1,720,961 research outputs found
Global Clicks through Theatrescapes. Invited talk by Nic Leonhardt @ CREATE Salon, Univ. of Amsterdam
Nic Leonhardt, director of the Centre for Global Theatre History, and the new Academy of Digital Humanities in Theatre Research @ GTH Centre, was invited by the research program CREATE of the University of Amsterdam to give a talk on Digital Humanities in Theatre History in the context of the program's "CREATE Salon", on 14 March, 2017. Her Talk on Global Clicks through Theatrescapes was followed by a presentation of Frans Blom, Rob van der Zalm, and Jan Vos on "Amsterdam City Theatre Reperto..
ONSTAGE: Datasystem of Theatre in Amsterdam from the Golden Age to Today
ONSTAGE is the online data collection about Amsterdam’s first and most prominent public theatre venue: the Schouwburg. In theatre history, the Amsterdam Schouwburg has a unique stand for the complete and continuous account books, programming and administration of annual playlists, expenses and revenues which, as a most sensitive finger to the theatre’s pulse, provide access and analytical tools for the theatre’s artistic business from its foundation in 1638 until today.
Launched in 2015, ONSTAGE contains the theatre’s programme per date, supplemented with its revenues. As linked data, ONSTAGE is a key instrument for performance details about any individual play in the Schouwburg. For each drama play, it holds information like the premiere date or its performance frequency per season. On a larger scale, ONSTAGE shows the plays’ histories over time and their life cycles on stage from premiere until final performance. Moreover, providing the financial revenues per performance, the ONSTAGE data system has a proxy for the Schouwburg’s occupation per performance and, thus, for the numbers of attendees
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Amsterdamse Theaterlocaties: Amsterdam Theatre Locations
Dataset containing locations of theatres in the city of Amsterdam. Created by Charlotte Vrielink as part of her pre-PhD project at CREATE programme, University of Amsterdam, based on the print publication: Logger, Bob, and Xandra Knebel. Theaters in Nederland sinds de zeventiende eeuw. Amsterdam: Theater Instituut Nederland, 2007, with the assistance of students Theatre Studies at the same university, supervised by Rob van der Zalm and Frans Blom. See also the online map created on the basis of the data: https://arcg.is/1ffD9T (27-05-2020). See also (in the documentation): C. Vrielink, 'In kaart gebracht. Een digitale theatergeschiedenis van Amsterdam. GIS als brug tussen distant en close reading,' 38.1 (2019) Ex Tempore, pp. 96-113
Amsterdam Theatre Locations
Dataset containing locations of theatres in the city of Amsterdam. Created by Charlotte Vrielink as part of her pre-PhD project at CREATE programme, University of Amsterdam, based on the print publication: Logger, Bob, and Xandra Knebel. Theaters in Nederland sinds de zeventiende eeuw. Amsterdam: Theater Instituut Nederland, 2007, with the assistance of students Theatre Studies at the same university, supervised by Rob van der Zalm and Frans Blom. See also the online map created on the basis of the data: https://arcg.is/1ffD9T (27-05-2020). See also (in the documentation): C. Vrielink, 'In kaart gebracht. Een digitale theatergeschiedenis van Amsterdam. GIS als brug tussen distant en close reading,' 38.1 (2019) Ex Tempore, pp. 96-113
Amsterdamse Theaterlocaties
Dataset containing locations of theatres in the city of Amsterdam. Created by Charlotte Vrielink as part of her pre-PhD project at CREATE programme, University of Amsterdam, based on the print publication: Logger, Bob, and Xandra Knebel. Theaters in Nederland sinds de zeventiende eeuw. Amsterdam: Theater Instituut Nederland, 2007, with the assistance of students Theatre Studies at the same university, supervised by Rob van der Zalm and Frans Blom. See also the online map created on the basis of the data: https://arcg.is/1ffD9T (27-05-2020). See also (in the documentation): C. Vrielink, 'In kaart gebracht. Een digitale theatergeschiedenis van Amsterdam. GIS als brug tussen distant en close reading,' 38.1 (2019) Ex Tempore, pp. 96-113
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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