11,340 research outputs found
À sombra do tamarindo: identidade, tradução cultural e gênero em O último voo do flamingo, de Mia Couto
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2014.Pretendemos expor questões presentes no romance do moçambicano Mia Couto O último voo do flamingo, como identidade, tradução cultural e gênero. A intenção é propor discussões acerca desses temas tão pertinentes na contemporaneidade, sobretudo no que se refere aos países africanos que passaram pelo processo de colonização e apenas recentemente conquistaram a independência política. Assim, procuramos elucidar também alguns pontos fundantes da relação entre literatura e o contexto histórico em que esta foi produzida, pois essa relação suscita diversas análises. Para tanto, trazemos à baila alguns(mas) estudiosos(as) da cena literária africana de língua portuguesa e também autores(as) das teorias pós-coloniais e de gênero.Abstract : It is intended to expose issues in the novel the Mozambican Mia Couto O ultimo voo do flamingo, like identity, gender and cultural translation. The intention is to propose discussions on these topics as relevant in contemporary times, especially with regard to African countries that have gone through the process of colonization and just recently won political independence. So, I try also to elucidate some foundational points of the relationship between literature and the historical context in which it was produced, because this relationship raises several analyzes. To do so, bring to the fore some scholars of African literary scene of the Portuguese language and also classical authors of postcolonial and gender theories
Ernst A. Schmidt, Ovids poetische Menschenwelt. Die Metamorphosen als Metapher und Symphonie
No full textViarre Simone. Ernst A. Schmidt, Ovids poetische Menschenwelt. Die Metamorphosen als Metapher und Symphonie. In: L'antiquité classique, Tome 63, 1994. pp. 401-402
Ernst A. Schmidt, Ovids poetische Menschenwelt. Die Metamorphosen als Metapher und Symphonie
No full textViarre Simone. Ernst A. Schmidt, Ovids poetische Menschenwelt. Die Metamorphosen als Metapher und Symphonie. In: L'antiquité classique, Tome 63, 1994. pp. 401-402
Das Menzel-Dach an der Humboldt-Universität zu Berlin 1998-2015
No full textEin Film von Johanna Aust & Anne Erika Schmidt
für, mit und über Ruth Tesmar / Humboldt-Universität zu Berlin;
Tonaufnahme, Musik & Sprecher Jan Siebert;
Extramaterial Hanna Seibel;
Vielen Dank an Simone Damis und Anne MakarovA movie by Johanna Aust & Anne Erika Schmidt
for, with and about Ruth Tesmar / Humboldt University Berlin;
Sound recording, music & speaker Jan Siebert;
Extra material Hanna Seibel;
Many thanks to Simone Damis and Anne Makaro
Transnational feminisms: knowledge and aesthetic post/decolonial
No full textSecção temática deste numero da REF que reúne textos de diversas autoras sobre a temática dos Feminismos Transnacionais. Dossier organizado por Ana Gabriela Macedo (UMinho) e Simone Schmidt (UFSC).(undefined)info:eu-repo/semantics/publishedVersio
Rozpor ako východisko, láska ako smer u Simone Weilovej (Contradiction as base, Love as direction in writings of Simone Weil)
No full textArticle is explaining contradiction and love, Simone Weil‘s essential terms of hermeneutics of human Being. It introduces close relation of these terms with her understanding of God as well as with her overall concept of religion. Author also mentions Simone Weil‘s inspirations with philosophical and spiritual concepts of the East
Angelika Schmidt-Koddenberg / Simone Zorn: Zukunft gesucht! Berufs-und Studienorientierung in der Sek. II. Berlin u.a.: Budrich 2011 [Rezension]
No full textRezension von: Angelika Schmidt-Koddenberg / Simone Zorn: Zukunft gesucht! Berufs-und Studienorientierung in der Sek. II, Berlin u.a.: Budrich 2011 (183 S.; ISBN 978-3-8664-9381-0
“I beg you to tell me what has become of Djamila”: The Political Mobilization of Simone de Beauvoir’s Readers During the Boupacha Affair
No full textBy Sophia Millman This is a condensed version of a Masters thesis dedicated to the political mobilization of Simone de Beauvoir’s readers. The citations from the letters were translated from French by the author. *** On June 2, 1960, the French government ordered all copies of the daily Algiers edition of Le Monde seized and destroyed to suppress the publication of Simone de Beauvoir’s article “Pour Djamila Boupacha.” Beauvoir, a self-professed “woman of letters”, not “of action[1]”, and one ..
A comparative study of form and theology in the works of Flannery O'Connor and Simone Weil
No full textIn this comparative study of the form and theology of Flannery O'Connor and Simone Weil I interrogate how Weil's philosophical writings and her theology illuminate O'Connor's use of both narrative and non-fictional forms, and her Catholicism. The Introduction analyses how Weil's concept of superposed reading provides a new method of approaching both O'Connor, her writings, and O'Connor
studies, and focuses on how such apparently different women interconnect. Chapter One explores how both Weil and O'Connor attempt to write their theologies on the
souls of their readers yet are each subject to constraints imposed by form. Weil's concept of locating equilibrium between incommensurates is discussed, and her
distinctively philosophical approach to fictions and fictionality is used to investigate O'Connor's notion of prophetic fictions and the writer's role. Chapter Two assesses how both writers revivify Christian paradoxes. Weil's monstrous concept of affiiction, and O'Connor's use of the grotesque genre to jolt secular man into an
awareness of the sacred are scrutinised. Chapter Three studies how both writers consider an encounter between God and man is possible through the action of grace. My Conclusion interrogates how Weil's work can deepen our understanding of O'Connor's writings, and examines how successful O'Connor is at realising a truly
Christian literature. I conclude that despite being a writer of powerful fictions, O'Connor can not be totally successful in her mission as writer-prophet because
ultimately fiction escapes orthodoxy
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