3,681 research outputs found
Pobreza Subjetiva : una primera aproximación para el caso uruguayo
No full textLa presente investigación analiza los diferentes enfoques sobre la pobreza subjetiva y su vinculación con la noción más tradicional de pobreza, la pobreza absoluta. Utilizando información novedosa para Uruguay, proveniente de la Encuesta de Gastos e Ingresos de los Hogares de 2016-2017, se estiman dos medidas de pobreza subjetiva, y se analizan estas mediciones comparativamente con la de pobreza absoluta. La primera medida de pobreza subjetiva se basa en la estimación de una línea de pobreza subjetiva, que toma como insumo la respuesta de los hogares a la denominada “pregunta de ingreso mínimo”, que refleja la percepción acerca del ingreso mínimo indispensable para que el hogar llegue a fin de mes. La otra medida de pobreza subjetiva se basa directamente en la autopercepción de los hogares. Ambas medidas se comparan entre sí y con la medición de pobreza absoluta. Finalmente, a través de la estimación de un modelo probit multinomial, se analizan los factores asociados a las discordancias en las clasificaciones provenientes de las distintas medidas. La probabilidad de que existan discordancias entre las medidas se ve afectada por las características de los miembros del hogar (desempleo, informalidad, educación e inmigración), características de la vivienda y el hogar (cantidad de habitaciones, presencia y cantidad de menores, fuente de energía utilizada para cocinar y calefaccionar, tenencia de elementos de confort y región de residencia), la participación en programas sociales (canastas, comedores, Tarjeta Uruguay Social) y el nivel y las condiciones de vida del grupo de referencia (tasa de desempleo y consumo promedio del grupo). Así, el trabajo destaca la importancia de diversos aspectos más allá del ingreso a la hora de aproximarse de una manera más completa al fenómeno de la pobreza.This research analyzes the different approaches to subjective poverty and its link with the more traditional notion of poverty, the absolute poverty. Using new data for Uruguay from the 2016-2017 Household Income and Expenditure Survey, two subjective poverty measures are estimated, and these measures are compared with that of absolute poverty. The first subjective poverty measure is based on the estimation of a subjective poverty line, which takes as input the response of households to the so-called “minimum income question”, which reflects the perception about the minimum income essential for the household to make ends meet. The other measure of subjective poverty is directly based on the self-perception of households. Both measures are compared with each other and with the absolute poverty measure. Finally, through the estimation of a multinomial probit model, the factors associated with the discrepancies in the classifications from the different measures are analyzed. The probability of discrepancies between the measures is affected by the characteristics of the household members (unemployment, informality, education and immigration), characteristics of the dwelling and the household (number of rooms, presence and number of minors, source of energy used for cooking and heating, possession of comfort elements and region of residence), participation in social programs (food baskets, community feeding centers, Uruguay Social Card) and the living conditions of the reference group (unemployment rate and average consumption of the group). Thus, the work highlights the importance of various aspects beyond income when it comes to approaching the phenomenon of poverty in a more complete way
Milano consolato nell' elettione a questo arciuescouado, e promotione alla sagra porpora dell' eminentissimo Federico Visconti : colla sua solennissima entrata seguita a' 11. genaro 1682 e fontioni antecedenti /
No full textFrontispiece coat of arms of Milan, engraved by Federico Agnelli.Signatures: pi⁴ A-G⁴ H⁴(-H4).Mode of access: Internet.Binding: limp vellum. Author & title written on spine
»It contained harbours that pleased me like sonnets«. Kleine Poetik der diegetischen Karte
No full textIn this article, Federico Italiano explores the relationship between literature and cartography. Beginning with Stevenson’s Treasure Island, the author frames the topic through a general theoretical lens on the spatial dimension of literary texts. He then focuses on a specific phenomenon of literary "carticity"—the diegetic presence of the map, that is, the map as an integral element of the narrative structure. Among others, Italiano examines the works of Houellebecq and Cormac McCarthy
Portrait of the Author in (Him/Her)self
No full textA fragment of a philosophical essay by Jean-Luc Nancy and Federico Ferrari titled Iconographie dell’auteur (Paris, 2005), published for the first time in Polish, that addresses the problem of a relationship between the image of the author and his/her work
Aneddoti e ricette a corte di Federico II nel XXI secolo : il buon cibo e il buon bere nel più antico Ateneo pubblico al mondo
No full text[Italiano]: Questo volume rappresenta la finalizzazione di una iniziativa nata, condivisa ed interamente realizzata all'interno del gruppo social dei "Prof in cucina e in Cantina", che ha inteso raccogliere ricette e descrizioni aneddotiche di singoli Autori, appartenenti ai ruoli del personale docente e tecnico-amministrativo-bibliotecario dell'Ateneo federiciano, il più antico Ateneo pubblico al mondo. Aneddoti e ricette forniscono spaccati di vita quotidiana e ricostruzioni di eventi che hanno accompagnato gli Autori nei diversi percorsi formativi, sociali e lavorativi, e che non escludono riferimenti al recente periodo emergenziale della pandemia COVID-19. Ad introdurre il Volume è un menù federiciano, con una proposta di 3 pietanze che attualizzano ricette ed abitubini alimentari dell'epoca, e che hanno come riferimento il Liber de coquina, edito a corte di Federico II. Gli 8 Capitoli del volume raggruppano ricette e aneddoti per categorie, e ciascuno di essi è poi preceduto da un breve inserto con ulteriori riferimenti storici all'alimentazione a Corte di Federico II. Così, atmosfere vecchie e nuove, accompagnate dal sentore di aromi e da suggestioni ispirate al vissuto di ciascun Autore, si fondono per offrire a Lettrici e Lettori frammenti di quotidianità vissuti oggi a corte di Federico II, nel XXI secolo./[English]: The Volume represents the endpoint of a recent initiative, which was conceived, shared and fully realized within the social group of the "Prof in Cucina e in Cantina". Here, the several Authors, represented by the teaching and the technical/administrative/librarian staff of the Federico II University in Naples, the oldest public University in the world, propose recipes and anecdotal descriptions of their educational, social and work-related paths, including some episodes from the recent COVID-19 pandemic. A menu inspired to Frederick II introduces the book, with 3 recipes inspired to the Liber de coquina, a cooking manual compiled at the Emperor's court. Each of the following 8 thematic chapters of the book is also anticipated by a brief insert reporting historical reconstructions of the alimentary habits at the court of Frederick II. Thus, old and new atmospheres, accompanied by the scent of aromas and suggestions inspired by the experience of each Author, come together to offer Readers fragments of everyday life at the court of Frederick II, in the 21st century
Federico De Roberto, «L’imperio»
No full textIl breve saggio analizza l'incipit dell'Imperio di Federico De Roberto mettendo a fuoco come l'Autore riesca a dare una rappresentazione teatrale del parlamento e, con ciò, a desacralizzarne la funzione politica e a ridicolizzarne i principali attori: i parlamentari. Questo incipit è ovviamente funzionale alla successiva narrazione della progressiva delusione politica di Ranaldi.The short essay examines the incipit of "L'imperio" by Federico De Roberto focusing on how the author manages to give a theatrical performance of the parliament and, thereby, to desecration and ridiculing the political function of the main actors: the parliamentarians. This incipit is obviously functional to the narration of the progressive political disappointment of Ranaldi
DinSAR monitoring of the landslide activity affecting a stretch of motorway in the Campania region of Southern Italy
No full textThe paper deals with the landslide activity affecting a wide and steep slope crossed by a stretch of about 2.5 km of the provincial road Tirrena inferiore in the Campania region of Southern Italy. Some years ago, the road has been affected by the partial reactivation of dormant landslides, which caused both severe damages to the piers of a viaduct and considerable road surface deformations. By means of geognostic surveys, laboratory tests, geophysical prospecting as well as rainfall data, the modeling of landslides was performed in detail, and residual slope movements were monitored by means of inclinometers and satellite-based measurements (Cosmo-SkyMed interferometric data). A good correlation there is between the results provided by the two used techniques. With reference to the viaduct failure, DinSAR data allowed to ascertain the date on which the sudden acceleration of the landslide body pointed out the beginning of the landslide reactivation, in its paroxysmal phase. Ground deformations happened starting from January 2014 following an intense rainfall period that has been spreading between December 25 2013 and January 26 2014
Federico De Roberto, «L’imperio»
No full textIl breve saggio analizza l'incipit dell'Imperio di Federico De Roberto mettendo a fuoco come l'Autore riesca a dare una rappresentazione teatrale del parlamento e, con ciò, a desacralizzarne la funzione politica e a ridicolizzarne i principali attori: i parlamentari. Questo incipit è ovviamente funzionale alla successiva narrazione della progressiva delusione politica di Ranaldi.The short essay examines the incipit of "L'imperio" by Federico De Roberto focusing on how the author manages to give a theatrical performance of the parliament and, thereby, to desecration and ridiculing the political function of the main actors: the parliamentarians. This incipit is obviously functional to the narration of the progressive political disappointment of Ranaldi
Il 'Vocabolario ornitologico napolitano-italiano' (1874) e il 'Vocabolario botanico napolitano' (1887) di Federico Gusumpaur
No full textThe paper analyses two bilingual (Neapolitan-Italian) sectoral repertoires by Federico Gusumpaur: the Vocabolario ornitologico napolitano-italiano (1874) and the Vocabolario botanico napolitano (1887). After some remarks on the author, whose basic biographical data are unknown, I will describe the main characteristics of the two repertoires: the criteria used, the glossing system, the probable sources, and the destination. I will also focus on the differences between the two vocabularies, which consist in the presence of two alphabetical indices (Latin-Neapolitan and Italian-Neapolitan) in the Vocabolario botanico napolitano and the non-merely local destination of this second repertoire.Il contributo si concentra su due repertori settoriali bilingui (napoletano-italiano) redatti da Federico Gusumpaur: il Vocabolario ornitologico napolitano-italiano (1874) e il Vocabolario botanico napolitano (1887). Dopo alcuni cenni sull’autore, del quale non sono noti i dati biografici fondamentali, si presentano le caratteristiche principali dei due repertori: i criteri adottati, il sistema di glossatura, le probabili fonti, la destinazione. Si mettono inoltre a fuoco le differenze tra i due vocabolari, che consistono nella presenza di due indici alfabetici (latino-napoletano e italiano-napoletano) nel Vocabolario botanico napolitano e nella destinazione non solo locale di questo secondo repertorio
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