3,612 research outputs found
Autour du livre "Un monde commun" | Reine-Marie Bérard, Sylvain Bourmeau, Marie Gaille, Alexandre Gefen, Jean-Marie Schaeffer et Anne Simon | CNRS-INSHS | Paris | 5 octobre 2023
No full textTable ronde autour de l’ouvrage collectif Un monde commun. Les savoirs des sciences humaines et sociales (Alexandre Gefen dir., préface de Marie Gaille, CNRS Éditions, 2023), présentée par Marie Gaille et animée par Sylvain Bourmeau, avec Reine-Marie Bérard, Alexandre Gefen, Jean-Marie Schaeffer et Anne Simon, CNRS, 3 rue Michel-Ange, Paris, 5 octobre 2023, 18h. Philosophie, sociologie, anthropologie, études littéraires, linguistique, histoire, géographie, psychologie, musicologie, esthétiqu..
THE POETICS OF RADIO IN JACQUES COPEAU AND PIERRE SCHAEFFER: THE VOICE OF INTIMACY
No full textPierre Schaeffer e Jacques Copeau constroem a noção de escuta da intimidade própria da emissão vocal no rádio, em especial na situação da leitura poética ou dramática. Definem assim uma outra forma de escuta, articulada a maneiras bem definidas de uso da voz – diferenciando-a da voz do ator no teatro – e na relação determinante com as características técnico-ambientais do microfone, da transmissão radiofônica e da gravação sonora. Esta pesquisa da poética da voz radiofônica é contemporânea da criação da música concreta por Pierre Schaeffer. Palavras-chave: criação de um outro modo de escuta; escuta da intimidade; a poesia na voz radiofônica; microfone; transmissão radiofônica; gravação sonoraPierre Schaeffer and Jacques Copeau build the notion of intimacy listening, proper to the vocal emission in radio, especially in the situation of poetic or dramatic readings. Thus they define a way of listening, linked to a particular use of the voice - differentiating it from the actor’s voice in the theater - and in a determining relationship with the technical and environmental characteristics of the microphone, radio broadcasting and sound recording. This research of the poetics of radiophonic voice is contemporaneous to the creation of concrete music by Pierre Schaeffer. Key-words: the creation of a mode of listening; intimacy listening; the voice of poetry in radio; microphone; radio broadcasting; sound recording
Obra musical opaca: a confluência de valores da música experimental em Pierre Schaeffer e John Cage
No full textO texto compara posições estéticas de Pierre Schaeffer e John Cage com respeito à música experimental, tentando confluir, de seus percursos distintos, os sentidos iniciais ligados ao adjetivo
La filosofía del derecho de Alexandre Kojève
No full textThis article is a presentation of Alexandre Kojève’s philosophy of law, exposed in his Esquisse d’une phénoménologie du droit (1981). Little attention has been paid to this work. So there is a gap that has to be filled with a critical reflection of its strengths. Among them, undoubtedly, we count the fact that Kojève is introducing a conception of international justice that casts a singular light on current debates about cosmopolitanism and globalization. According to this author, citizenship is the key element of the process of global expansion of the juridical sphere. In sum, Kojève’s philosophy is useful to reflect upon the contrast between the juridical and the political, which is the basis for all philosophy of law, in order to achieve world peace and international justice.Este artículo es una presentación de la filosofía del derecho de Alexandre Kojève contenida en su Esquisse d’une phénoménologie du droit (1981). La poca atención que dicha obra ha recibido es un vacío que debiera llenarse con una reflexión crítica de sus puntos fuertes. Entre ellos destaca una concepción de la justicia internacional que proyecta una luz muy singular sobre los actuales debates en torno a la globalización y el cosmopolitismo. A ojos de este autor, la ciudadanía es el elemento clave para aquilatar la expansión global de lo jurídico. En suma, Kojève aparece como un valioso referente en la labor de pensar la contraposición entre lo jurídico y lo político que está en la base de toda filosofía del derecho, con la aspiración al logro de la justicia internacional y la paz mundial en el horizonte
Reconfiguração do consensualismo contratual: as ações tituladas nominativas e os limites à transmissão
No full textPartimos da evolução histórica do consensualismo contratual salientando os
principais carateres que, nos diversos momentos históricos, se foram evidenciando.
Numa segunda etapa exploramos os fundamentos dogmáticos do modelo de
transmissão contratual assumido pelo legislador e a sua viabilidade no sistema
jurídico global, em particular, no direito dos valores mobiliários. Constatamos a
crescente necessidade na prática mercantil e inevitabilidade no sistema jurídico
global da admissibilidade da existência de contratos de compra e venda de natureza
meramente obrigacional. Num terceiro momento desenvolvemos os principais
aspetos do regime jurídico aplicável às ações tituladas nominativas fora do mercado
regulado, em particular, os principais limites à transmissão, enquanto instrumentos/barreiras ao consensualismo contratual.We start from the historical evolution of contractual consensualism emphasizing the
main aspects that, in different historical moments, were showing up. In a second
stage we explore the dogmatic foundations of the transmission model contractual
assumed by the legislator and its viability in the global legal system, in particular, in
securities law. We note the growing need in commercial practice and inevitability in
the global legal system the admissibility of the existence of contracts of sale purely
obligatory. In the third stage we develop the main aspects of the legal regime
applicable to nominative titled actions outside the regulated market, in particular,
the main limits to the transmission, as instruments / barriers to contractual
consensualism
“Era por Alexandre tod’esto demostrado”: ¿pruebas verídicas y pruebas engañosas en el Libro de Alexandre?
No full textEl Libro de Alexandre es un texto de s. XIII, que se escribió en la España medieval. En este escrito, el autor pretende demostrar que, en el Alexandre, algunas de las situaciones que se ponen a prueba son aceptadas, pero eso no significa que el macedonio gane la prueba. El articulo esta dividido en tres apartados. En el primero, el autor da cuenta de la historia textual de la obra y también dedica ciertas líneas al Estado de la cuestión del texto; mientras que, en la segunda parte, nos guía a conceptos etimológicos de los términos prueba, evidencia y demás. En el tercer apartado se centra en algunas pruebas expuestas en el Libro de Alexandre.The Libro de Alexandre is a literary work, written during the medieval Spain. In this paper, the author tries to demonstrate that, carefully reading the L.A, some of the situations that are set as proves are accepted, but it does not mean that Alexander can be a victor. This paper is divided in three sections: firstly, the author tells the textual history of the L.A and, then, tries to update the State of art: on the other hand, in the second part, the author offers meanings about terms as: prueba and evidencia. Finally, the author focuses on certain passages contained in the Libro de Alexandre that can be taken as failed proves
Mixing the Immiscible: Improvisation within Fixed-Media Composition
No full textThis paper will explore ways in which mastered improvisation practice, with the studio as an instrument, is a proposed avenue to bridge the historical dichotomy between what Ted Gioia describe as ‘the aesthetics of perfection’ and ‘the aesthetics of imperfection’. It is proposed as a way to re-embody fixed music, as experimented by the author through the composition of his last fixed-media work. This will be put in the context of a wider trend observed amongst the current emerging generation of composers interested in the aesthesics of the work, by opposition to the previous generations that placed the value of the work in its poietics. The vital and primal importance of practice outcome as practice-based research’s main document will also be advocated for, as these trends are happening in the laboratory of live music
Alexandre de Rhodes (1593?-1660)
No full textBiografia do jesuíta francês Alexandre de Rhodes (1593?-1660), missionário na Cochinchina (Vietname) e no Tonquim. Autor do Dicionário Anamita-Português-Latim (1651), Rhodes foi uma figura central no choque de interesses entre o Padroado Português e as ambições diplomáticas e políticas da França na Indochina e na China.Biography of the French Jesuit Alexandre de Rhodes (1593?-1660), missionary in Cochinchina (Vietnam) and Tonkin. Author of the Anamita-Portuguese-Latin Dictionary (1651), Rhodes was a central figure in the clash of interests between the Portuguese Padroado and France's diplomatic and political ambitions in Indochina and China.info:eu-repo/semantics/publishedVersio
La Clerecía de "Alexandre"
No full textEl artículo reflexiona sobre la educación que recibe Alexandre “El grande” a manos de su profesor Aristóteles, retratado en el “Libro de Alexandre”; a continuación analiza las disciplinas que compusieron dicho programa con el interés de proponer una interpretación de la lista de las siete artes liberales mencionadas. Este artículo ofrece una visión de las diferentes maneras en las que los textos reflejan la “clerecía” del protagonista así como de otros personajes, incluyendo el anónimo autor de los mismos. Cualquiera que se dedique a las mencionadas artes liberales será glorificado y Alexandre se presenta él mismo como modelo ideal de un príncipe en quien la nobleza y al inteligencia van unidas, una defensa clara de la “clerecía” como fuente fundamental de toda excelencia. This article deals with the education imparted on Alexander the Great by Aristotles, as portrayed in the “Libro de Alexandre”, analyzes the disciplines and proposes an interpretation of the list of the seven liberal arts mentioned therein. This article also offers an encompassing view of the different ways in which the text reflects the “clerecía2 of the protagonist as well as that of the other characters, including the anonymous author himself. Anyone who dedicates him or herself to the aforementioned liberal arts is thereby glorified, and Alexander presents himself as the ideal model of a prince in whom nobility and cleverness are joined, in a clear defense of the “clerecía” as the fundamental source of all excellence
Sämtliche Papierversuche : de Jacob Christian Schaeffer
No full textPapiers divers, 19 x 14,5 cmAu XVIII e siècle, la pénurie de chiffons commence à se faire sentir, ce qui provoque l'augmentation de son prix. Aussi cherche-t-on des matières de substitution, parmi les fibres de plantes notamment. Les premiers essais pratiques sont dus à l'Allemand Jacob Christian Schaeffer, qui fabrique lui-même ses échantillons grâce à une pile à maillets actionnée à la main et destinée à défibrer les végétaux. Il publie en 1765 un recueil d'environ quatre-vingts spécimens de papiers faits à partir de végétaux très divers, choisis dans l'environnement immédiat, auxquels il a ajouté un cinquième de cellulose de coton pour permettre une meilleure liaison des fibres. Certains échantillons sont rehaussés de gouache pour montrer la possibilité de les colorer. En 1772, il réédite cet ouvrage, augmenté de nouveaux échantillons : les légendes en sont traduites en français. En France, les recherches de Pierre-Alexandre Léorier-Delisle, directeur de la papeterie de Langlée, près de Montargis, aboutissent à la fabrication de papiers végétaux sans adjonction de chiffon.téléchargeabl
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