1,720,983 research outputs found
Samuel Baudry, D’où vient la critique littéraire?
Get PDFPartendo dall’antichità greca e latina per arrivare alla contemporaneità, il volume ripercorre le cause che hanno portato alla nascita della critica letteraria e all’evoluzione dei molteplici discorsi critici esistenti nel mondo occidentale. Le domande cui Samuel Baudry si propone di rispondere, in un volume il cui impianto è didattico e divulgativo, sono – al di là delle origini storiche – quella relativa ai differenti metodi critici, dall’esegesi all’analisi testuale, dal commento alla teo..
Diffusion du courrier des lecteurs en Espagne : l’exemple du Correo literario de Murcia (1792-1795)
No full textInternational audienceCette étude, tirée d’un ouvrage collectif consacré aux Nouvelles formes du discours journalistique au XVIIIe siècle (Samuel Baudry et Denis Reynaud, dir., PUL), aborde la question du courrier des lecteurs dans la presse espagnole des Lumières à travers le cas du Correo literario de Murcia (1792-1795
samuel baudry et denis reynaud, éds., Nouvelles formes du discours journalistique au XVIIIe siècle : Lettres au rédacteur, nécrologies, querelles médiatiques
No full textLetters to the editor and other reader submissions were central features of eighteenth-century newspapers, magazines, and journals. In fact, it is hard to imagine eighteenth-century periodicals being able to thrive economically or culturally without the epistolary exchanges sustained through postal correspondence – not to mention the occasional manuscript slipped discreetly under the printer’s door. This volume edited by Samuel Baudry and Denis Reynaud, with contributions by specialists of th..
Robert Wokler, Rousseau. Introduction à une pensée vagabonde. Traduit de l’anglais par Samuel Baudry et Denis Reynaud, Lyon, Presses Universitaires de Lyon, 2011
No full textFrey Daniel. Robert Wokler, Rousseau. Introduction à une pensée vagabonde. Traduit de l’anglais par Samuel Baudry et Denis Reynaud, Lyon, Presses Universitaires de Lyon, 2011. In: Revue d'histoire et de philosophie religieuses, 93e année n°2, Avril-Juin 2013. pp. 257-258
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Ferments d'ailleurs. Transfert culturels entre Lumières et romantisme.
No full textIntroduction de François Genton. Textes de Linda Simonis, François Genton, Yves Citton, Jean Sgard, Anne Saada, Jacques Berchtold, Enzo Neppi, Giuseppe Sangirardi, René-Marc Pille, Philippe Séguin, Samuel Baudry, Lucie Comparini, Martial Poirson, Romain Jobez, Carsten Zelle, Christian del Vento.Introduced by François Genton. Texts of Linda Simonis, François Genton, Yves Citton, Jean Sgard, Anne Saada, Jacques Berchtold, Enzo Neppi, Giuseppe Sangirardi, René-Marc Pille, Philippe Séguin, Samuel Baudry, Lucie Comparini, Martial Poirson, Romain Jobez, Carsten Zelle, Christian del Vento
Ferments d'ailleurs. Transfert culturels entre Lumières et romantisme.
No full textIntroduction de François Genton. Textes de Linda Simonis, François Genton, Yves Citton, Jean Sgard, Anne Saada, Jacques Berchtold, Enzo Neppi, Giuseppe Sangirardi, René-Marc Pille, Philippe Séguin, Samuel Baudry, Lucie Comparini, Martial Poirson, Romain Jobez, Carsten Zelle, Christian del Vento.Introduced by François Genton. Texts of Linda Simonis, François Genton, Yves Citton, Jean Sgard, Anne Saada, Jacques Berchtold, Enzo Neppi, Giuseppe Sangirardi, René-Marc Pille, Philippe Séguin, Samuel Baudry, Lucie Comparini, Martial Poirson, Romain Jobez, Carsten Zelle, Christian del Vento
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