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Der Dialog bei Ramon Llull. Roger FRIEDLEIN. Literarische Gestaltung als apologetische Strategie. Tübingen. Max Niemeyer, 2004
No full textObra ressenyada: Der Dialog bei Ramon Llull. Roger Friedlein. Literarische Gestaltung als apologetische Strategie. Tübingen : Max Niemeyer, 2004
Recension de "Diálogo y censura en el siglo XVI (España y Portugal)", Ana Vian Herrero, María José Vega Ramos, Roger Friedlein (éds.), Madrid / Frankfurt am Main, Iberoamericana / Vervuert, 2016.
No full textLes Langues néo-latines : revue de langues vivantes romanes (ISSN : 0184-7570), n°379Compte-rendu de lecture de "Diálogo y censura en el siglo XVI (España y Portugal)", Ana VIAN HERRERO, María José VEGA, Roger FRIEDLEIN (eds.), Madrid / Frankfurt am Main, Iberoamericana / Vervuert, 201
Corinna Albert, Roger Friedlein & Imma Martí Esteve (eds.), «Els catalans i Llatinoamèrica (s. XIX i XX). Viatges, exilis i teories», Barcelona, Publicacions de l?Abadia de Montserrat, 2017, 352 p.
Get PDFRessenya sobre el llibre de Corinna Albert, Roger Friedlein & Imma Martí Esteve (eds.), Els catalans i Llatinoamèrica (s. XIX i XX). Viatges, exilis i teories, Barcelona, Publicacions de l?Abadia de Montserrat, 2017, 352 p., ISBN: 978-84-9883-925-8
EL DIÁLOGO ESPIRITUAL DE FRAY ANTONIO DE SANTA MARÍA EN EL DEBATE QUINIENTISTA SOBRE LA CENSURA LITERARIA
No full textEstruturas artísticas nos diálogos literários de Ramon Llull
No full textIn Ramon Llull’s work there are some 26 literary dialogue in Latin and Catalan, which follow authors like Boethius, Augustine of Hippo and St. Gregory; many of them are interreligious dialogues. Along with the romance and lyrical, they shaped the literary expression of their author. Although those dialogues are not totally isolated from this genre tradition, they have their own characteristics, which derive from the Lullian Art system, for instance Llibre del gentil, Liber Tartari, Consolatio Venetorum or the dialogic poem Lo desconhort. These texts gather existing traditions such as the consolatory dialogue or the versified intention, but Llull modifies them with combinatorial elements and triple structures that come from his Ars magna. Of particular interest is the aesthetic that would be called essentialist and the introduction of the character Ramon or Raimundus between the interlocutors.Keywords: Raimundus Lullus; literary dialogue; Ars magna; Llibre del gentil, Liber Tartari.</jats:p
: Madrid: Iberoamericana; Frankfurt: Vervuert, 2020
No full textInternational audience[Référence : Dirk Brunke y Roger Friedlein (eds.), El yo en la epopeya: nuevos espacios de subjetividad en la poesía épica ibérica y latinoamericana del siglo XIX, Madrid : Iberoamericana; Frankfurt: Vervuert, 2020, 273 p. (Bibliotheca Ibero-Americana, 176), ISBN : 978-84-9192-107-3
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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