151,811 research outputs found
Le radici lombarde dell'attività romana di Andrea Pozzo
No full textEsame del ruolo di Andrea Pozzo SJ nel rapporto fra l'arte lombarda e Rom
Andrea Bacová
No full textAndrea Bacová focuses on research and teaching in the field of residential architecture. Her work includes systematic research on residential buildings and their urban context. She actively participates in promoting Slovak architecture and is the author of several publications and exhibitions
Good Societies: Dialogue with Andrea Elliot and Lawrence R. Jacobs
No full textGood Societies: Dialogue with Andrea Elliot and Lawrence R. Jacobs
Andrea Elliott writes for the New York Times, where beginning in March 2006, she published a Pulitzer Prize-winning three-part series "An Imam in America," on the inner life of a mosque in Brooklyn. This exploration is part of a wider body of work by Elliott looking at Muslims in America after 9/11. Edelstein-Keller Visiting Writers Series co-presents with the Hubert H. Humphrey School of Public Affairs and the School of Journalism a "Good Societies" dialogue with Lawrence R. Jacobs, Walter F. and Joan Mondale Chair in Political Studies.
Andrea Elliott covers Islam in America as a metropolitan reporter for the New York Times. She created the beat in 2005, focusing on the impact of 9/11 on American Muslims. Ms. Elliott joined the Times in May 2003. She started as a general assignment reporter on the metropolitan desk and alter covered the Bronx. Her stories have included an investigation of the private policing system at Macy's department stores, coverage of the bereaved children of 9/11 and reporting from Washington and overseas on the Abu Ghraib prison scandal. From 2000 to 2003, Ms. Elliott was a reporter at The Miami Herald, where she covered crime, natural disasters, immigration trends, Latin American politics and the recount of the 2000 presidential election. Ms. Elliott earned a B.A. degree in comparative literature from Occidental College in 1996. She took an M.S. degree from Columbia University's Graduate School of Journalism in 1999, graduating first in her class and winning a Pulitzer Traveling Fellowship. Her journalistic honors include awards from the New York Press Association, the Newswomen's Club of New York and the Society of the Silurians.Jacobs, Lawrence R.. (2008). Good Societies: Dialogue with Andrea Elliot and Lawrence R. Jacobs. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/216257
Sommario di Botanica - 001
No full textFa parte dell\u27Archivio dell\u27Orto Botanico: fondo - Pier Andrea Saccardo > serie - Attività didattica
Quaderno manoscritto del “Sommario di un Corso di Botanica tenuto nella R. Università di Padova da P.A. Saccardo”
Fossati Andrea
No full textFossati Andrea: biografia e impegno educativo nell'ambito dello scautismo italiano
Ghetti Andrea
No full textGhetti Andrea: biografia e impegno educativo nell'ambito dello scautismo cattolico italiano (ASCI)
W. A. Mozart: Don Giovanni. Arrangements - gedruckt im deutschsprachigen Raum bis 1850
No full textDie große, weltweite und berechtigte Aufmerksamkeit, die Wolfgang Amadeus Mozarts Don Giovanni innerhalb der Musikhistoriographie zuteil wurde, täuschte lange Zeit darüber hinweg, dass sich die frühste Form seiner Verbreitung und Appropriation im Kleinen vollzog: Im Arrangement. Bis 1850 wurden Arrangements des Don Giovanni im deutschsprachigen Raum in stetig wachsender Auflagezahl und für verschiedenste Kammermusikbesetzungen ohne Worte ediert. Andrea Klitzing recherchierte mehr als 300 Don Giovanni-Arrangements und fasste sie in einer Tabelle zusammen, welche über zahlreiche Links den Zugang zu digitalisierten Notenausgaben und historischen Rezensionen ermöglicht. Das ergänzende Buch „Don Giovanni unter Druck“ widmet sich der systematischen Erfassung, Auswertung und Kontextualisierung dieser Druckausgaben und erscheint voraussichtlich Mai 2020 bei V&R Unipress.The global and justified attention that Wolfgang Amadeus Mozart's Don Giovanni received in music historiography has long concealed the fact, that the earliest form of its dissemination and appropriation took place on a small scale: the Arrangement. Up until 1850, arrangements of Don Giovanni were edited in the German-speaking countries in ever-increasing numbers and for various chamber music ensembles without words. Andrea Klitzing researched more than 300 Don Giovanni-arrangements and summarized them in a table with numerous links to digitized music prints and historical reviews. The book 'Don Giovanni unter Druck' (“Don Giovanni in press”) is devoted to the systematic recording, evaluation, and contextualization of those print editions.
Estimated release, V&R Unipress, May 2020
Viewer-, Author-, and Ownership in the Work of Andrea Zittel
No full textAndrea Zittel invites others to collapse the distinctions between artist, viewer, and collaborator by interacting with her usable works. This thesis explores the process of interacting with Zittel\u27s works, and how it affects viewer-, author- and ownership
A Response to Andrea R. Halpern's Commentary
No full textThe author responds to points raised in Andrea Halpern’s commentary, which appeared in Vol. 2, No. 1 of Empirical Musicology Review. Discussion focuses on the apparent contradiction between self-reports of veridical mental imagery of musical timbre, and cognitive constraints on temporal memory for multidimensional sound
The Lettere of Andrea Calmo: authorial artifices and historical reality
No full textopenNonostante l’edizione di Vittorio Rossi del 1888, la raccolta di "ingegnosi cheribizzi" e di "fantastiche fantasie" di Andrea Calmo è ancora avvolta da un certo mistero. L’autore, dissimulando la propria identità dietro alla “maschera” dell’umile pescatore veneziano, è stato in grado di offrire uno spaccato della cultura e della società nella Venezia cinquecentesca.
In particolare, è il quarto libro delle Lettere ad aver suscitato maggiore interesse tra gli studiosi ed i lettori: pubblicato nel 1566, a diversi anni di distanza dai primi tre, questo libro si distingue per il fatto che tutte le epistole sono indirizzate a delle donne immaginarie o realmente esistite.
In questa sede si propone, in primo luogo, uno studio della biografia del Calmo accompagnata da un’analisi del contesto storico-culturale della Venezia cinquecentesca; in secondo luogo, invece, viene proposto un commento di alcune lettere dell’ultimo libro dell’opera calmiana, che cerchi di far luce principalmente sull’aspetto linguistico e contenutistico del testo.Despite Vittorio Rossi's 1888 edition, Andrea Calmo's collection of "ingegnosi cheribizzi" and "fantastiche fantasie" is still shrouded in a certain mystery. The author, dissimulating his own identity behind the "mask" of the humble Venetian fisherman, was able to offer a cross-section of culture and society in sixteenth-century Venice.
In particular, it is the fourth book of the Letters that has aroused greater interest among scholars and readers: published in 1566, several years after the first three, this book stands out for the fact that all the epistles are addressed to women imaginary or actually existed.
Here we propose, first of all, a study of Calmo's biography accompanied by an analysis of the historical-cultural context of sixteenth-century Venice; secondly, however, a commentary on some letters from the last book of Calmo's work is proposed, which seeks to shed light mainly on the linguistic and content aspect of the text
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