1,720,955 research outputs found

    Konstruksi Identitas Asri Dalam Arena Kuasa Simbolik Seni Rupa Modern

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    Akademi Seni Rupa Indonesia (ASRI) berdiri lima tahun setelah Proklamasi Kemerdekaan Republik Indonesia. Situasi saat pendirian ASRI sarat dengan semangat mempertahankan dan mengisi kemerdekaan. Identitas ASRI terbangun lewat peran-peran aktor yang terlibat dalam diskusi kebudayaan nasional Indonesia, kebangunan seniman (pelukis) dan organisasinya, dan pendidikan yang bebas dari kolonialisme. Seni rupa modern yang dibawa oleh kolonial Eropa merupakan bagian dari projek modernisasi. Modernisasi dalam seni rupa membentuk masyarakat seniman yang memiliki kesadaran mengenai seni yang memiliki peran intelektual dalam kebudayaan, memiliki kesadaran organisasi, dan kebutuhan pewarisan pengetahuan seni dalam bentuk pendidikan. Dalam menerima seni modern itu masyarakat seni melakukan bentuk internalisasi terhadap legitimasi, resistensi, dan projek identitas. Resistensi terjadi dalam mendefinisikan seni modern terjadi dalam seni lukis. Kesadaran ini membangun identitas komunitas seniman dalam meposisikan dirinya dalam masyarakat dan dalam arena seni dunia. Identitas sebagai projek mendapat peluang pada masa pendudukan Jepang. Pada saat itu para seniman dilibatkan dalam kegiatan propaganda dan menjadi bagian dari lembaga kebudayaan yang mengurusi soal-soal seni dan di luar seni. Pasca kemerdekaan lembaga yang melegitimasi seni modern yang dikuasai oleh masyarakat Barat ditiru dan dikembangkan dalam bentuk pelembagaan-pelembagaan di bidang seni, dari pelembagaan perbincangan melalui kongres, pelembagaan organisasi seni, dan pelembagaan sistem pendidikan. ASRI dan individu-individu di dalamnya memerankan dirinya dalam pertarungan kuasa simbolik yang terjadi dalam arena seni rupa, baik di tingkat nasional maupun internasional

    Katalog Pameran Drawing Nasional "Menyemai Harapan"

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    Katalog ini merupakan bagian dari Pameran Drawing Nasional “Menyemai Harapan” yang diselenggarakan oleh Jurusan Seni Murni, Fakultas Seni Rupa, Institut Seni Indonesia Yogyakarta pada 27-29 November 2023 di Galeri Fadjar Sidik, ISI Yogyakarta. Pameran ini dikuratori oleh Muhammad Rain Rosidi dan dibuka secara resmi oleh M. Agus Burhan, mantan Rektor ISI Yogyakarta periode 2019-2023. Pameran ini menampilkan 20 besar karya drawing mahasiswa peserta Kompetisi Drawing Nasional 2023 dan juga 15 karya drawing dosen Jurusan Seni Murni, Fakultas Seni Rupa, ISI Yogyakarta. Konsep drawing dalam pameran ini didefinisikan secara inklusif, mencakup berbagai teknik yang diterapkan pada media dua dimensi dengan menggunakan alat-alat tradisional menggambar seperti pensil, pensil warna, arang, spidol, pena, dan sebagainya. Meskipun penggunaan medium cat diperbolehkan, aturan tetap berlaku agar tidak dominan sebagai seni lukis

    Proses Penciptaan Dan Penyajian Karya Patung Publik Pada Jogja Street Sculpture Project #5

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    The Jogja Street Sculpture Project (JSSP) exhibition is a programme by the Indonesian Sculptors Association (API) in collaboration with the Culture Service in the form of a public sculpture. The fifth JSSP, with the theme Ruwat Gatra Rasa: Redefining Form and Space, is located along Jalan Malioboro. The author researches the creative process of creating and presenting public sculpture using a qualitative descriptive method with an approach to the theory of the creation process, the theory of the function of art, the presentation of public sculpture, and the elements of sculpture. Data collection was carried out through a literature review, interviews, and observations. Public interest is present in four stages of creation, (1) Pre-Design, (2) Design, (3) Realization, and (4) Presentation. Aspects of public response are also explained, where anticipation of public interaction is also taken into account in the process of creating works exhibited by artists and the organizing committee. In the presentation aspect, the author examines the elements of sculpture that are present, the public response, and improvements made by the artist. Pameran Jogja Street Sculpture Project (JSSP) merupakan program Asosiasi Pematung Indonesia (API) yang bekerjasama dengan Dinas Kebudayaan, berbentuk pameran patung di ruang publik. JSSP kelima dengan tema Ruwat Gatra Rasa: Redefining Form and Space berlokasi di sepanjang Jalan Malioboro. Penulis meneliti tentang proses kreasi penciptaan dan penyajian seni patung publik menggunakan metode deskriptif kualitatif dengan pendekatan teori proses kreasi, teori fungsi seni, penyajian patung publik, dan elemen-elemen seni patung. Pengumpulan data dilakukan dengan kajian pustaka, wawancara, dan observasi. Kepentingan publik hadir dalam empat tahapan penciptaan, (1) Pra Perancangan, (2) Perancangan, (3) Perwujudan, dan (4) Penyajian. Aspek respon publik juga dipaparkan, di mana antisipasi interaksi publik juga diperhatikan dalam proses penciptaan karya yang dipamerkan oleh seniman dan panitia penyelenggara. Dalam aspek penyajian, penulis mengkaji elemen seni patung yang hadir, respon publik, dan perbaikan yang dilakukan seniman

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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