883 research outputs found
Kosciusko [music] /
For voice and piano.; Cover title.; "Introduced & sung by Miss Nella Webb."; Cover carries portraits of Nella Webb (by Rudolph Buchner), Charles Vaude and Moritz Lutzen.; Words printed as text on p. [4].; "During Moritz Lutzen's visit to Australia he offered a prize for the best lyric, by an Australian author to be set to music by himself. The prize was awarded to Charles Vaude, for his lyric 'Kosciusko,' and Miss Nella Webb produced this song with instantaneous success."--P. [4].; Also available online http://nla.gov.au/nla.mus-an8393500; 1913, by Victor J. Draper, Sydney.; NLA's NL copy from the collection of Keith Watson. ANL
Letter containing inquiry regarding the ethnic identity of the descendents of Georg Moritz Oppenheim.
Letter from Wilhelm Gehlig to Rabbi Dr. Freudenthal in Nuremberg with a genealogical question regarding Georg Moritz Oppenheim. Of particular interest to the author is to determine whether Oppenheim's descendents are "rein jüdischen Blutes (=of pure Jewish blood)."Robert Singermandigitize
Conventional and circular economy compliant modification strategies for recycled polypropylene
Author Moritz MagerMasterarbeit Universität Linz 2021Arbeit gesperr
Conventional and circular economy compliant modification strategies for recycled polypropylene
Author Moritz MagerMasterarbeit Universität Linz 2021Arbeit gesperr
MANIFOLD : architecture beyond stereotypes
What is Tyrolean identity really about? Is it the Lederhosen and Dirndl, the Yodelling and Slap Dancing, the wooden farm houses with a cosy parlour, idyllically located on the green grassy mountain slopes, or is all of that just fabricated imagery, pretending to be? Isn’t our identity closer to Madonna or Kim Kardashian? According to Edouard Glissant, a Francophone writer, all of those assumptions are true, since our globalised world is in a state of steady creolisation. Clashes, harmonies, deformations, withdrawals, rejections and attractions between different cultures result in the unpredictable. So, isn’t this understanding of identity the true reality we live in – also in the region of Tyrol?
Is this rhizomatic concept of identity therefore useful to develop an architectural methodology resulting in a hybrid aesthetics, questioning the widespread conservative understanding of identity in the region of Tyrol? If so, how can this hybrid aesthetic identify itself as an estrangement and allusion of the manifold cultural elements and motifs it is based on? Can this aesthetic, explored through an architecture in the city of Innsbruck, disrupt the local and regional understanding of identity and offer a space for all identities – would this move us towards an “architecture of the manifold”?Moritz RiedlMasterarbeit Universität Innsbruck 202
MANIFOLD : architecture beyond stereotypes
What is Tyrolean identity really about? Is it the Lederhosen and Dirndl, the Yodelling and Slap Dancing, the wooden farm houses with a cosy parlour, idyllically located on the green grassy mountain slopes, or is all of that just fabricated imagery, pretending to be? Isn’t our identity closer to Madonna or Kim Kardashian? According to Edouard Glissant, a Francophone writer, all of those assumptions are true, since our globalised world is in a state of steady creolisation. Clashes, harmonies, deformations, withdrawals, rejections and attractions between different cultures result in the unpredictable. So, isn’t this understanding of identity the true reality we live in – also in the region of Tyrol?
Is this rhizomatic concept of identity therefore useful to develop an architectural methodology resulting in a hybrid aesthetics, questioning the widespread conservative understanding of identity in the region of Tyrol? If so, how can this hybrid aesthetic identify itself as an estrangement and allusion of the manifold cultural elements and motifs it is based on? Can this aesthetic, explored through an architecture in the city of Innsbruck, disrupt the local and regional understanding of identity and offer a space for all identities – would this move us towards an “architecture of the manifold”?Moritz RiedlMasterarbeit Universität Innsbruck 202
MANIFOLD : architecture beyond stereotypes
What is Tyrolean identity really about? Is it the Lederhosen and Dirndl, the Yodelling and Slap Dancing, the wooden farm houses with a cosy parlour, idyllically located on the green grassy mountain slopes, or is all of that just fabricated imagery, pretending to be? Isn’t our identity closer to Madonna or Kim Kardashian? According to Edouard Glissant, a Francophone writer, all of those assumptions are true, since our globalised world is in a state of steady creolisation. Clashes, harmonies, deformations, withdrawals, rejections and attractions between different cultures result in the unpredictable. So, isn’t this understanding of identity the true reality we live in – also in the region of Tyrol?
Is this rhizomatic concept of identity therefore useful to develop an architectural methodology resulting in a hybrid aesthetics, questioning the widespread conservative understanding of identity in the region of Tyrol? If so, how can this hybrid aesthetic identify itself as an estrangement and allusion of the manifold cultural elements and motifs it is based on? Can this aesthetic, explored through an architecture in the city of Innsbruck, disrupt the local and regional understanding of identity and offer a space for all identities – would this move us towards an “architecture of the manifold”?Moritz RiedlMasterarbeit Universität Innsbruck 202
sj-docx-1-tam-10.1177_17588359211039930 – Supplemental material for Benefit of second-line therapy for advanced esophageal squamous cell carcinoma: a tri-center propensity score analysis
Supplemental material, sj-docx-1-tam-10.1177_17588359211039930 for Benefit of second-line therapy for advanced esophageal squamous cell carcinoma: a tri-center propensity score analysis by Moritz Müller, Florian Posch, Dominik Kiem, Dominik Barth, Lena Horvath, Michael Stotz, Renate Schaberl-Moser, Martin Pichler, Richard Greil, Philipp J. Jost, Andreas Seeber, Arno Amann, Konstantin Schlick, Armin Gerger and Jakob M. Riedl in Therapeutic Advances in Medical Oncology</p
Hayo Haya Maaseh [= Once upon a time]
Anthology of East European Jewish folklore, with introduction and sources. The anthology includes: songs, tales, traditions, customs, jokes, proverbs, riddles. Authored by Chaim Ben Zion Elon-Baranik (born 1901). Published immediately after the Second World War. Illustrations by Moritz Oppenheimer, L. Pilichowski, Yosef Budko, E.M. Lilien (his signature in print). Most of the illustrations are printed on separated chrome paper, on one side of the page. Folklore publishing, Tel Aviv. HaIvri press, Jerusalem. 22 em. [1],303, [3] pages. Excellent condition. Chipped top of spine. . '... Olb price140-160This is a hardbound book (hard cover)Language note: HebrewChaim Ben Zion Elon-Barani
Karl Philipp Moritz\'s essays: language, arts, philosophy (selection, introduction, translation and notes)
Após mais de duzentos anos, o interesse pela obra de Karl Philipp Moritz (15 de setembro de 1756 26 de junho de 1793) só tem aumentado. Diferentes autores como Herman Hesse e Walter Benjamin, e, mais recentemente, Hans Joachin Schrimpf, Tzvetan Todorov, Peter Szondi, Arno Schmidt e Peter Handke têm escrito ressaltando a importância e a fecundidade desse autor. Moritz pode ser considerado um dos autores inaugurais do romantismo alemão. Este mestrado em filosofia, área de estética, pretende, por meio de seleção, tradução e introdução dos textos de Karl Philipp Moritz, contribuir para a valorização dessa importante obra em nossa cultura. Os textos selecionados são de teoria da linguagem, estética e filosofia.After over two hundred years, the concern for the works of Karl Philipp Moritz (September 15th 1756 June 26th 1793) has increased steadily. Different authors such as Herman Hesse and Walter Benjamin and more recently Hans Joachin Schrimpf, Tzvetan Todorov, Peter Szondi, Arno Schmidt and Peter Handke have written on the relevance and fecundity of this author. Moritz can be said to be one of the inaugural authors of German Romanticism. This Masters in Philosophy, in the Aesthetics field, intends, by means of selection, translation and introduction of Karl Philipp Moritz texts, to contribute to the appreciation of this important work in our culture. The selected texts belong to the fields of Language Theory, Aesthetics and Philosophy
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