1,720,954 research outputs found
Perancangan Lakon Ramabargawa: Respon Estetik Kisah-Kisah Ramabargawa
The design of the Ramabargawa play is a realization from a perspective on reading Ramabargawa stories that have been known by the community. In addition to offering a perspective, this work also aims as a medium to communicate the idea of a harmonious family. Wolfgang Iser’s Aesthetic Response Theory is used as a frame of mind. The texts of the Ramabargawa story known to the public as the text of the sender were responded to by the recipient of the work, then realized in the design of the Ramabargawa play. Ramabargawa’s play is a response to the Ramabargawa story that is considered common by the community. This play is packed in solid shows with a duration of one and a half hours. This Ramabargawa play is presented in the style of Pakeliran Yogyakarta that is developing today. New working idioms that make pakeliran offeringsare more interesting, weighty, and in accordance with the development of puppetry today displayed in the show. This is intended so that the Yogyakarta-style shadow puppet show continues to be sustainable but continues to grow with a variety of new innovations.Perancangan lakon Ramabargawa merupakan realisasi dari sebuah sudut pandang atas pembacaan kisah-kisah Ramabargawa yang telah dikenal oleh masyarakat. Selain menawarkan sebuah sudut pandang, karya ini juga bertujuan sebagai media mengkomunikasikan gagasan tentang keluarga harmonis. Teori Respon Estetik Wolfgang Iser dipakai sebagai kerangka berpikir. Teks-teks kisah Ramabargawa yang telah dikenal masyarakat sebagai teks pengirim direspon oleh pengkarya sebagaipenerima, lalu direalisasikan dalam perancangan lakon Ramabargawa. Lakon Ramabargawa merupakan respon atas cerita Ramabargawa yang dianggap lazim oleh masyarakat. Lakon ini dikemas dalam pertunjukan padat dengan durasi waktu satu setengah jam. Lakon Ramabargawa ini disajikan dengan gaya Pakeliran Yogyakarta yang berkembang dewasa ini. Idiom-idiom garap baru yang membuat sajian pakeliran lebih menarik, berbobot, dan sesuai dengan perkembangan pedalangan zaman sekarang ditampilkan dalam pertunjukan. Hal tersebut dimaksudkan agar pertunjukan wayang kulit purwa gaya Yogyakarta tetap lestari namun terusberkembang dengan berbagai inovasi baru
“PURWAKA LAKUTAMA”
Perkembangan zaman menciptakan adanya perubahan pola pikir dan perilaku dalam diri masyarakat. Perubahan ini juga mempengaruhi cara pandang masyarakat terhadap dunia hiburan. Seni pertunjukan wayang sebagai salah satu media hiburan tentu harus mampu beradaptasi terhadap perubahan ini. Oleh karena itu para seniman berusaha terus berkarya dengan memunculkan bentuk boneka wayang baru dan menghadirkan pengemasan-pengemasan dalam pertunjukannya yang disesuaikan dengan selera masyarakat.
Perancangan Purwaka Lakutama ini bersifat eksploratif dengan mencoba mentransformasikan Serat Menak ke dalam bentuk boneka wayang kulit menak gaya Yogyakarta dan pertunjukannya. Bentuk boneka Wayang Kulit Menak gaya Yogyakarta yang sebelumnya tidak ada akan coba dirancang dengan menggunakan wayang kulit, wayang golek dan wayang orang sebagai inspirasinya. Ketiga bentuk wayang tersebut akan digabungkan dan disesuaikan menjadi sebuah bentuk Wayang Kulit Menak gaya Yogyakarta. Perancangan ini akan mengambil judul Purwaka Lakutama dengan berusaha menghadirkan salah satu bab cerita di dalam Serat Menak yaitu Menak Lare. Cerita yang mengambil tokoh utama Amir Hamzah dengan tema kepahlawanan dalam sudut pandang islam diharapkan menjadi pelajaran yang berharga bagi penikmatnya. Oleh karena itu, perancangan pertunjukan ini juga akan menyesuaikan selera masyarakat sekarang. Dengan menambahkan konsep sinematik ke dalam pertunjukan ini, diharapkan pesan yang terdapat dalam cerita ini akan tersampaikan kepada penikmatnya. Setelah itu penikmat diharapkan mendapatkan pencerahan dan pengetahuan tentang kehidupan yang baik dari pertunjukan yang menyinergikan agama dan seni ini.
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Orientasi dalam perancangan karya ini mempertimbangkan daya imajinasi yang berkembang pada masyarakat sekarang. Struktur dan tekstur dramatik yang dipilih sebagai landasan perancangan karya ini mencoba untuk mendaya gunakan imajinasi masyarakat secara lebih luas
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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