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OBITUARY: RODOLFO FATTOVICH (1945-2018)
OBITUARY / NÉCROLOGIE PROFESSOR RODOLFO FATTOVICH (1945 -2018) Prof. Rodolfo Fattovich passed away on March 23, 2018 after having contributed for more than four decades to the archaeology of Northeastern Africa and the Horn of Africa. Here is his an obituary by Prof. Andrea Manzo, University of Naples "L'Orientale". Prof. Rodolfo Fattovich (Trieste 1945 - Rome 2018) Before retiring in 2014, Rodolfo was teaching Ethiopian Archaeology, Egyptian Archaeology and for many years also Egyptolog..
In memoriam Rodolfo Fattovich (1945-2018)
El 23 de marzo de 2018 recibimos la muy triste noticia del fallecimiento de Rodolfo Fattovich, miembro del Comité Editorial de Antiguo Oriente. Queremos homenajear al Prof. Fattovich con un pequeño resumen de su vida académica, escrita por Andrea Manzo de la Università degli Studi di Napoli “L’Orientale”. Agradecemos al Prof. Manzo por permitirnos reproducir aquí dicho texto
“Tra Etnologia e Storia, il ruolo dell’Archeologia in - Africa” Panel all'Interno del Congresso “Studi Africani a 150 Anni dall’indipendenza”
Harbor of the Pharaohs to the Land of Punt II. Archaeological Investigations at Mersa/Wadi Gawasis, Egypt, 2006-2021
Report of the archaeological investigations at Mersa/Wadi Gawasis (Egypt) in years 2006-2011
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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