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    Além de uma crítica à razão instrumental

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em FilosofiaA presente tese discute a crítica à razão instrumental na obra de Theodor W. Adorno e Max Horkheimer e pretende mostrar a possibilidade de se encontrar no trabalho dos autores um conceito alternativo de racionalidade. O trabalho tem sua motivação nas considerações feitas por Jürgen Habermas, que aponta para o caráter aporético da filosofia dos autores como resultado de uma suspeita radical que dirigiram à razão, a qual estaria vinculada a um processo total de reificação. Assim, a tese investiga o conceito de racionalidade estética como possibilidade alternativa à instrumental. Tal conceito permite compreender a estrutura das obras de arte como conjunção de elementos miméticos e racionais capazes de promover uma relação reconciliada entre espírito e natureza. Além disso, a estrutura das obras de arte permite que se atribua a elas um caráter cognitivo, assim como um teor de verdade [Wahrheitsgehalt] apreensível por meio da experiência estética e da interpretação filosófica. Nesse sentido, o projeto crítico-dialético desenvolvido por Horkheimer e Adorno, comprometido com a idéia de uma sociedade emancipada, permanece nos trabalhos posteriores àquele dedicado à crítica à racionalidade instrumental, reconhecendo na atividade teórica fundada na racionalidade estética a possibilidade de um conhecimento livre da dominação e orientado pela perspectiva de uma humanidade reconciliada.The present thesis aims at discussing the critique to instrumental reason developed in Theodor W. Adorno's and Max Horkheimer#s theory and showing the possibility of an alternative concept of rationality. The work begins with Jürgen Habermas# considerations, according to which the critique made by Adorno and Horkheimer led to an aporia due to a radicalized suspicion on rationality, which is also seen as connected to a total process of social reification. Therefore, this work investigates the concept of aesthetic rationality as an alternative to instrumental reason. This concept allows identifying the inner structure of artworks as a conjunction of mimetic and rational elements and capable of establishing a reconciled relation between spirit and nature. Moreover, the artwork#s structure is the possibility of its cognitive character, as well as of its truth content [Wahrheitsgehalt], which can be apprehended by aesthetic experience and philosophical interpretation. The dialectical critical project developed by Horkheimer and Adorno, committed to an ideal of emancipated society, remains in their work thereafter dedicated to the critique of instrumental reason, and recognizes aesthetic rationality as providing the possibility of a cognitive theoretical activity freed from domination and oriented by the perspective of a reconciled humanity

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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