1,720,956 research outputs found
Parceiro do RJ / TV Globo: comunidade e narrativas inclusivas pelo audiovisual
O objetivo deste trabalho é discutir os três pilares que sustentam as reportagens produzidas por moradores de comunidades do Rio de Janeiro para o quadro Parceiro do RJ, veiculado no telejornal RJTV - 1.ª Edição, da TV Globo, como uma narrativa comunitária que mexe com o padrão Globo de jornalismo. À luz de teóricos como Giorgio Agamben, Kenneth Schmitz, Michel de Certeau (1925 - 1986), Muniz Sodré e Raquel Paiva, a proposta é analisar a estratégia e as táticas que envolvem os vídeos produzidos por jovens com idades entre 18 e 30 anos, que vivenciam o cotidiano das comunidades cariocas, e finalizados por jornalistas profissionais detentores da técnica jornalística. A partir da concepção de uma nova metodologia de análise, a tese traz concepções de terminologias próprias do jornalismo produzido para televisão.The objective of this paper is to introduce the 3 principle factors behind the TV stories produced by community residents in Rio de Janeiro for "Parceiro do RJ Program", for RJTV - 1st Edition local news, broadcasted by TV Globo network as a community narrative that shook Globo's journalistic norms.
The author analyzes the strategy and tactics involving the videos produced by these young residents ages 18 to 30, who live the daily routine of their communities in Rio de Janeiro, based on the theories of scholars such as Giorgio Agamben, Kenneth Schmitz, Michel de Certeau (1925 - 1986), Muniz Sodré and Raquel Paiva. In addition, the videos were edited by professional journalists that master journalism techniques. The thesis introduces new insights for specific terms of TV journalism according to the author’s own method of analysis
Parceiro do RJ / TV Globo: comunidade e narrativas inclusivas pelo audiovisual
O objetivo deste trabalho é discutir os três pilares que sustentam as reportagens produzidas por moradores de comunidades do Rio de Janeiro para o quadro Parceiro do RJ, veiculado no telejornal RJTV - 1.ª Edição, da TV Globo, como uma narrativa comunitária que mexe com o padrão Globo de jornalismo. À luz de teóricos como Giorgio Agamben, Kenneth Schmitz, Michel de Certeau (1925 - 1986), Muniz Sodré e Raquel Paiva, a proposta é analisar a estratégia e as táticas que envolvem os vídeos produzidos por jovens com idades entre 18 e 30 anos, que vivenciam o cotidiano das comunidades cariocas, e finalizados por jornalistas profissionais detentores da técnica jornalística. A partir da concepção de uma nova metodologia de análise, a tese traz concepções de terminologias próprias do jornalismo produzido para televisão.The objective of this paper is to introduce the 3 principle factors behind the TV stories produced by community residents in Rio de Janeiro for "Parceiro do RJ Program", for RJTV - 1st Edition local news, broadcasted by TV Globo network as a community narrative that shook Globo's journalistic norms.
The author analyzes the strategy and tactics involving the videos produced by these young residents ages 18 to 30, who live the daily routine of their communities in Rio de Janeiro, based on the theories of scholars such as Giorgio Agamben, Kenneth Schmitz, Michel de Certeau (1925 - 1986), Muniz Sodré and Raquel Paiva. In addition, the videos were edited by professional journalists that master journalism techniques. The thesis introduces new insights for specific terms of TV journalism according to the author’s own method of analysis
Bom dia favela / Band TV: O papel do capital privado na ‘trama’ da comunicação comunitária na TV aberta
Este trabalho apresenta parte de uma pesquisa de pós-doutoramento pelo PPGCOM da ECO-Pós/UFRJ em andamento que busca identificar e conceituar o modo de fazer jornalismo audiovisual no primeiro programa da TV aberta, totalmente produzido por moradores de favelas do Rio de Janeiro, o Bom dia Favela, da Band TV. O estudo conjuga dois campos da pesquisa em comunicação: a comunicação comunitária e a economia política da comunicação. Neste artigo, é apresentado e testado o Método de Análise da Estrutura do Jornalismo Audiovisual “Cria” e feitas as primeiras observações sobre o modelo de negócio que conta com o patrocínio da empresa Águas do Rio, concessionária da Aegea, líder no setor privado de saneamento básico no Brasil. A proposta é compreender como o financiamento do capital privado é feito e se ele interfere na pauta comunitária do telejornal
A sala de aula extramuros: o impacto da curricularização da extensão na graduação de Jornalismo
This study investigates the impacts of including extension credits in undergraduate courses on the training of journalists. It describes the work carried out by PUC-Rio Journalism and Citizenship students at the Fala Roça newspaper, in Rocinha, a favela in southern Rio de Janeiro. The theoretical research is supported by the concepts of the “community that comes” (Agamben, 1993) and the “external agent”, by the Canadian philosopher Kenneth Schmitz, as Raquel Paiva described in her work Espírito Comum: comunidade, mídia e globalismo (2003), which addresses relationships established by the partnership and the development of “responsibility” proposed by Mikhail Bakhtin (1895-1975) in the act of producing citizen journalism. This research shows that university extension enables the journalism discipline to train journalists who have “responsibility” and can effectively be social agents by transforming the society in which they live.O artigo investiga os impactos da curricularização da extensão universitária na formação de jornalistas. O estudo apresenta o trabalho realizado por alunos de Jornalismo e Cidadania da PUC-Rio no jornal Fala Roça, da Rocinha, favela da zona sul do Rio de Janeiro. A pesquisa teórica é apoiada nos conceitos de a “comunidade que vem” e “agente externo”, do filósofo canadense Kenneth Schmitz, como Raquel Paiva descreveu em sua obra Espírito comum: comunidade, mídia e globalismo para pensar as relações que se estabelecem com a parceria e o desenvolvimento da “respondibilidade” proposta por Mikhail Bakhtin no ato da produção de um jornalismo para cidadania. Esta pesquisa registra que a extensão universitária possibilita que o curso de jornalismo forme jornalistas que tenham “respondibilidade” e possam ser efetivamente agentes sociais de transformação da sociedade em que vivem
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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