1,721,014 research outputs found
Lo personal es político : entrevista a Dorothy Thompson
Get PDFFil: Rowbotham, Sheila. Universidad de Oxford. St Hilda's College; InglaterraFil: Rowbotham, Sheila. Universidad de Londres; Inglaterra
Mitter Swasti et Rowbotham Sheila (ed.) Women encounter technology : changing patterns of employment in the Third World. (1995). London, New York. Routledge and the United Nations University
No full textRapkiewicz Clevi Elena. Mitter Swasti et Rowbotham Sheila (ed.) Women encounter technology : changing patterns of employment in the Third World. (1995). London, New York. Routledge and the United Nations University. In: Cahiers du GEDISST (Groupe d'étude sur la division sociale et sexuelle du travail), N°19, 1997. Travail, espaces et professions. pp. 141-143
Mitter Swasti et Rowbotham Sheila (ed.) Women encounter technology : changing patterns of employment in the Third World. (1995). London, New York. Routledge and the United Nations University
No full textRapkiewicz Clevi Elena. Mitter Swasti et Rowbotham Sheila (ed.) Women encounter technology : changing patterns of employment in the Third World. (1995). London, New York. Routledge and the United Nations University. In: Cahiers du GEDISST (Groupe d'étude sur la division sociale et sexuelle du travail), N°19, 1997. Travail, espaces et professions. pp. 141-143
From Riff Raff to Nil by Mouth
No full textTelevision and film not only entertain and reflect social change, they may also participate and influence these changes-the recent success of The Full Monty and Billy Elliot- show popular British comedy based on such painful social transformations. Looking at Class brings together film and television practitioners with academic students of cultural and economic change to examine the media representation of the British working class in the twentieth century-a time of decline for the manual working class when a complex service-based economy emerged. The book covers a large range of genres from documentaries to soaps and shows that complex cultural transitions can be communicated clearly in prose as well as in screen drama
Caro Dr. Marx Carta de uma feminista socialista
No full textA autora dessa carta imaginária, Annette Devereux, é uma personagem fictícia, bem como seu marido, Victor, tipógrafo Cartista, e M. e Mme.Ducrocq. Todos os outros personagens mencionados, no entanto, são figuras históricas e a informação sobre eles é apresentada, na ordem em que aparecem, no final da carta. O argumento e as demandas feitas, os eventos políticos descritos, as revistas e a Falange Fourierista em Wisconsin são todas baseadas na realidade histórica.Abstract The author of this imaginary letter, Annette Devereux, is a fictional character, along with her husband, Victor, the Chartist typographer and M. e Mme. Ducrocq. However, all the others characters mentioned are historical figures and infomation about them is provided in the order in which they appear at the end of the letter. The arguments and demands presented, the political events described, the journals and the Fourierist Phalanx at Wisconsin are all based on historical reality.Key-words: Feminism, Socialism, Communist Manifest, Phalan
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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