1,720,979 research outputs found
Imaging a ‘Middle East’ – Interview with Saima Akhtar
This article is part of the TRAFO series ‘Emerging Topics. Insights from ‘Behind the Scenes’. Today, we put the spotlight on the international symposium “Imaging a ‘Middle East'”, which will take place on 6 – 7 July 2017 in Berlin. It is an ICI Berlin Institute for Cultural Inquiry event organized by Saima Akhtar, Walid El-Houri, and Banu Karaca in cooperation with Europe in the Middle East—The Middle East in Europe (EUME), a program at the Forum Transregionale Studien. Saima Akhtar (photo: ..
As Workers Leave the Factory, What’s Left Behind?
Saima Akhtar, an urban historian and co-creator of the series ‘In Front of the Factory’, will offer reflections on the advancement of new technologies and the future of work. The aim of the workshop is to foster a discussion among participants about work/labour as a primary site for capitalist accumulation and resistance, as well as the ways in which forms of image-making – particularly film – endorse or fail to support it. This workshop is the third and final installment of the series ‘In Front of the Factory,’ which has focused on questions of work and the ways in which work/labour have been framed in past and contemporary forms of image-making. The workshop presents the research and conversations that accumulated through the series, including topics such as cinematic representations of women’s labour; the presence or absence of domestic and reproductive labour in visual media; the spatial and temporal dimensions of unemployment; the use of cinema for industrial knowledge production and nation-making; and the gendered and racial dimensions of labour in film and photography. Programme 16:00 Introduction by Clio Nicastro 16:15-18:00 Workshop with Saima Akhtar 19:30 Keynote Silvia Federici: The Globalization of Women’s Work and New Forms of Violence Against Women Introduction by Rosa Barots
"I’m happy to be writing from a city that nudges me to think about my work at every turn."– 5in10 with Saima Akhtar
Saima Akhtar is an architect and designer whose research focuses on the relationship between the built environment, corporate enterprise, and labor migrations. She received a PhD in Urban Studies from the University of California, Berkeley and is currently Fellow of the program Art Histories and Aesthetic Practices (2014/2015). She has published in the International Journal of Islamic Architecture and the Journal of Urban History. Saima Akhtar (Photo: Art Histories and Aesthetic Practices un..
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Who Sustains the Flourishing of the World? Film, Women's Work & Labour Organizing
The In Front of the Factory collective (Rosa Barotsi, Saima Akhtar, Clio Nicastro) look at the minor cosmopolitan aspects of the precarity of labor practices historically associated with women’s work, in the context of global neoliberalism and its accompanying discursive and institutional approaches to (gendered) precarity. The collective invites us to look at visual representations that emerge from women’s work and labor organizing, such as those by Mary Jirmanus Saba and Vivian Price
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
