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    Володимир Свідзінський і шістдесятники: контексти осягання проблеми

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    The paper evaluates the role and significance of V. Svidzinskyi’s creative work in forming the cultural code of the Ukrainian ‘Sixtiers’ movement. The researcher tries to show how Svidzinskyi’s artistic consciousness influenced the process of forming creative self-identification of new authors, marked their individual style and helped to strengthen the independent life position of the generation representatives against the background of the epoch’s ideological processes. The issues of the artist’s biography and characteristics of his poetic activity became the subject of the literary studies by V. Korotych, I. Dziuba, V. Stus, V. Shevchuk. For the writers of the 1960s Svidzinskyi’s creative activity turned out to be a sample of understanding creative freedom, inner sovereignty of personality and self-identity. The author attracted young writers with his low-sounding but at the same time particularly expressive modern poetry, with free feelings and clarity of poetic thinking, with authenticity of the reflected existence. The attention was also drawn by the invariability of V. Svidzinskyi’s personality, as he was absolutely unfit for adjusting himself to the swift changes of the epoch and steadily cultivated his non-conformism that became the reason of his tragic death and unjust falling into oblivion. However the writers of the 1960s were influenced by Svidzinskyi’s creative work to the great extent, when they formed and established their own manner of writing. Under the conditions of total offensive against human personality some of them refer to Svidzinskyi’s heritage where they find inner resources for resisting the cruel reality. It may be assumed that the first impressions from the poetry were caused by aesthetic factors, the further ones – by the power of the author’s inner resistance to Stalin’s epoch. The Sixtiers found Svidzinskyi’s poetry phenomenal due to his metaphoric associative thinking, his emphatic and unique perception of world, deep emotional sphere of his inner self-expression and self-contemplation, his exceptional sense of implicit freedom.У статті розглянуто роль та значення творчості В. Свідзінського у формуванні культурницького коду  українського  шістдесятництва.  Досліджено  впливи  художньої  свідомості  поета  на становлення  мистецької  самоідентифікації  творчих  особистостей,  ідеться  про  увиразнення індивідуального стилю, кристалізацію незалежної життєвої позиції представників покоління на тлі ідеологічних процесів доби. Проблеми вивчення наукової біографії митця, характеристика його  поетичної  творчості  проілюстровані  в  літературознавчих  студіях  В.  Коротича,  І.  Дзюби, В. Стуса, В. Шевчука. Для шістдесятників поетичний доробок Свідзінського виявився взірцем щодо розуміння свободи творчості, духовної суверенності особистості, самототожності

    Автобіографії шістдесятників: художній та фактологічний модуси сприйняття

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    Осмислюються жанрові особливості письменницької автобіографії як однієї зі складових художньо-документального метажанру. Об’єктом дослідження послужили автобіографії шістдесятників, у творчості яких така генологічна конструкція локальна й наявна лише у спадщині В. Діденка, Б. Нечерди, Н. Світличної, В. Стуса та Григора Тютюнника. На відміну від великих епічних творів, що традиційно вважаються автобіографічними, власне автобіографія тяжіє до жанрових форм малих розмірів, створена від першої особи і в хронологічній послідовності висвітлює найважливіші віхи життєвого і творчого шляху письменника. В основі таких зразків – визначена схема, яка здебільшого використовується в канцелярському діловодстві. Письменницькі автобіографії пишуться за певним шаблоном, у них художні складники рівнем своєї інформативності поступаються перед документальним фактажем, але розкривають програмові життєві орієнтири й світоглядні переконання письменників. Вони позбавлені композиційної, фабульної і наративної однорідності, їм властива формозмістова та стильова розмаїтість

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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