1,249 research outputs found
A imagem de Alessandro Baricco no Brasil
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2013.Com a intenção de delinear o modo pelo qual o escritor italiano Alessandro Baricco se inseriu no sistema literário brasileiro e os caminhos percorridos pelos seus livros traduzidos, esta dissertação dá voz às experiências tradutórias de seus tradutores. A inserção de Bariccono Brasil tem seu início em 1997, através de uma proposição da Profa. Dra. Roberta Barni à editora Iluminuras da tradução de Oceano Mare. A partir daí, outras sete obras foram publicadas no Brasil, sendo três delas traduzidas por Roberta Barni e as outras quatro por quatro tradutores diferentes. De um lado, considera-se o tradutor como figura principal namediação entre culturas, e, de outro, se analisa a realidade desta figuradentro do sistema literário, sua invisibilidade, seus limites e o exercíciode sua profissão. A pesquisa conta, ainda, com críticas e resenhas referentes ao autor italiano publicadas em jornais consagrados no Brasil, considerando estas como parte constituinte da imagem de Baricco refletida em território nacional. Abstract : Intending to delineate the way the Italian writer Alessandro Baricco has been inserted in the Brazilian literary system and the paths his translated books have followed, this thesis gives voice to the translating experiences of his translators. Baricco's insertion in Brazil began in 1997, through a personal project of Dr. Roberta Barni, with her translation of Oceano Mare. Since then, seven other of his works have been published in Brazil, three of which were translated by Roberta Barni and the other four by four different translators. On the one hand,the translator is considered as the main figure in mediation betweencultures and, on the other, this figure's reality is analyzed within theliterary system: its invisibility, its limits and its professional practice. Criticisms and reviews of this Italian author published in well established Brazilian newspapers are also considered, with the understanding that they are part of Baricco's image reflected here
O Estado como força, segundo Alessandro Passerin D’Entreves
No full textBASALI, Rogério A. de Mello. O Estado como força, segundo Alessandro Passerin D’Entreves. Argumentos Revista de Filosofia, Fortaleza, v. 3, n. 5, p. 35-41, 2011.This paper presents results of a doctorate research about the political thought of Alessandro
Passerin D´Entreves and brings introductory considerations to the State doctrine formulated
by this author. The phenomena analyzed in the text make possible the comprehension of the
State as a force, which is the first part of the State doctrine formulated by D´Entreves.Este artigo resulta de pesquisa iniciada no doutorado acerca do pensamento político de
Alessandro Passerin D´Entreves e apresenta considerações introdutórias à perspectiva da
doutrina do Estado formulada por esse autor. No texto são analisados fenômenos que possibilitam
compreender o Estado como força, o que corresponde à primeira parte da doutrina
de Estado formulada por D´Entreves
Suplemento 47. El mundo nahua: parentesco y ritualidad. 97 (2008) abril. Diario de Campo. Boletín Interno de los investigadores del área de Antropología
No full textPresentación por David Robichaux y Saúl Millán. - Parentesco ritual en México: sugerencias para un nuevo enfoque por Catherine Good Eshelman. - Vistiendo ahijados: curación y parentesco ritual entre los nahuas de Cuetzalan por Saúl Millán. - Categorías de parentesco y compadrazgo en la organización de relaciones con lo sobrenatural. Los nahuas desde la perspectiva amazónica por David Lorente Fernández. - Por cada vida, varios mundos. Nociones sobre el parentesco ritual entre los nahuas de Tepetzintla por Alessandro Questa. - Parentesco, trabajo y comunidad: el sistema de cargos en Chiconcuac, Estado de México por Dula Celina Rodríguez Hernández. - ¿De qué se trata el parentesco? Definiendo un objeto de estudio y algunas ideas para su investigación entre los nahuas y otros pueblos indígenas de Mesoamérica por David Robichaux
Can 3D Exoscopy-Assisted Surgery Replace the Traditional Endoscopy in Septoplasty? Analysis of Our Two-Year Experience
No full textBackground/Objectives: Septoplasty is a commonly performed surgical procedure aimed at correcting nasal septal deviations, to improve nasal airflow and respiratory function. Traditional approaches to septal correction rely on either direct visualization or endoscopic guidance. Recently, a novel technology known as exoscopy has been introduced into surgical practice. Exoscopy is an “advanced magnification system” that provides an enlarged, three-dimensional view of the operating field. In this article, we present our experience with exoscope-assisted septoplasty, developed over the last two years, and compare it with our extensive experience using the endoscopic approach. Methods: Our case series includes 26 patients, predominantly males and young adults, who underwent exoscope-assisted septoplasty. We discuss the primary advantages of this technique and, most importantly, provide an analysis of its learning curve. The cohort of patients treated using the exoscopic approach was compared with a control group of 26 patients who underwent endoscope-guided septoplasty, randomly selected from our broader clinical database. Finally, we present a representative surgical case that details all phases of the exoscope-assisted procedure. Results: Our surgical experience has demonstrated that exoscopy is a safe and effective tool for performing septoplasty. Moreover, the learning curve associated with this technique exhibits a rapid and progressive improvement. Notably, exoscopy provides a substantial educational benefit for trainees and medical students, as it enables them to share the same visual perspective as the lead surgeon. Conclusions: Although further studies are required to validate this approach, we believe that exoscopy represents a promising advancement for a wide range of head and neck procedures, and certainly for septoplasty
ALESSANDRO TASSONI Y ANGELICO APROSIO: LECTURA CRÍTICA DEL MONDO NUOVO DE TOMMASO STIGLIANI
No full textResumen: La publicación en Italia en 1625 del Occhiale, obra en la que se ponían en tela de juicio los presupuestos poéticos llevados a cabo por Giambattista Marino en su poema épico Adone, da lugar a la creación de numerosas obras que por un lado defienden a capa y espada la obra del gran vate napolitano y por otro dirigen sus análisis críticos, a veces cargados de gran ironía, a la epopeya Mondo Nuovo de Tommaso Stigliani, autor del polémico Occhiale. Alessandro Tassoni y Angelico Aprosio son los ejemplos más eruditos en la lectura crítica que se hace del poema stiglianesco.
Abstract: The work Occhiale was published in Italy, in 1625, questioning the poetic assumptions made by Giambattista Marino in his epic poem Adone. Its publication led to the creation of numerous other works that, on the one hand, firmly defend the writings of the great Neapolitan poet and, on the other, focus their critical analyses - at times laden with irony - on Tommaso Stigliani’s epopee, Mondo Nuovo, the very same author of the controversial Occhiale. Our study specifically analyses the works of Alessandro Tassoni and Angelico Aprosio, which are probably the most scholarly writings on the critical examination of Stigliani’s poem
Las músicas de la memoria: conversación con Alessandro Portelli
No full textThe interviewee Alessandro Portelli, is a renowned Italian academic of American Literature and culture, oral historian and musicologist. He was Professor of Anglo-American Literature at La Sapienza University in Rome. In the United States he is known for his oral history research on industrial conflicts from the perspective of workers in Harlan, Kenctuky, and also in Terni, Italy. He is the author of the best study on the Nazi repression in Rome, in the event of the Ardeatine pits, with his book The Order Has Been Carried Out. From the Casa della memoria e la Storia in Rome he encourages research in Oral History. He writes in the newspaper Il Manifesto.El entrevistado Alessandro Portelli, es un reconocido académico italiano de Literatura americana y cultura, historiador oral y musicólogo. Fue catedrático de literatura Angloamericana en la Universidad La Sapienza, de Roma. En los Estados Unidos es conocido por sus investigaciones de historia oral sobre los conflictos industriales desde la perspectiva de los trabajadores en Harlan, Kenctuky, y también en Terni, en Italia. Es autor del mejor estudio sobre la represión nazi en Roma, en el suceso de las fosas Ardeatinas, con su libro La orden fue ejecutada. Desde la Casa della memoria e la Storia de Roma alienta la investigación en Historia Oral. Escribe en el periódico Il Manifesto
Colecistectomia: riscos para o doente transplantado renal
No full textObjective: Compare the risks of cholecystectomy between patients with and without kidney transplant. Method: This is a retrospective observational study through the collection of data from patients’ medical records submitted to cholecystectomy from January 2004 to December 2018, at Hospital do Rim / UNIFESP. Results: 230 kidney transplanted recipients (57,2%) and 172 controls (42,8%) were included in the study for a total of 402 cholelithiasis patients. The transplanted group presented higher rates of surgical conversion (5,7% x 1,2%), drainage (7,8% x 2,3%), postoperative complications (10,0% x 4,7%) and longer hospitalizations stay (p<0,05). When the analysis was performed according to surgery’s type (urgent x elective), the urgently transplanted group had higher rates of postoperative complications (27,8% x 5,9%), deaths (11,1% x 0%), conversion (13,9% x 5,9%), drainage (33,3% x 23,5%) and length of hospital stay (p<0,05). Multiple logistic regression revealed that the renal transplant patients presented an increased risk of choledococholithiasis (OR: 5,89) and pancreatitis (OR: 6,89). The presence of diabetes mellitus was an isolated factor for postoperative complications (OR: 3,80), and there was an 82% increase in the risk of presenting postoperative complications at each point of increased creatinine levels. Conclusion: Renal transplant patients on elective surgery were similar to the control group with the same rates of postoperative complications. However, when operated urgently, they had longer surgery time and hospitalization as well as increase in complications. Renal transplant patients had a higher risk of developing pancreatitis and choledocholitiasis.Objetivo: Comparar os riscos da colecistectomia nos doentes transplantados renais com a população geral. Método: Trata-se de estudo observacional retrospectivo através da coleta dos dados de prontuários de doentes submetidos a colecistectomia no período de janeiro de 2004 a dezembro de 2018, no Hospital do Rim/UNIFESP. Resultados: Foram incluídos 402 doentes, 230 transplantados renais (57,2%) e 172 grupo controle (42,8%). Grupo transplantado apresentou maiores índices de conversão cirúrgica (5,7% x 1,2%), drenagem (7,8% x 2,3%) e complicações pósoperatórias (10,0% x 4,7%), além de maior tempo de internação (p<0,05). Quando a análise foi realizada conforme o caráter da cirurgia (urgência x eletiva), o Grupo transplantado apresentou maiores índices de complicações pós-operatórias (27,8% x 5,9%), óbitos (11,1% x 0%), conversão (13,9% x 5,9%), drenagem (33,3% x 23,5%) e tempo de internação (p<0,05) quando operados em caráter de urgência. Após regressão logística múltipla, o doente transplantado renal demonstrou um risco maior de apresentar coledocolitíase (OR: 5,89) e pancreatite (OR: 6,89). A presença de diabetes mellitus foi fator isolado para complicações pós-operatórias (OR: 3,80), e a cada 1 ponto de aumento do nível de creatinina, houve um aumento em 82% no risco de apresentar complicações pós-operatórias. Conclusões: Os doentes transplantados renais quando operados eletivamente comportaram-se de forma similar ao Grupo controle com os mesmos índices de complicações pós-operatórias, porém, quando operados em caráter de urgência, apresentaram maior tempo de cirurgia, internação e de complicações. Transplantados renais possuem maior risco de apresentar pancreatite e coledocolitíase.Dados abertos - Sucupira - Teses e dissertações (2019
Alessandro Pepoli (1757-1796), tras la obra de Alfieri
No full textLa construcción de la tragedia en Italia tuvo en Vittorio Alfieri a uno de sus
mayores representantes, a la vez que Alfieri tenía en este género teatral a
uno de sus mayores imitadores: Alessandro Pepoli, quien contemplaba el
corpus literario del autor de Asti como un referente a seguir, incluso en la
creación de un nuevo género. El trabajo de Pepoli por buscar en Alfieri a un
referente trágico, le lleva a la creación de Virginia, Argamennone, Don Carlo
o Sofonisba, mirando hacia el astigiano no sólo como inspiración y
desarrollo de un corpus literario, sino con admiración y como ejemplo de
una forma de hacer teatro.The construction of the tragedy in Italy, has been in Vittorio Alfieri one of its
greatest representatives, while Alfieri had in the tragedy one of its greatest
imitators: Alessandro Pepoli, who watched the literary corpus of the author
of Asti as a model to follow, ever including the creation of a new genre. The
work of Pepoli looking for in Alfieri a tragic reference, leads to the creation
of Virginia, Argamennone, Don Carlo or Sofonisba, who looked to Astigiano
like an inspiration and development of his literary corpus, but with
admiration and like example of a form of theate
Historias ficticias: el dilema de los hechos y la imaginación en la novela histórica del siglo XIX. Historias. Revista de la Dirección de Estudios Históricos Num. 69 (2008) enero-abril
No full textJames Anderson, Sir Walter Scott and History, Edimburgo, 1981, pp. 5-9, 11 -36, 89-107John MacQueen, The Enlightenment and Scottish Literature, vol. 2, The Rise of the Historical Novel, Edimburgo, 1989, pp. 7-8, 11 -12Marino Berengo, Intelletuali e Librai del Milano della Restaurazione, Turín, 1980; Roy Porter, The Creation of the Modern World. The Untold Story of the British Enlightenment, Nueva York/Londres, 2000, pp. 94-95Louis Maigron, Le roman historique à l’époque Romantique, París, 1898, pp. 46, 90-93. Georg Lukács, The Histo rical Novel, Harmondsworth, 1981, pp. 22-26, 32-34Sir Walter Scott, Waverly, Oxford, 1998, vol. II, caps. XVII y XX. Sir Walter Scott, Redgauntlet, Londres, 1957, caps. XXII-XXIII.Jules Michelet, La Revolution Française, 7 vols., París, 1974 [1847-1853], vol I, Préface, enero 31 de 1847, p. 21G.P. Gooch, History and Historians in the Nineteenth Century, Londres, 1913 [Boston, 1965], pp. 10-12, 14-37Herbert Butterfield, The Historical Novel. An Essay, Cambridge, 1924; Helen Cam, The Historical Novel, Londres, 1961David Powell, “The Historical Novel. History as Fiction and Fiction as History”, en The Historian, núm. 43, otoño de 1994, pp. 13-15.Alessandro Manzoni, Del romanzo storico e, in genere, de’ componimenti misti di storia e d’invenzione, Milán, 1850, trad. de Sandra Bermann, Alessandro Manzoni on the Historical Novel, Lincoln/Londres, 1984, pp. 3, 63-70, 77.Gustave Flaubert, L’education sentimentale, París, 2001, pp. 382-524.Thomas Mann, Buddenbrooks, Londres, 1994 [Berlín, 1901], pp. 175-94.Harold Orel, The Historical Novel from Scott to Sabatini. Changing Attitudes Towards a Literary Genre, 1814- 1920, Basingstoke, 1997, pp. 13-28.George Levine, “Romola as Fable”, en Barbara Hardy (ed.), Critical Essays on George Eliot, Londres, 1970, pp. 78- 98, véase también, pp. 81-82.Felicia Bonaparte, The Triptych and the Cross. The Central Myths of George Eliot’s Poetic Imagination, Nueva York, 1979, p. 6.Anne Green, Flaubert and the Historical Novel. Salammbô Reassessed, Cambridge, 1982, pp. 11 -13, 30-32. Frederick Karl, George Eliot, Londres, 1995, p. 372
James Anderson, Sir Walter Scott and History, Edimburgo, 1981, pp. 5-9, 11 -36, 89-107John MacQueen, The Enlightenment and Scottish Literature, vol. 2, The Rise of the Historical Novel, Edimburgo, 1989, pp. 7-8, 11 -12Marino Berengo, Intelletuali e Librai del Milano della Restaurazione, Turín, 1980; Roy Porter, The Creation of the Modern World. The Untold Story of the British Enlightenment, Nueva York/Londres, 2000, pp. 94-95Louis Maigron, Le roman historique à l’époque Romantique, París, 1898, pp. 46, 90-93. Georg Lukács, The Histo rical Novel, Harmondsworth, 1981, pp. 22-26, 32-34Sir Walter Scott, Waverly, Oxford, 1998, vol. II, caps. XVII y XX. Sir Walter Scott, Redgauntlet, Londres, 1957, caps. XXII-XXIII.Jules Michelet, La Revolution Française, 7 vols., París, 1974 [1847-1853], vol I, Préface, enero 31 de 1847, p. 21G.P. Gooch, History and Historians in the Nineteenth Century, Londres, 1913 [Boston, 1965], pp. 10-12, 14-37Herbert Butterfield, The Historical Novel. An Essay, Cambridge, 1924; Helen Cam, The Historical Novel, Londres, 1961David Powell, “The Historical Novel. History as Fiction and Fiction as History”, en The Historian, núm. 43, otoño de 1994, pp. 13-15.Alessandro Manzoni, Del romanzo storico e, in genere, de’ componimenti misti di storia e d’invenzione, Milán, 1850, trad. de Sandra Bermann, Alessandro Manzoni on the Historical Novel, Lincoln/Londres, 1984, pp. 3, 63-70, 77.Gustave Flaubert, L’education sentimentale, París, 2001, pp. 382-524.Thomas Mann, Buddenbrooks, Londres, 1994 [Berlín, 1901], pp. 175-94.Harold Orel, The Historical Novel from Scott to Sabatini. Changing Attitudes Towards a Literary Genre, 1814- 1920, Basingstoke, 1997, pp. 13-28.George Levine, “Romola as Fable”, en Barbara Hardy (ed.), Critical Essays on George Eliot, Londres, 1970, pp. 78- 98, véase también, pp. 81-82.Felicia Bonaparte, The Triptych and the Cross. The Central Myths of George Eliot’s Poetic Imagination, Nueva York, 1979, p. 6.Anne Green, Flaubert and the Historical Novel. Salammbô Reassessed, Cambridge, 1982, pp. 11 -13, 30-32. Frederick Karl, George Eliot, Londres, 1995, p. 372La novela histórica moderna surgió de la última fase de la Ilustración escocesa. Fue Louis Maigron quien dio a Walter Scott el rol central en el desarrollo de la novela histórica moderna, cuatro décadas antes de que lo hiciera el marxista húngaro Georg Lukács. Las novelas de Scott demostraban las todavía mal definidas fronteras entre historia y ficción. Hicieron una contribución significativa al desarrollo de ambas disciplinas, pero al mismo tiempo plantearon problemas para cada una de ellas. Por ejemplo, la cuestión del balance entre personajes imaginarios e históricos resultó central en la novela histórica. En sus novelas escocesas Scott equilibró las figuras históricas reales y los personajes ficticios confinando a las primeras a los márgenes, como al príncipe Carlos Eduardo el Joven Pretendiente en Waverly, or ‘Tis Sixty Years Since (1814). El balance podía variar. El Pretendiente, más viejo y profundamente comprometido, jugó un rol decisivo en el desenlace de Redgauntlet (1824), aunque aquí aún no era el protagonista principal. En el caso de la historia, el énfasis relativo en los individuos o en los grupos sociales surgiría como un tópico. El impacto de la novela histórica en la historia hizo surgir pronto la cuestión del balance entre narrativa y análisis.The historical novel has been in vogue for several decades in Mexico and a number of authors have studied the origins of the genre. However, the scope of this article is far more vast than most analysis and can properly be called paneuropean because it includes Great Britain, France, Italy and Spain. The author is in the process of writing a book on the subject and displays a wide knowledge of Walter Scott’s invention. The approach is both historical and literary and therefore very rich; the result is a canvas of great dimensions and, at the same time, an account of particular biographical details and passages of notable significance. Lukács is generally regarded as a classic author on the subject of the historical novel; this article invites the reader to consider his limitations.</p
Unstable sustention: intertextuality in Alessandro Baricco
No full textEsta tese busca fazer um levantamento das principais linhas de força na constituição das Poéticas que norteiam a trajetória do escritor italiano contemporâneo Alessandro Baricco, não só como ficcionista, mas também como ensaísta e intelectual, atilado com seu tempo. Constatamos que, a partir do corpus dos romances e ensaios que aqui escolhemos analisar, o autor privilegia a instabilidade do narrar e do ver, refletida, nitidamente, nos diversos diálogos intertextuais que leva a efeito. Daí por que a intertextualidade, enquanto um de seus procedimentos ficcionais tal como concebida e transfigurada pelo autor esteja intimamente relacionada a uma concepção de mundo que elege o afastamento das certezas, o elogio da oralidade e da narrativa (fontes inesgotáveis de vida), a multiplicidade de pontos de vista, a exaltação de tipos à margem dos sistemas, o heroísmo da derrota, a apologia da queda e da renúncia. No intuito de demonstrar como isso se opera, nosso estudo se orienta, basicamente, a partir dos seguintes tópicos: a) a gênese da intertextualidade em Baricco; b) as relações intertextuais propriamente ditas e eventuais aproximações de leitura entre algumas de suas obras e as de outros autores com os quais dialoga (tais como Herman Melville, Joseph Conrad, Rainer Maria Rilke, José Saramago e Paul Auster); c) as tendências pósmodernas sobre as quais ele se debruça, sobretudo, em sua atuação ensaística.This thesis proposes a survey of the main forces determining the constitution of the Poetics that guide the trajectory of the contemporary Italian writer Alessandro Baricco, as a novelist, an essayist and a sagacious intellectual in our century. We note that, from the corpus of novels and essays chosen to analyze here, the author emphasizes the instability of narrating and perceiving, reflected clearly in the various intertextual dialogues that he creates. Therefore the intertextuality, as one of his fictional procedures conceived and transfigured by the author, is closely linked to a conception of the world that promotes the removal of certainties, the praise of orality and narrative (inexhaustible sources of life) the multiplicity of points of view, the exaltation of the marginalized characters, the heroism of defeat, the emphasis of the fall and the resignation. In order to demonstrate how it works, our study guides are basically from the following topics: a) the genesis of intertextuality in Baricco b) the intertextual relations and possible approaches between some of his works as well as dialogues with other authors (such as Herman Melville, Joseph Conrad, Rainer Maria Rilke, José Saramago and Paul Auster), c) the post-modern tendency, emphasized mainly on his essays
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