1,721,163 research outputs found
29-es honvédek hangversenye a Népoperában 1917. ápr. 30-án ...
No full textDiaszám: 7653[grafikus] Romek Á
WARSZAWSKIE ŚRODOWISKO HISTORYKÓW HISTORIOGRAFII ZE SZCZEGÓLNYM UWZGLĘDNIENIEM UCZONYCH ZWIĄZANYCH Z INSTYTUTEM HISTORII POLSKIEJ AKADEMII NAUK
No full textTh e development of the history of historiography in Poland was inspired by Marceli Handelsman, a professor at the Warsaw University in 1915-1939. Aft er World War II, his students Marian Henryk Serejski and later Andrzej Feliks Grabski and Andrzej Wierzbicki - employees of the Institute of History of the Polish Academy of Sciences in Warsaw – developed research describing the impact of contemporary culture, current beliefs and political trends on historical research. Today, in the Warsaw group of historians, that research work is continued by Zbigniew Romek and Marcin Wolniewicz.Th e development of the history of historiography in Poland was inspired by Marceli Handelsman, a professor at the Warsaw University in 1915-1939. Aft er World War II, his students Marian Henryk Serejski and later Andrzej Feliks Grabski and Andrzej Wierzbicki - employees of the Institute of History of the Polish Academy of Sciences in Warsaw – developed research describing the impact of contemporary culture, current beliefs and political trends on historical research. Today, in the Warsaw group of historians, that research work is continued by Zbigniew Romek and Marcin Wolniewicz
"The death of Romek" (Poznań June in Janusz Krasiński's prose)
No full textThe article reconstructs and analyses the image of Poznań 1956 protests in the well known novel cycle by Janusz Krasiński. For the protagonist, Szymon Bolesta, the death of Romek Strzałkowski is particularly painful, an event extensively reconstructed in the conclusion of Niemoc , one of the novels. The execution of Romek and the propaganda lies about it, are for Bolesta the key examples of the criminal nature of the communist regime, and the Black Thursday he interprets as an unsuccessful national uprising
European works councils: progress and a long road ahead
No full textStan De Spiegelaere and Romek Jagodzinski of the European Trade Union Institute give a progress report on European Works Councils. Although EWCs continue to grow, they suffer from a lack of resources and more of third of them lack training rights in their agreements. Both sides – management and workers need to work together to make them more effective
Comic book series „Tytus, Romek and A’Tomek” in perspective of Communicativism
No full textAuthor analyses six selected comic books from popular series „Tytus, Romek Atomek” by Henryk Jerzy Chmielewski, using unique communicativistic theory discovered by G. Habrajska and A. Awdiejew. She’s searching some verbal and non-verbal determinants, which are typical for the publicistic style (persuasion closed in words, persuasion extracted from words, self-contained persuasion). The effect of this research is a fact, that the comics by Chmielewski (primary classified as an artictic style) – has its characteristic persuasive purpose, through using all the elements of the publicistic discourse. According to that, the main purpose of the comics was: to indoctrinate young readers as the responsible participants of the community in Polish People’s Republic.
Learning through Fun. Classical Antiquity in Tytus, Romek i A’Tomek, a Polish Comic Book Series
No full textDie Reihe Tytus, Romek i A’Tomek findet seit der Erstpublikation im Magazin Świat Młodych (1957) großen Gefallen bei Kindern und erfreut sich bei polnischen Leser*innen seither konstanter Beliebtheit. Der Autor, Henryk Jerzy Chmielewski, hat die Bändchen der Reihe beginnend mit 1966 als separate Heftchen publiziert. Die Comics handeln von zwei Buben und einem Schimpansen namens Tytus, dessen Intellekt dem eines Menschen gleichkommt. Die gemeinsamen Abenteuer enthalten eine Fülle erzieherischer Elemente, da die Protagonisten auf stets geistreiche und unterhaltsame Art Wissen über die Welt erwerben. Der Schwerpunkt der vorliegenden Analyse liegt auf der Sichtbarmachung der Vermittlungs- und Gestaltungsstrategie, wie Informationen über die Olympischen Spiele, das griechische Theater und römische Gladiatorenkämpfe erfolgreich in Comicbücher für Kinder integriert werden können. The series Tytus, Romek i A’Tomek is largely enjoyed by children and has been popular with genera-tions of Polish readers since it was first printed in 1957 in the magazine Świat Młodych. Since 1966, the author Henryk Jerzy Chmielewski has been publishing the series in the form of independent booklets. The comics are about two boys and a chimpanzee, Tytus, whose intellect is similar to that of a human being. Their adventures feature many educational elements as the characters learn about the world, and yet they are still incredibly witty and entertaining. The focus of this analysis is to show how information about the ancient Olympic Games, Greek theatre and Roman gladiator fights can be successfully incorporated into a children’s comic book. 
Picture of Polish People’s Republic in Henryk Jerzy Chmielewski’s comic book series “Tytus, Romek and A’Tomek” (analysis of books from period 1966–1987)
No full textAuthor analyses a popular comic book series by H.J. Chmielewski, Tytus, Romek A’Tomek (book from 1966–1987) and tries to reconstruct a propagandist vision of the Polish Peoples Republic’s reality. The main research tool is a content analysis of book, using knowledge of the political history of Poland and the world (1945–1989), social and mass communication context, history of media in Poland and rhetorics. Author describes the results, in relation to book by sociologist, Hanna Świda-Ziemba: The youth of Polish People’s Republic
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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