244 research outputs found
Zooplankton of Western Lake Erie at Put-In-Bay: A Quantitative Study, April 1973 - March 1974
No full textAuthor Institution: Center for Lake Erie Area Research, The Ohio State UniversityREUTTER, VERONICA M. AND JEFFREY M. REUTTER. Zooplankton of western Lake Erie at Put-in-Bay: a quantative study, April 1973-March 1974. Ohio J. Sci. 75(5): 256, 1975
The content of fatty acids in lipophilic extracts of Veronica chamaedrys L. and Veronica officinalis L.
No full textMarchyshyn S. M., Milian I. I. The content of fatty acids in lipophilic extracts of Veronica chamaedrys L. and Veronica officinalis L. Journal of Education, Health and Sport. 2016;6(3):91-96. eISSN 2391-8306. DOI http://dx.doi.org/10.5281/zenodo.47673
http://ojs.ukw.edu.pl/index.php/johs/article/view/3427
https://pbn.nauka.gov.pl/works/720389
The journal has had 7 points in Ministry of Science and Higher Education parametric evaluation. Part B item 755 (23.12.2015).
755 Journal of Education, Health and Sport eISSN 2391-8306 7
© The Author (s) 2016;
This article is published with open access at Licensee Open Journal Systems of Kazimierz Wielki University in Bydgoszcz, Poland
Open Access. This article is distributed under the terms of the Creative Commons Attribution Noncommercial License which permits any noncommercial use, distribution, and reproduction in any medium,
provided the original author(s) and source are credited. This is an open access article licensed under the terms of the Creative Commons Attribution Non Commercial License
(http://creativecommons.org/licenses/by-nc/4.0/) which permits unrestricted, non commercial use, distribution and reproduction in any medium, provided the work is properly cited.
This is an open access article licensed under the terms of the Creative Commons Attribution Non Commercial License (http://creativecommons.org/licenses/by-nc/4.0/) which permits unrestricted, non commercial
use, distribution and reproduction in any medium, provided the work is properly cited.
The authors declare that there is no conflict of interests regarding the publication of this paper.
Received: 05.01.2016. Revised 12.02.2016. Accepted: 27.02.2016.
UDC 615.32+661.732.7]-092.4
THE CONTENT OF FATTY ACIDS IN LIPOPHILIC EXTRACTS OF VERONICA CHAMAEDRYS L. AND VERONICA OFFICINALIS L.
S. M. Marchyshyn, I. I. Milian
SHEI «I.Ya. Horbachevsky Ternopil State Medical University
Ministry of Health of Ukraine»
S.M. Marchyshyn, doctor of pharmacy, professor,
I.I. Milian, master of pharmacy
Summary
There is indicated the results of the investigation of lipophilic fraction obtained from the herbs of Veronica chamaedrys L. and Veronica officinalis L., determined the yield of the lipophilic fraction in relation to the raw materials, settled the content of fatty acids in lipophilic extract. It is noted that linoleic and linolenic fatty acids dominated in the investigation materials.
Keywords: fatty acids, herb, Veronica chamaedrys L., Veronica officinalis L., a gas chromatography-mass spectrometry
¿Qué Pasa, OSU? (Fall 2002)
No full textIssue includes: "OSU the Importance of Storytelling" by Veronica Melian; "Julia Alvarez' Impact at OSU" by Veronica Melian and Nicole DeGreg; "Tu espacio" by Pedro Reyna; "Profile- Donna Alvarado, Leadership Role in Ohio's Education" by Veronica Melian; "Students' Food Review: El Escondido: Comida Mexicana" by Carlos Aranibar; "Profile - Jose Villa, a Success Story" by Veronica Melian and "Students Perspective" by Raquel Raices.José Villa: A Story of Success -- Julia Alvarez: Latina Author Visits Ohio State -- Needs Assessment: Survey 2002 -- Donna Alvarado: Leadership Role in Ohio's Education -- Welcoming Fiesta: Autumn 2002 -- Andes F.C.: South American Soccer in Central Ohio -- Un posible imaginario de America -- Opportunities for Minority Students in Science
Beauty and the market: Actress postcards and their senders in early twentieth century Australia
No full textA hundred years ago the international craze for picture postcards distributed millions of images of popular stage actresses around the world. The cards were bought, sent, and collected by many whose contact with live theatre was sometimes minimal. Veronica Kelly's study of some of these cards sent in Australia indicates the increasing reach of theatrical images and celebrity brought about by the distribution mechanisms of industrial mass modernity. The specific social purposes and contexts of the senders are revealed by cross-reading the images themselves with the private messages on the backs, suggesting that, once outside the industrial framing of theatre or the dramatic one of specific roles, the actress operated as a multiply signifying icon within mass culture – with the desires and consumer power of women major factors in the consumption of the glamour actress card. A study of the typical visual rhetoric of these postcards indicates the authorized modes of femininity being constructed by the major postcard publishers whose products were distributed to theatre fans and non-theatregoers alike through the post. Veronica Kelly is working on a project dealing with commercial managements and stars in early twentieth-century Australian theatre. She teaches in the School of English, Media Studies, and Art History at the University of Queensland, is co-editor of Australasian Drama Studies, and author of databases and articles dealing with colonial and contemporary Australian theatre history and dramatic criticism. Her books include The Theatre of Louis Nowra (1998) and the collection Our Australian Theatre in the 1990s (1998)
Pessimistic View Of The Future Of Genetic Engineering In Veronica Roth’s Divergent Trilogy Novel (2011-2013): A Sociological Approach
No full textThis study is about Pessimistic View of the Future of Genetic Engineering in Veronica Roth’s Divergent Trilogy Novel (2011-2013), which is analyzed by using Sociological approach. The objectives of the study are to identify the characteristics of Pessimistic View of the Future of Genetic Engineering, to depict how Pessimistic View of the Future of Genetic Engineering, to reveal why Veronica Roth give concern in futuristic issues. This research belongs to qualitative research. The primary data of this research is Divergent Trilogy by Veronica Roth, while the secondary data of this research is other sources related to the study, such as: virtual sources and other printed materials that support this research. The researcher draws three conclusions in this research. First, the Pessimistic View of the Future of Genetic Engineering is characterized by such qualities as negative perception, anxiety, sadness, despair, doubtfulness, and low self-esteem. Second, the Pessimistic View of the Future of Genetic Engineering is depicted mainly through the plot illustrating that society cannot develop naturally, society wants equal treatment between genetic damage and genetic pure, society commit revenge to the bureau, and genetic damage is always accused of war, rebellion, or the kind of bad action. Third, the underlying reason of the author to give concern in futuristic issues is that the author wants to raise the awareness of the need for wise usage of science and technology, especially genetic engineering
Memória e invenção em Os anões, de Veronica Stigger
No full textThis research aims to analyze the piece of work Os anões (2010) by Veronica Stigger, writer of contemporary brazilian literature, seeking to discuss the relationships between memory and invention that cross the narratives chosen to compose the corpus of the work. Her literary production is offered here as an object of study that challenges the boundaries between literary and non-literary genres, reality and fiction, writing and life, and takes place in a mostly autonomous universe. In this perspective, the texts “Imagem verdadeira”, “200 m²”, “Poet Drummond Flat Service” and “Tatuagem” were chosen, considering procedures linked to memory, writing and fictional autobiography. As a theoretical-methodological foundation, studies of literary theory and criticism were selected, in dialogue with texts dealing with literature, memory and writing in contemporary times, in addition to the critical fortune of the author and the work studied. From that, the frequent dialogical resumption of a vast memory of texts and urban elements in the researched book stands out, as well as the relationship of reciprocity between invention and memory and the exploration of the limits between biography and fiction, in Veronica Stigger's work, as attitudes that reflect the characteristics of the contemporary literature.Esta pesquisa se propõe a analisar a obra Os anões (2010) de Veronica Stigger, escritora da literatura brasileira contemporânea, buscando discutir as relações entre memória e invenção que atravessam as narrativas escolhidas para compor o corpus do trabalho. Sua produção literária se oferece aqui como objeto de estudo que desafia os limites entre os gêneros literários e não literários, realidade e ficção, escrita e vida, e se faz num universo sobretudo autônomo. Para isso, foram escolhidos os textos “Imagem verdadeira”, “200 m²”, “Poeta Drummond Flat Service” e “Tatuagem”, considerando procedimentos vinculados à memória, escrita e autobiografia ficcional. Como fundamento teórico-metodológico, foram selecionados estudos de teoria e crítica literária, em diálogo com textos que tratam da literatura, da memória e da escrita na contemporaneidade, além da fortuna crítica da autora e da obra estudada. A partir disso, destaca-se a frequente retomada dialógica de uma vasta memória de textos e de elementos urbanos no livro pesquisado, bem como a relação de reciprocidade entre invenção e memória e a exploração dos limites entre biografia e ficção, na obra de Veronica Stigger, como atitudes que refletem as características da literatura contemporânea
Obstacle detection and tracking in an urban environment Using 3D LiDAR and a Mobileye 560
No full textThesis: M. Eng., Massachusetts Institute of Technology, Department of Electrical Engineering and Computer Science, 2017.This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.Cataloged from student-submitted PDF version of thesis.Includes bibliographical references (pages 40-41).In order to navigate in an urban environment, a vehicle must be able to reliably detect and track dynamic obstacles such as vehicles, pedestrians, bicycles, and motorcycles. This paper presents a sensor fusion algorithm which combines tracking information from a Mobileye 560 and a Velodyne HDL-64E. The Velodyne tracking module first extracts obstacles by removing the ground plane points and then segmenting the remaining points using Euclidean Cluster Extraction. The Velodyne tracking module then uses the Kuhn-Munkres algorithm to associate Velodyne obstacles of the same type between time steps. The sensor fusion module associates and tracks obstacles from both the Velodyne and Mobileye tracking modules. It is able to reliably associate the same Velodyne and Mobileye obstacle between frames, although the Velodyne tracking module only provides robust tracking in simple scenes such as bridges.by Veronica M. Lane.M. Eng
Violence In Divergent Novel By Veronica Roth (2011): Feminist Approach
No full textThis study aims to find and explain the types of violence that exist in the novel and reveal how Tris won to turn the world into peace without a faction. This research is a qualitative research. The object of this study was to analyze a novel entitled Divergent written by Veronica Roth in 2011. Data sources were analyzed through sentences related to violence found in the novel. This type of research data using text taken from two sources, namely primary data and secondary data. The author reads the novel carefully and repeatedly through primary data taken from the Divergent novel written by Veronica Roth in 2011. Then secondary data is taken through articles, internet journals related to research, literary books, and literature. The results of this study are two points. First, there are three types of violence in the novel, namely the theory of violence as an actor based on individual or group actions, the theory of structural violence, the theory of violence as a link between actors and structures. Both Tris are able to fight the violence in its path and make Tris survive to win and make the world peaceful
How to be a woman. Models of masochism and sacrifice in young adult fiction
No full textBuffy, Bella, Veronica, Katniss, Clary, Tris and Saba : For two decades post-feminist heroines have faced life-threatening trials as part of their progress to womanhood. In this chapter I consider how young adult popular fictions operate as forms of pedagogy for young women by offering them particular models of maturity and womanhood. I explore the recurrence and reformulation of a persistent pattern of behaviour in which heroines engage in risky and/or masochistic behaviours for which they are emotionally rewarded.. These recurrences function as a form of vicarious experiential learning in which readers and viewers learn that emotional gratification and adult status are conferred through self-harm and self-sacrifice. Popular culture is not a monolithic form and young adult fictions are no exception. An analysis of fictional examples of this behaviour pattern challenges the idea that heroines today are empowered agents as a result of the legacy of feminism. At the same time, the analysis belies any notion that fictions are universally hegemonic and oppressive – fictions can and do disrupt and interrogate this pattern of emotional masochism. Scholars of public pedagogy have explored the complexities, contradictions and subtleties of the pedagogical process. Sandlin O’Malley and Burdick (2011) in their review of public pedagogy literature acknowledge that some scholarship has demonstrated how “the teaching and learning inherent within daily life can be both oppressive and resistant” (p. 144). Jubas and Knutson (2012) also see public pedagogy as an arena where contradictions and tensions are in play. They argue that we can see “New examples of dialectic or tensions … between the authority of the producer and the consumer; between traditional structures which ground identities and help people make sense of cultural texts, and personal agency which frees people to choose and invent identities and meanings” (p. 86). This analysis aims to contribute to understandings of the complexities of public pedagogy by showing how fictions aimed primarily at young women both resist and accommodate patriarchy
A Complementary Economy? National Markets and International Product in Early Australian Theatre Managements
No full textThe international circulation of commercial theatre in the early twentieth century was driven not only from the centres of Great Britain and the USA, but by the specific enterprise and habitus of managers in ‘complementary’ production sites such as Australia, South Africa, and New Zealand. The activity of this period suggests a de-centred competitive trade in theatrical commodities – whether performers, scripts, or productions – wherein the perceived entertainment preferences and geographies of non-metropolitan centres were formative of international enterprise. The major producers were linked in complex bonds of partnerships, family, or common experience which crossed the globe. The fractures and commonalities displayed in the partnerships of James Cassius Williamson and George Musgrove, which came to dominate and shape the fortunes of the Australian industry for much of the century, indicate the contradictory commercial and artistic pressures bearing upon entrepreneurs seeking to provide high-quality entertainment and form advantageous combinations in competition with other local and international managements. Clarke, Meynell and Gunn mounted just such spirited competition from 1906 to 1911, and their story demonstrates both the opportunities and the centralizing logic bearing upon local managements shopping and dealing in a global market. The author, Veronica Kelly, works at the University of Queensland. She is presently undertaking a study of commercial stars and managements in late nineteenth- and early twentieth-century Australia, with a focus on the star performer as model of history, gender, and nation
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