1,721,897 research outputs found
Rivaldi Muhammad's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Rivaldi Muhammad's Quick Files
No full textThe Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
SISTEM PRODUKSI ASAM FOSFAT DAN MANAJEMEN SUMBER DAYA MANUSIA PADA DEPARTEMEN PENGEMBANGAN SUMBER DAYA MANUSIA DI PT. PETROKIMIA GRESIK
Full text linkPT. Petrokimia Gresik is one of the largest fertilizer and chemical product manufacturers in Indonesia. One of the products produced by PT. Petrokimia Gresik namely Phosphoric Acid which is produced by Production Department IIIB. The Phosphoric Acid Production Process PT. Petrokimia Gresik uses a Make To Stock (MTS) production system and implements a continuous process when viewed according to its operational objectives. Phosphoric Acid Products produced by the Production Department IIIB at PT. Petrokimia Gresik is a Work In Progress product, namely a semi-finished product that will still undergo another production process at the Production Department I and Production Department II to make it a ready product to be traded in the market
EVALUASI KINERJA HEAT EXCHANGER - 005 (HE-005) PADA UNIT KILANG DI PUSAT PENGEMBANGAN SUMBER DAYA MANUSIA MINYAK DAN GAS BUMI CEPU
No full textKREASI KALIGRAFI ASMA’UL HUSNA PADA KRIYA KAYU
Full text link ABSTRAKKarya ini mengangkat kreasi kaligrafi Asma’ul Husna pada kriya kayu dengan menggunakan khat Tsuluth. Asma’ul Husna, yang terdiri dari 99 nama-nama Allah, mengandung makna yang sangat dalam, mencerminkan sifat-sifat Tuhan yang Maha Esa. Setiap nama dalam Asma’ul Husna mengandung pesan spiritual yang dapat menjadi petunjuk hidup bagi umat manusia. Pemilihan kayu sebagai media dalam pembuatan karya ini memberikan sentuhan alami yang memperkaya dimensi estetika dan filosofi yang terkandung dalam setiap nama Allah. Gaya khat Tsuluth dipilih karena memiliki karakteristik goresan yang elegan dan melengkung, yang mampu menggambarkan keindahan serta kebesaran Tuhan dengan cara yang dinamis namun terstruktur. Karya ini tidak hanya berfokus pada nilai estetika, tetapi juga mengajak penikmat untuk merenungkan makna spiritual dari setiap nama Allah yang ditulis. Penciptaan karya ini menggunakan teori fungsi, dan teori estetis. Metode penciptaan karya seni melalui tiga tahap, tahap eksplorasi dengan mencari referensi melalui studi pustaka maupun lapangan. Tahapan perancangan dengan membuat gambar rancangan melalui gambar sketsa alternatif dan desain gambar. Tahap perwujudan menggunakan bahan kayu surian, dengan teknik ukir pahat ketinggian sedang, dan finishing menggunakan tinta printer yang dilapis memakai melamin lack clear doff dan penyajian karya merupakan metode yang digunakan dalam mengenalkan hasil karya seni kepada masyarakat luas sebagai media dakwah. Karya berupa kaligrafi dua dimensi, yang diciptakan sebanyak tujuh karya, yaitu: Al Hakiim, Al Wadud, Al Kariim, Ar Rahman, Al Lathiif, Ar Rahiim, dan Al Wakiil.
Preliminary Plant Design of Bio-Oil Manufacturing Plant from Coconut Shells by Fast Pyrolysis Method Using Auger Reactor with Production Capacity of 20,000 Tons/Year
No full textPre-design of a bio-oil manufacturing plant using coconut shells as raw
material and a capacity of 20,000 tons/year, will be operating for 330 days a year.
The main process in this preliminary design consists of three stages: raw material
preparation, fast pyrolysis, extraction, and purification. This bio-oil manufacturing
plant was planned to be established in the Pinang Sebatang Tim area, Tualang
District, Siak Regency, Riau Province, with a factory area of 28,700 m2 and a
worlforce of 201 people in the form of a Limited Liability Company (PT). Based on
the results of the economic analysis, this bio-oil manufacturing plant requires a
total investment capital of Rp 756,958,972,724.43 and a total production cost of Rp
906,323,125,031.05. With Total Sales ofRp 1,635,148,065,840, this factory will be
able to generate a net profit value per year of Rp 482,170,198,345.12, with a profit
margin of 42.12%; break even point 42.91%; return on investment 32%; pay out
time 3.17 years; return on network 49.80%; internal rate of return 39.27%. From
the economic analysis results, it can be concluded that the Bio-oil Manufacturing
Plant from Coconut Shells with Auger Reactor Pyrolysis Method Production
Capacity of 20,000 tons/year tons per year is feasible to be established.419 PagesSkripsi Sarjan
Riqualificazione di Villa Rivaldi a Roma : un museo per Valentino
No full textLAUREA MAGISTRALEIl Palazzo Silvestri-Rivaldi sorge su quello che resta della Velia, l’altura che separava l’area dei Fori dalla valle del Colosseo (saldandosi a ovest con il Palatino e a est con l’Esquilino), e che è stata in gran parte sbancata negli anni Trenta del XX secolo per la realizzazione di via dei Fori imperiali. Questa via prende il nome appunto dalla presenza dei Fori Imperiali, ossia quelli di Cesare, di Augusto, di Nerva e di Traiano. Oggi, il Palazzo romano, per quanto si trovi in una posizione centralissima e molto nota, resta quasi sconosciuto e versa in stato di abbandono, dopo i travagliati passaggi di proprietà e demolizione che ha subito. Nel 2006 la Sovraintendenza ai Beni Culturali del Comune di Roma ha avuto l’incarico di redigere un piano di fattibilità per il recupero di Palazzo Silvestri-Rivaldi, in vista di un accordo con l’attuale proprietario, l’Istituto S. Maria in Aquiro (ISMA), per il suo utilizzo a fini museali. A tutt’ora però, non è ancora stato definito un progetto definitivo, ma sono stati avviati i lavori di restauro dell’edificio; perciò l'obiettivo della tesi è stato ipotizzare un possibile museo per Villa Rivaldi sulla base delle informazioni che ho potuto raccogliere in loco, nei cantieri di restauro. Studiando la storia del Palazzo e del sito e andando ad analizzare in particolare i nuovi legami che recentemente si stanno creando tra case di moda e pregevoli edifici abbandonati e bisognosi di restauro in città, come Fondazione Fendi la quale recentemente ha realizzato un museo in un edificio abbandonato di Roma, Palazzo Rhino, la mia attenzione si è fermata sulla casa di moda di Valentino Garavani, da molti anni una personalità di spicco all’interno della sua città, Roma. Come da lui dichiarato nel 2017 infatti, la Maison che negli anni si è impegnata a devolvere fondi anche per i monumenti della sua città, come il Tempio di Venere e Roma per il cui restauro nel 2007 donò 200.000 euro, sta cercando un luogo dove poter allocare il proprio museo, dedicato alla storia del Brand e dei suoi creatori e collaboratori. A questo scopo, Palazzo Rivaldi può essere un candidato ideale al museo di Valentino, non solo per la sua centralissima posizione, ma anche per la sua metratura e il pregio delle sue pitture cinquecentesche, che ne fanno un ideale scenario per qualunque allestimento; oltre al fatto che il Palazzo si trova esattamente di fronte rispetto ad una delle architetture che lo stilista già si era impegnato a salvaguardare, il Tempio di Venere e Roma.The Palazzo Silvestri-Rivaldi stands on what remains of the Velia, the hill that separated the Fori area from the Colosseum valley (welding to the west with the Palatine and to the east with the Esquiline), and which was largely excavated in the thirties of the twentieth century for the construction of Via dei Fori Imperiali. This street takes its name precisely from the presence of the Imperial Forums, namely those of Caesar, Augustus, Nerva and Trajan. Today, the Roman Palace, although it is located in a very central and well-known position, remains almost unknown and it is in a state of neglect, after the troubled changes of properties and demolition it has undergone. In 2006 the Superintendency of Cultural Heritage of the Municipality of Rome was charged with drawing up a feasibility plan for the recovery of Palazzo Silvestri-Rivaldi, in view of an agreement with the current owner, the Istituto S. Maria in Aquiro (ISMA), for its use for museum purposes. Anyway, today, a definitive project has not yet been defined, but restoration work has begun on the building; so my goal was to hypothesize a possible museum for Villa Rivaldi based on the information I could gather on the site. Studying the history of the Palace and the site and analyzing in particular the new relationships that are recently being created between fashion houses and valuable abandoned buildings in need of restoration in the city, such as the Fendi Foundation which recently built a museum in a building abandoned in Rome, Palazzo Rhino, my attention stopped at Valentino Garavani's fashion house, a leading figure in his city, Rome, for many years. As he declared in 2017 in fact, the Maison that over the years has committed itself to devolve funds also for the monuments of its city, such as the Temple of Venus and Rome for whose restoration in 2007 donated 200,000 euros, is looking for a place where it can allocate its museum, dedicated to the history of the Brand and its creators and collaborators. To this end, Palazzo Rivaldi can be an ideal candidate for the Valentino museum, not only for its central position, but also for the mesures of the spaces in the Villa and the value of its sixteenth-century paintings, which make it an ideal setting for any setting; in addition to the fact that the Palace is located exactly in front of one of the architectures that the designer had already undertaken to safeguard, the Temple of Venus and Rome
PENGARUH OPINI AUDIT, AUDIT FEE, AUDIT DELAY, DAN KESULITAN KEUANGAN TERHADAP PERGANTIAN KANTOR AKUNTAN PUBLIK PADA PERUSAHAAN MANUFAKTUR YANG TERDAFTAR DI BURSA EFEK INDONESIA PERIODE 2015 – 2017
Full text linkRivaldi Hidayat. 2019: The Influence of Audit Opinion, Audit Fee, Audit Delay, and Financial Distress on Public Accounting Firm Switching.
This study aims to determine the effect of audit opinion, audit fee, audit delay, and financial distress on Public Accounting Firm switching. This study uses secondary data in the form of annual reports of manufacturing companies listed on the Indonesia Stock Exchange during the period 2015-2017 as many as 158 manufacturing companies. After the process of determination and sample selection is done using a purposive sampling technique based on predetermined criteria, obtained a total of 14 sample companies with a total number of research observations as many as 42 observations. The data analysis technique used in this study uses logistic regression analysis to test hypotheses by using software Eviews 10.
The results of the tests conducted in this study show that audit opinion and financial distress significantly influence Public Accounting Firm switching while the audit fee and audit delay does not have a significant effect on Public Accounting Firm switching
Keywords: Public Accounting Firm Switching, Audit Opinion, Audit Fee, Audit Delay, and Financial Distres
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