33,745 research outputs found
Ryhiner-Kartensammlung / 35/B Die Kirche zu St. Maria auch Marien=Saal genannt in Nürnb: von Innen gegen den Chor anzusehen
No full textC.M. Roth, fecit et excud.Titel untenUrsprungswerk: "Chr. Melch. Roths dreyssig sowohl innere als äussere Abbildungen aller Kirchen, Klöster und Kapellen in Nürnberg" von Christoph Melchior Roth (Nürnberg, um 1760
Der beste Schmuck frommer Christen : bey dem christlichen Leichen-Begrängniß Tit. deb. Frauen Maria Dorothea Rothin, geb. Müllerin Tit. deb. Herrn Philipp Rothens weitberühmten Kauff- und Handels-Herrn, auch vornehmen Bürgers allhier Frauen Ehe-Liebste, welche den 9. Jul. 1765. seelig verschieden, der verblichene Leichnam aber den 14. Jul. darauf bey der Kirche zur heiligen Dreyfaltigkeit zu seiner Ruhe gebracht wurde, Denen schmerzlich betrübten, Herrn Wittwer, beyden Frauen Schwestern, und sämmtlichen durch diesen Tod betrübten vornehmen Anverwandten und andern Leydtragenden zu einer tröstlichen Ueberlegung / betrachtet von Adam Daniel Richtern, Gymnas. Direct.
No full textTrauerschrift auf Maria Dorothea Roth, geborene Müller, gestorben am 9. Juli 1765Vorlageform der Veröffentlichungsangabe: Zittau, gedruckt mit der verwittw. Stremelin Schriften. - Erscheinungsdatum nach Datierung im Titel bestimm
Joseph Roth Collection 1897-1995
No full textJoseph Roth was one of the most prominent Austrian writers of the first half of the 20th century. Particularly his novels and newspaper essays gained him the respect of contemporary critics. Joseph Roth's papers at the Leo Baeck Institute Archives consist of handwritten and typewritten manuscripts of novels, novellas, short stories, and essays, including mostly complete manuscripts of his works (The Ballad of the Hundred Days), (The Bust of the Emperor), and his 'Trozki' novel (The Silent Prophet). Joseph Roth's journalistic work is also well represented. There are a few personal items and over one hundred photographs of Joseph Roth and his wife Friederike. The Joseph Roth collection also contains correspondence with family and publishers, clippings about Joseph Roth, and reviews of his work. The addenda mostly consist of invitations to conferences and exhibitions, and scholarly articles on Joseph Roth's work and life.Video tape of a Dutch TV-movie by Hans Keller, "Joseph Roth's Grosse-Welt Bioskop-Theater", has been removed to the A/V Collection.Joseph Roth was born in Brody in Galicia, then part of the Habsburg Monarchy, now Ukraine, on September 26, 1894 in the family of Maria (Miriam) Roth nee Gruebel and Nahum Roth. He worked as a journalist before focusing on writing novels and short stories. Joseph Roth died in the Necker hospital in Paris on May 27, 1939. His wife, Friederike (Friedl), who was diagnosed with schizophrenia in 1928, lived in an Austrian mental sanatorium, where she was killed in the Nazi euthanasia program in 1940.EAD finding aid available onlineThe more substantial part of the collection comes from the Joseph Roth estate that his French translator, Blanche Gidon, preserved during the Second World War. After the war, Joseph Roth's cousin, Fred Grubel, picked up a suitcase with Joseph Roth's papers from her and transferred them to the United States. It took several years until the rights and heritage procedures were cleared up. In January 1963, the bulk of the collection arrived at the Leo Baeck Institute Archives. The papers of Joseph Roth were arranged into six series that were assigned call numbers AR 1836-AR 1841. Later on, Fred Grubel, the executive director of the Leo Baeck Institute, added materials about Joseph Roth that he had been collecting since the end of the war. This addition contained correspondence related to the fate of the collection after the war, reviews of Joseph Roth's works published after 1945, and several texts on Joseph Roth. This addendum is complemented by the material from the estate of Friderike Zweig, the widow of Stefan Zweig, donated by Caroline Birman, who took part in clearing the rights and safe-guarded Joseph Roth's papers after their arrival to the United States, in 1963 and 1971. In the 1990s other material was added, usually invitations to exhibits or conference programs that took place on the occasion of Joseph Roth's anniversaries. Several scholarly and popular articles were also added to the collection.Some of the more significant addenda include a microfilm of the manuscript of the Kapuzinergruft from the St. Etienne Gallery in 1990 mediated by Fritz Hackert (MF 453); as well as catalog cards and the inventory of the so-called Berliner Nachlass from the Schiller- Nationalmuseum und deutschen Literaturarchiv, Marbach am Neckar, Germany in 1995 (q PT 2635 O_84 Z312).Published in LBI Bulletin No. 25, 1964.Letters of Joseph Roth to his parents are available at the Dokumentationsstelle für neuere oesterreichische Literature (Vienna, Austria). The so-called Berliner Nachlass of Joseph Roth is housed in the Schiller-Nationalmuseum und deutschen Literaturarchiv (Marbach am Neckar, Germany).See also Joseph Bornstein Collection (AR 4082)Photographs removed to Photograph Collectiondigitize
Visual representation in the work of Joseph Roth, 1923-1932
No full textThrough an examination of Joseph Roth’s reportage and fiction published between 1923 and 1932, this thesis seeks to provide a systematic analysis of a particular aspect of the author’s literary style, namely his use of sharply focused visual representations, which are termed Heuristic Visuals. Close textual analysis, supplemented by insights from reader-response theory, psychology, psycholinguistics and sociology illuminate the function of these visual representations. The thesis also seeks to discover whether there are significant differences and correspondences in the use of visual representations between the reportage and fiction genres. Roth believed that writers should be engagiert, and that the truth could only be arrived at through close observation of reality, not subordinated to theory. The research analyses the techniques by which Roth challenges his readers and encourages them to discover the truth for themselves. Three basic variants of Heuristic Visuals are identified, and their use in different contexts, including that of dialectical presentations, is explored. There is evidence of the use of different variants of Heuristic Visuals according to the respective rhetorical demands of particular thematic issues. It has also been possible to establish synchronic correspondences between the different genres, and diachronic correspondences within genres. Although there are examples within the reportage where the entire article is based on an Heuristic Visual, the use of Heuristic Visuals cannot be seen as a key organizing principle in Roth’s work as a whole. As his mastery of the technique reaches its highest point in the early 1930s, Heuristic Visuals are often incorporated into the reconstruction of a complete sensory experience. Analysis of Roth’s heuristic use of visual representations has led to important insights, including a reinterpretation of the endings of Roth’s two most famous novels: Hiob and Radetzkymarsch
Prävalenz und Prädiktoren von Burnout, Depression und Angst bei Landwirten und Landwirtinnen in Deutschland und Österreich
No full texteingereicht von: Maria Roth, BScLiteraturverzeichnis: Blatt 100-109Masterarbeit Paris-Lodron-Universität Salzburg 2021Abstract/Zusammenfassung in deutscher und englischer Sprach
Prävalenz und Prädiktoren von Burnout, Depression und Angst bei Landwirten und Landwirtinnen in Deutschland und Österreich
No full texteingereicht von: Maria Roth, BScLiteraturverzeichnis: Blatt 100-109Masterarbeit Paris-Lodron-Universität Salzburg 2021Abstract/Zusammenfassung in deutscher und englischer Sprach
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
Helma Lutz/Maria Teresa Vivar/Linda Supik (eds.): Framing Intersectionality: Debates on a Multi-Facetted Concept in Gender Studies
No full textRoth J. Helma Lutz/Maria Teresa Vivar/Linda Supik (eds.): Framing Intersectionality: Debates on a Multi-Facetted Concept in Gender Studies. CROLAR. Critical Reviews on Latin American . 2012;1(1: »Inequalities«)
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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