4,371 research outputs found
Family and succession law in Germany/ Saskia Lettmaier, Moritz-Philipp Schulz.
No full text"This book was originally published as a monograph in the International encyclopaedia of laws/Family and succession law."Includes bibliographical references and index.1 online resource
Karl Philipp Moritz\'s essays: language, arts, philosophy (selection, introduction, translation and notes)
No full textApós mais de duzentos anos, o interesse pela obra de Karl Philipp Moritz (15 de setembro de 1756 26 de junho de 1793) só tem aumentado. Diferentes autores como Herman Hesse e Walter Benjamin, e, mais recentemente, Hans Joachin Schrimpf, Tzvetan Todorov, Peter Szondi, Arno Schmidt e Peter Handke têm escrito ressaltando a importância e a fecundidade desse autor. Moritz pode ser considerado um dos autores inaugurais do romantismo alemão. Este mestrado em filosofia, área de estética, pretende, por meio de seleção, tradução e introdução dos textos de Karl Philipp Moritz, contribuir para a valorização dessa importante obra em nossa cultura. Os textos selecionados são de teoria da linguagem, estética e filosofia.After over two hundred years, the concern for the works of Karl Philipp Moritz (September 15th 1756 June 26th 1793) has increased steadily. Different authors such as Herman Hesse and Walter Benjamin and more recently Hans Joachin Schrimpf, Tzvetan Todorov, Peter Szondi, Arno Schmidt and Peter Handke have written on the relevance and fecundity of this author. Moritz can be said to be one of the inaugural authors of German Romanticism. This Masters in Philosophy, in the Aesthetics field, intends, by means of selection, translation and introduction of Karl Philipp Moritz texts, to contribute to the appreciation of this important work in our culture. The selected texts belong to the fields of Language Theory, Aesthetics and Philosophy
Male survivors are not ’emasculated’ but experience ‘displacement from gendered personhood’
No full textTaking Northern Uganda as a case study, Philipp Schulz explores the intersecting harms experienced by male survivors of sexual violence, and argues that these harms can potentially be mitigated. He suggests that improved understanding – and language – can aid recovery
Kosciusko [music] /
No full textFor voice and piano.; Cover title.; "Introduced & sung by Miss Nella Webb."; Cover carries portraits of Nella Webb (by Rudolph Buchner), Charles Vaude and Moritz Lutzen.; Words printed as text on p. [4].; "During Moritz Lutzen's visit to Australia he offered a prize for the best lyric, by an Australian author to be set to music by himself. The prize was awarded to Charles Vaude, for his lyric 'Kosciusko,' and Miss Nella Webb produced this song with instantaneous success."--P. [4].; Also available online http://nla.gov.au/nla.mus-an8393500; 1913, by Victor J. Draper, Sydney.; NLA's NL copy from the collection of Keith Watson. ANL
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Die Entwicklung der romanistischen Methode bei Fritz Schulz /
No full textFrom publisher's website: As one of the most important exponents of interpolation, which was seen as part of the so-called older working hypothesis, Fritz Schulz made a significant contribution to overcoming this with his own studies and thus paved the way for the studies on the textual stages which was programmatically required by the new working hypothesis. Philipp Rohdenburg traces the various stages of development based on individual fragments of the sources.From publisher's website: Zu Beginn des 20. Jahrhunderts ging die unter dem Eindruck der Älteren Arbeitshypothese stehende Forschung davon aus, dass die Juristenschriften der sog. klassischen Zeit die justinianische Gesetzgebungskommission unberührt erreicht hätten. Daher rechnete man nur mit nachträglichen justinianischen Eingriffen (Interpolationen) in den überlieferten Texten. Fritz Schulz wurde zum Wegbereiter der Neuen Arbeitshypothese, die annahm, dass nahezu alle der besagten Schriften die justinianischen Kompilatoren bereits in mehr oder minder stark überarbeiteter Form erreicht hätten und machte so den Weg für eine differenziertere Betrachtungsweise frei. Philipp Rohdenburg zeichnet die verschiedenen Entwicklungsstufen auf diesem Weg anhand einzelner konkreter Quellenfragmente nach
L’« Aufklärung » allemande inconnue : à propos de l’œuvre de Karl Philipp Moritz (1756-1793)
No full textL’œuvre de Karl Philipp Moritz représenterait une libération d’une Aufklärung obsédante. Pourtant, si l’on examine l’activité de Moritz comme journaliste, psychologue, pédagogue, théoricien du langage, et traducteur, on voit apparaître le lien entre Aufklärung et idéalisme. Si l’idéalisme esthétique de Moritz, sous la forme de « la totalité harmonieuse », n’apparaît explicitement qu’en 1785, il appartient cependant à un contexte global, d’où l’Aufklärung est rien moins qu’absente. Moritz est philologue, auteur de nombreuses grammaires vulgarisatrices allemandes et anglaises, de nombreuses traductions et préfaces à des traductions. Ces travaux, jusqu’ici peu étudiés, ne sont pas du tout « alimentaires » seulement, comme on le croyait. Ils montrent très clairement que l’idéal politique et cosmopolitique des Lumières est bien présent chez Moritz. Ils reposent notamment sur une théorie du langage onomatopoïétique commune à bien des auteurs allemands du dernier tiers du xviiie siècle, mais c’est bien avec cette matrice que Moritz peut concilier rationalité pédagogique et politique des Lumières avec un idéalisme esthétique et la reconnaissance des particularités culturelles — particulièrement pour Moritz l’Angleterre puis l’Italie. Ce n’est donc pas ni un auteur d’après les Lumières, ni non plus un écrivain aux activités hétéroclites, ni non plus seulement une « figure de transition », mais bien l’auteur qui, sans l’unité massive d’une opposition, produit une œuvre qui serait une crise ultime et intestine de l’Aufklärung.Die Idee, das Werk Karl Philipp Moritz als eine Befreiung von der allesbeherrschenden Aufklärung zu sehen, gerät in Schwanken, wenn man Moritz’ Tätigkeiten als Journalist, Psychologe, Pädagoge, Sprachtheoretiker und Übersetzer genauer betrachtet : hier ergeben sich Verbindungen zwischen Aufklärung und Idealismus. Sein ästhetischer Idealismus des « harmonischen Ganzen » taucht zwar explizit erst 1785 auf, gehört aber in einen Gesamtkontext, in dem Aufklärung alles anders als abwesend ist. Moritz ist Philologe, Verfasser von zahlreichen deutschen und englischen populärwissenschaftlichen Grammatiken, Übersetzungen und Vorworten zu Übersetzungen. Diese bisher wenig beachteten Arbeiten sind nicht nur « Brotarbeit », wie man bisher annahm. Sie zeigen deutlich die Existenz des politischen und kosmopolitischen Aufklärungsideals in seinen Gedankengängen. Diese Arbeiten beruhen vor allem auf einer onomatopoetischen Sprachtheorie, die auch vielen anderen deutschen Verfassern der letzten drei Jahrzehnte des 18. Jahrhunderts gemeinsam war. Es ist diese Matrix, die es Moritz ermöglicht, die pädagogische und politische Rationalität der Aufklärung in Einklang zu bringen mit dem ästhetischen Idealismus und mit der Frage der Annerkennung kultureller Eigenheiten — bei Moritz insbesondere England und Italien. Er ist also weder ein Autor nach der Aufklärung, noch ein Schriftsteller, der Unzusammenhängendes produziert, und auch nicht mehr lediglich eine « Übergangsfigur » ; er stellt sich vielmehr als Verfasser dar, der — ohne sich in eine massive Opposition zu begeben — ein Werk schafft, das sich wie eine letzte innere Krise der Aufklärung ausnimmt.The work of Karl Philipp Moritz is supposed to represent a liberation from obsessing Enlightenment. And yet, if one considers Moritz’s activity as a journalist, a psychologist, a pedagogue, a theoretician of language and a translator, there appears a clear relationship between the Enlightenment and idealism. Although Moritz’s aesthetic idealism became explicit only in 1785 when he developped his theory of the « harmonious whole », it is part of a general context from which the Enlightenment is in no way absent. Moritz was a philologist, and the author of various grammars of the German and the English languages, as well as of many translations and forewords to translations. It has long been thought that Moritz’s main reason for writing them was financial. Yet, a closer study of those works shows that the political and cosmopolitical ideal of the Enlightenment was a vivid preoccupation with Moritz. They make explicit, in particular, a theory of onomatopoietic language which many German authors of the late eighteenth century shared. This theory Moritz used in order to conciliate the pedagogical and political rationality of the Enlightenment both with aesthetic idealism and the acknowledgment of cultural specificities (especially as regards England and Italy). Neither a post Enlightenment author, nor a writer with odd interests who could be simply labeled a « transitional figure », Moritz appears therefore as having produced a work that can be read as the expression of an ultimate and internal crisis of the Enlightenment
Caminhando em solo clássico – Karl Philipp Moritz em Roma: literatura e imaginação histórica
No full textNesse artigo abordamos aspectos do pensamento e da sensibilidade histórica de Karl Philipp Moritz. Para tanto, tomamos como fio condutor o topos do “solo clássico”, enfatizado por Moritz no livro a Viagem de um alemão à Itália de 1786 a 1788: um diário de viagem em cartas (Reisen eines Deutschen in Italien in den Jahren 1786 bis 1788: Reisebericht in Briefen). No contexto das viagens formativas à Itália realizadas na década de 1780 por intelectuais e poetas alemães, o termo “solo clássico” (klassische Boden) denota uma relação que Moritz – assim como Goethe, Herder e outros autores de narrativas de viagens dessa época – estabelece entre a imaginação literária e os locais nos quais os eventos retratados pela literatura antiga tiveram lugar. Segundo Moritz, a experiência de ler um autor antigo (ou recordar essa leitura) no local onde os fatos retratados teriam ocorrido seria capaz de ativar, por meio da “imaginação”, a memória histórica, concedendo ao passado uma presença viva. Ao evocar esta experiência do (no) “solo clássico”, Moritz estabelece uma dialética entre imaginação e lugar, literatura e paisagem, linguagem e “solo”. Ele constata que em Roma o antigo persiste imbricado no moderno, seja na paisagem (que inclui a arquitetura, os monumentos, ruínas, o traçado urbano da cidade e a natureza italiana), ou no “povo” italiano (em seus hábitos linguísticos e “culturais”, cerimônias e instituições políticas e religiosas). Trata-se, para ele, por fim, de pensar em que medida, partindo dessas sobrevivências, a Antiguidade pode ser (re)visitada e depurada de suas imbricações com o moderno.In this article we address aspects of the thought and historical sensibility of Karl Philipp Moritz. Having it in mind, we take as a guideline the topos of the “classical ground” emphasized by Moritz in the book A Journey of a German to Italy from 1786 to 1788: a travel diary in letters (Reisen eines Deutschen in Italien in den Jahren 1786 bis 1788 : Reisebericht in Briefen). In the context of the formative trips to Italy undertaken in the 1780’s by German intellectuals and poets, the term “classical ground” (klassische Boden) denotes a relationship that Moritz – as well as Goethe, Herder and other authors of travel narratives of that age – establishes between the literary imagination and the places in which the events portrayed by the ancient literature took place. According to Moritz, the experience of reading an ancient author (or remembering this reading) in the place where the facts portrayed would have occurred would be able to activate, through “imagination”, the historical memory, giving to the past a living presence. By evoking the experience of the “classical ground”, Moritz establishes a dialectic between imagination and place, literature and landscape, language and “ground”. He notes that in modern Rome the ancient persists imbricated with the modern, whether in the landscape (which includes the architecture, monuments, ruins, the urban layout of the city, and the Italian nature), or in the Roman “people” (in their linguistic and cultural habits, political and religious ceremonies and institutions). It is important for him, finally, to think to what extent, starting from these living remains, the Antiquity could be (re)visited and purified from its imbrications with the modern
Ouverture zu Faust / von Klingemann, componirt von C. Schulz
No full textOUVERTURE ZU FAUST / VON KLINGEMANN, COMPONIRT VON C. SCHULZ
Ouverture zu Faust / von Klingemann, componirt von C. Schulz (1)
Cover (1)
Titelseite (2)
Ouverture zu Faust (3
Replication files for "The Variability of Occupational Attainment"
No full textThese are the replication files for the following publication:
Lersch, Philipp M., Schulz, Wiebke, & Leckie, George (2020): The Variability of Occupational Attainment: How Prestige Trajectories Diversified within Birth Cohorts over the Twentieth Century. American Sociological Review published online. http://dx.doi.org/10.1177/000312242096632
online_appendix_revised3 – Supplemental material for We Are the People and You Are Fake News: A Social Identity Approach to Populist Citizens’ False Consensus and Hostile Media Perceptions
No full textSupplemental material, online_appendix_revised3 for We Are the People and You Are Fake News: A Social Identity Approach to Populist Citizens’ False Consensus and Hostile Media Perceptions by Anne Schulz, Werner Wirth and Philipp Müller in Communication Research</p
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