1,721,219 research outputs found
Otobiografi R.M. Soedarsono
No full textProf. Dr. R.M. Soedarsono, adalah seorang tokoh besar dalam Seni Pertunjukan Indonesia. Beliau seorang profesor di bidang Seni dan Sejarah Budaya, Fakultas Ilmu Budaya dan Program Pascasarjana UGM. Beliau lahir di Yogyakarta, 1 Mei 1933 dan wafat di Yogyakarta, 16 Oktober 2018. Kisah perjalanan hidupnya mirip sebuah dongeng yang penuh makna, sebuah teladan kejujuran, kesederhanaan, dan kerja keras yang memberikan makna besar dalam kehidupan.Buku ini merupakan rangkaian kisah perjalanan hidup almarhum sejak masa kecil yang terdidik keras, menjadi seorang penari andal, perjuangan untuk mendapatkan pendidikan setinggi mungkin, serta perjuangannya merintis dan mengembangkan Pendidikan Tinggi Seni di Indonesia. Pergaulannya sangat luas, banyak bertemu tokoh-tokoh besar, presiden, menteri maupun tokoh-tokoh yang sangat kompeten di bidangnya, dikisahkan dengan menarik di dalam buku ini.Buku ini diharapkan dapat menjadi motivasi untuk generasi muda pada umumnya, dan pekerja seni pada khususnya, bahwa apa pun tujuan kita, jika dilakukan dengan usaha sungguh-sungguh akan memberikan sesuatu yang berharga. Membaca buku ini juga sekaligus mempelajari berbagai seni pertunjukan. Motivasi penting yang lain, belajarlah dan berkaryalah sampai mancanegara, tetapi utamakan intinya kembali untuk pengembangan di negeri ini.Buku terdiri atas 9 bab, tetapi dikelompokkan menjadi 7 pokok bahasan, yaitu:Soedarsono si Anak Desa, Masa Kecil dan Perjuangan Masa Sekolah Menjabat Direktur ASTI dan Studi Banding di Paris, Agenda 1962-1967 Memperdalam Tari di Amerika, Agenda 1968-1969 Mengembangkan Ilmu Seni Pertunjukan Indonesia Meraih Ph.D. di Amerika Menjabat Rektor ISI Yogyakarta, Kegiatan di Dalam dan Luar Negeri Memenangkan Award Internasiona
Interior Pracimayasa Di Pura Mangkunegaran Surakarta (Kajian Estetik) = The Pracimayasa Interior at Pura Mangkunegaran Surakarta (Esthetics Research)
Full text linkABSTRACT
The title of this research is "The Pracimayasa Interior at Pura Mangkunegaran Surakarta." The objectives of this research are: (1) to understand the background of how the Pracimayasa interior came into existence and its function in relation to the designer\u27s point of view, that is Mangkunegara VII(2) to trace the artistic of Pracimayasa interior in connection with Javanese ethical values. Since the Pracimayasa interior is a cultural work that was designed by Mangkunegara VII, this research focuses on its historical perspective based on an assumption that a work of art is the result of the artist\u27s creativity where at the same time it is also an indication of a behavioral change.
This research borrows R.M. Soedarsono\u27s concept that a change motivated is triggered by two factors, that are, internal factors and external factors. In directing to a proper interpretation, this study also borrows Monroe
C. Beardsley\u27s theory which says that a work of art is said to have artistic values if it contains three elements: (1) unity, (2) complexity, and (3) intensity. To obtain a more comprehensive and substantial answer, this research has applied a qualitative approach and is supported by other approaches from several social sciences. The methods which are used are literary study, observation, and interviews.
The result of this research shows that the materialized background of Pracimayasa interior is encouraged by internal and external factors. The internal factor was based on the Mangkunegara VII\u27s need to legitimized to the power, to respect Gusti Ratu Timur\u27s father who would be his father-in-law (Gusti Ratu Timur was Mangkunegara VII\u27s consort), the movement that was initiated by Java Instituut, and the progressive modern way of thinking about the particularity of space. The external factor was based on his political cooperation and alliance with the Dutch colonial Government and his western educational background. There are three prominent artistic elements of the Pracimayasa interior: (1) the harmonious unity in the arrangement of the interior elements of every room, (2) his ideas and courage to insert ancient Javanese traditional element mixed with luxurious Western cultural arts which applied modern techniques which consequently result in a diversity of art works, and (3) the intensity of power the standardization of non-verbal elements of Javanese etiquette as the soul of planning
Keywords: interior, power, etiquette value, and spirit/soul
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Dampak pariwisata terhadap sanggar seni "Bao Daya" di Desa Lenek Tengah Kecamatan Aikmel Kabupaten Lombok Timur
No full textBao Daya is one of the performing art groups which are developed in Desa Lenek Tengah Kecamatan Aikmel Daerah Tingkat II Kabupaten Lombok Timur. The activity of this group was firstly aimed to celebrate various kinds of event in the society and to celebrate the religious or national celebration day. Nowadays, Bao Daya art group performs the performing art for the local and international tourists. The problem identification of this thesis was appeared due to this phenomenon. First, how is the form of Bao Daya art group performing art which is performed for the tourists? Second, why this performing art is still continuing to be developed? The analysis of the problem identification above used the ethnochoreology approach with the tourism theory which is mentioned by R.M. Soedarsono. According to R.M. Soedarsono, the tourism performing art has the characteristics as follow: 1) The imitation of the existing tradition, 2) Brief and solid performance, 3) Full of variation, 4) Not sacred, 5) Interesting performance, 6) Affordable for all kinds of tourists, 7) Easy to understand by the tourist. This approach is completed by Wimsatt diagram which is borrowed by R.M. Soedarsono in the description of the tourism art. This approach is also supported by the concept of sociology art and anthropology art to be more accurate. The result of the analysis showed that the visit of the tourist to many tourist destinations in Indonesia including Lombok island, gave the impact to the creativity development of the Bao Daya performing art form. Besides, this performing art is still developed because it is used as one of the effort to maintain and increase the economic needs for a daily life of the society
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