract : This thesis analyzes paratextual elements in Edgar Allan Poe's Brazilian anthologies of short stories published or reprinted in the first twelve years of the 21st century, observing how the author and his fictional writings are presented to the reader through those paratexts. Thus, I analyze back pages, flaps, forewords, afterwords, and notes. The use the translator made of those elements is examined in order to assess the translator's visibility in the published editions. The referred analysis is grounded mainly on Gérard Genette's theory, especially in his book entitled Editorial Paratexts (2009) from the original Seuils (1987)

    Letter to the Editor from the author, and response from Edgar Allen Beem, on Bee

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    Letter to the Editor from the author, and response from Edgar Allen Beem, on Beem\u27s book review of Maine: An Explorer\u27s Guide and his comparison of it to Maine Handbook

    Edgar Frank Family Collection 1910-1959

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    Edgar Frank was an author. This collection contains a genealogical description of Edgar Frank's family, a circa 1910 article from the Gemeindeblatt der Deutsch-Israelistischen Gemeinde, 7 postcards the majority of which have themes of Judaica (such as the Touro Synagogue in Rhode Island), and a list of corrections for the publication Zemanim by Edgar Frank.Edgar Frank, 1959The original German language inventory is available in the folder.Processed for digitizationSent for digitizationReturned from digitizationLinked to online manifestationdigitize

    Account of author Edgar Beem\u27s climb of Mount Katahdin with his 13-year-old daug

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    Account of author Edgar Beem\u27s climb of Mount Katahdin with his 13-year-old daughter, Hannah, commenting on the social experience of climbing the mountain, and noting that as many as 50,000 people a year make the climb. The day of their climb was a Class II Day, meaning that park officials strongly recommended that climbers not go above the treeline. Somewhat relieved, Beem and his daughter contented themselves with hiking up to the treeline and turning around

    To what extent may the unfavorable viewpoints of critics on E. A. Poe's use of horror and social satire in his stories be refuted by examples from and analysis of the author's eight short stories?

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    With numerous short stories and poems, Edgar Allan Poe is considered to be the piquant and astounding milestone of the American Literature. Yet, his style and achievements have always been interpreted antagonistically by large numbers of critics. This study analyzes the features unique to Edgar Allan Poe in his short stories “Murders In The Rue Morgue”, “The Fall of The House of Usher”, “A Tale of Jerusalem”, “The Pit and The Pendulum”, “The System of Doctor Tarr and Professor Fether”, “A Cask Of Amonillado”, “The Masque of Red Death” and “The Man That Was Used Up” while refuting to chosen examples of negative reviews about Edgar Allan Poe. Due to the fact that Edgar Allan Poe is well-known for his usage horror, satire, humor and fiction in his short stories, these qualities have been criticized mostly by many writers and philosophers as well. In this sense, the scope of the study will be sharpened on how these techniques are used in his short stories to make them nonpareil and what was Edgar Allan Poe’s authorial intention while utilizing these attributes in his works. At this point the analysis of the characters, themes and plot will be prioritized compared to the language and style that Edgar Allan Poe uses in his texts. Since the criticism against Poe focus on the usefulness of such features in his short stories and how they intimidate the reader from the text, the study proves that the gap between Poe and the reader is a simple issue of reciprocal misunderstanding which is proven to be artificial and bogus with examples and facts from his short stories

    Genealogical collections concerning the Scottish house of Edgar.

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    In the preface to his "An account of the sirname Edgar" the author mentions "the use made of a portion of his materials by 'a Comittee of the Grampian Club,' in the recent anticipatory volume, which has been published in disregard of his prohibition."Ed. by Andrew Edgar and Charles Rogers.Mode of access: Internet.New York Genealogical and Biographical Society

    Volume Introduction – Method, Science and Mathematics: Neo-Kantianism and Analytic Philosophy

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    Introduction to the Special Volume, “Method, Science and Mathematics: Neo-Kantianism and Analytic Philosophy,” edited by Scott Edgar and Lydia Patton.At its core, analytic philosophy concerns urgent questions about philosophy’s relation to the formal and empirical sciences, questions about philosophy’s relation to psychology and the social sciences, and ultimately questions about philosophy’s place in a broader cultural landscape. This picture of analytic philosophy shapes this collection’s focus on the history of the philosophy of mathematics, physics, and psychology. The following essays uncover, reflect on, and exemplify modes of philosophy that are engaged with these allied disciplines. They make the case that, to the extent that analytic philosophers are still concerned with philosophy’s ties to these disciplines, we would do well to pay attention to neo-Kantian views on those ties.</jats:p

    Scott Pilgrim vs. Himself: The Patriarchal Presence of NegaScott in Edgar Wright’s Scott Pilgrim vs. the World

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    This paper will examine the ways in which the figure of NegaScott in Edgar Wright’s 2010 film Scott Pilgrim vs. the World, a text derived from Bryan Lee O’Malley’s comic book series Scott Pilgrim, exists as a presence that represents the characters’ conflicting unconventional and stereotypical portrayals of masculinity, as in the text, he is seen merging with this manifestation of himself, and in the film, confronts and separates from it. Using a feminist, theoretical lens, I will examine the portrayal of masculinity as it is viewed in bell hooks’ work on the feminized male, going into the significance of Scott’s reoccurring run-ins with his violent vision of himself. I will argue that the addition of this fragmented character is to interrogate institutionalized gender dynamics throughout our culture, as the being is not wholly there as Scott himself is not a complete person through maintaining both unconventional and hyper-masculine traits. Scott challenges our institutionalized idea of the heroic modernist narrative by possessing the prowess needed to defeat a league of challengers, while also existing in the “needing to be saved role,” a position that is typically associated with female characters in young adult works of literature and film. By examining the fantasy, game-centered adaptation, I intend to expose how Wright addresses issues that are very true and prominent throughout our culture by bringing up a conversation regarding gender role manipulation, as Scott is forced to face his greatest opponent yet: himself
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