266 research outputs found
Beate Sigriddaughter’s Story of Sigrid
Full text linkdeath of childNorth VancouverteachingWorld War II1910’sEurop
Mixing Methods: Practical Insights from the Humanities in the Digital Age
Full text linkDigitality is a cause and a consequence of different data cultures. It applies to the 10 research projects that are included in this volume. They are rooted in various humanities disciplines such as art history, philosophy, musicology, religious studies, architectural history, media studies, and literature studies. As diverse as the disciplines are the objects and their formats, which are the subject of this book. The cultural data of the projects include recordings of music and spoken word, photographs and other types of images, handwriting, typoscripts and maps. The oldest material dates back to 500 BCE, followed by medieval times, the 18th and 19th centuries, early 20th century and the present. All projects share that they study their material with digital methods, although digitality comes into play at different moments and layers in each of the projects. Hardly readable manuscripts from the 18th century have to be treated with specialized OCR-methods while Plato’s texts are already available in digital form, and therefore open up other affordances for analysis. Special analysis possibilities had to be developed for certain image sources. For all projects, however, it is equally true that only the digitization of the objects makes them accessible to the methods that are the subject of this book.History, Form & Aesthetic
Investigation of family (un)truths: memory, trauma and testimony in the study "My good father: life with his past" by Beate Niman
No full textOsnovna namera rada jeste analitičko raslojavanje sadržine studije "Moj dobri otac: život sa njegovom prošlošću" Beate Niman. Autorka studije je kćerka Bruna Zatlera, šefa Gestapoa i zločinca Drugog svetskog rata, koji je, pored mnogobrojnih zverstava, rukovodio operacijom ubijanja žena i dece u dušegupkama u Beogradu (1942-1944). Uočavajući praznine i nelogičnosti u svojim sećanjima, autorka započinje proces istraživanja o ocu u nameri da napiše njegovu biografiju. Beatin narativ sučelјava prošlost sa sadašnjošću, kao i porodičnu kreiranu prošlost sa potencijalnim porodičnim nasleđem. Osim toga, baveći se istorijom, činjenicama, dokazima, otac postaje predmet svojevrsne kćerkine istrage. Počevši od dekonstrukcije (Beatinih) sećanja, najpre je istaknuta prošlost Bruna Zatlera. Biće dati uvidi u autorkine procese istraživanja kojima se dospelo do razotkrivanja istorijske i porodične istine o Zatleru. Istraživanje neće biti striktno fiksirano na lik Bruna Zatlera, budući da narativ kao takav daje prostor istraživanju psiholoških aspekata ličnosti same Beate Niman. Na račun rečenog, ali i u vezi sa samim narativom, biće tematizovani odnosi istorije i prošlosti, funkcije sećanja, dometi trauma, aspekti (auto)biografije, kao uvidi u postojanje dvostrukog svedočenja i dvostrukog istražnog postupka na nivou narativa kao celine.The main purpose of the work is the analytical stratification of the content of the study "My good father: life with his past" by Beate Nieman. The author of the study is the daughter of Bruno Sattler, head of the Gestapo and a criminal of the Second World War, who, in addition to numerous atrocities, led the operation of killing women and children in the dušegupka’s in Belgrade (1942-1944). Noticing gaps and illogicalities in her memories, the author begins the process of researching her father with the intention of writing his biography. Beata’s narrative confronts the past with the present, as well as the family’s created past with the potential family legacy. In addition, dealing with history, facts, evidence, the father becomes the subject of his daughter’s investigation. Starting with the econstruction of (Beat’s) memories, Bruno Sattler’s past is highlighted first. Insights will be given into the author’s research processes that led to the uncovering of the historical and family truth about Sattler. The research will not be strictly fixed on the character of Bruno Sattler since the narrative as such gives space to research the psychological aspects of the personality of Beate Niemann herself. The work will be focused on the relations of history and the past, the functions of memory, the scope of trauma, aspects of (auto)biography, as insights into the existence of double testimony and double investigative procedure at the level of the narrative.Tema broja: "Holokaust: nove perspektive, nova saznanja, novi izazovi" (topic of the issue: "Holocaust: new perspectives, new knowledge, new challenges")
The Fabric of Gifts: Culture and Politics of Giving and Exchange in Archaic Greece
Full text linkWhen the Greek leader Agamemnon took for himself the woman awarded to Achilles as his spoils of battle, the warrior’s resulting anger and outrage nearly cost his side the war. Beyond the woman herself was what she symbolised — a matter of esteem rather than material value. In Archaic Greece the practices of gift giving existed alongside an economy of market relations. The value of gifts and the meanings of exchange in ancient societies are fundamental to the debates of 19th-century economists, to Marcel Mauss’s famous Essai sur le don (1923-4), and to the definition of experiential value by modern philosopher Yanis Varoufakis.
In this book Beate Wagner-Hasel analyses the sensory content and the social context of many examples of Greeks bearing gifts: to guests, at sacrificial rituals and at funerals, to brides and to heroes. The fabric of these gifts unfolds a panorama of social networks and models of rulership embedded in a world of pastoral and textile economy. Among the gifted objects that represent this world, textiles offer the clearest representation of social cohesion — the key value ascribed to the gift by the earliest theorists of gift-giving.
Beate Wagner-Hasel was Professor of Ancient History at the Leibniz University of Hannover 2001–2018, specializing in economic history and gender studies. She is the author of Antike Welten (2017), Alter in der Antike (2012), Die Arbeit des Gelehrten (2011), and Der Stoff der Gaben (2000), and co-editor (with Marie-Louise Nosch) of Gaben, Waren und Tribute (2019).
The Fabrics of Gifts is a revised edition of her study of gifts in Early Greece (Der Stoff der Gaben, 2000).https://digitalcommons.unl.edu/zeabook/1092/thumbnail.jp
Georg Rheticus as author and editor of the sphere of Sacrobosco
No full textThese 3 datasets are based on the corpus of books built within the project "The Sphere" (https://sphaera.mpiwg-berlin.mpg.de/).
The first 2 datasets are edges of a network of early modern creators of text-parts whose works were published together during their life time.
The last dataset is a list of text-parts authored or edited by Georg Rheticus.
Prepared for the publication of "The Hidden Praeceptor: How Georg Rheticus Taught Geocentric Cosmology to Europe" by Matteo Valleriani, Olya Nicolaeva and Beate Federau in Perspectives on Science
Georg Rheticus as author and editor of the sphere of Sacrobosco
No full textThese 3 datasets are based on the corpus of books built within the project "The Sphere" (https://sphaera.mpiwg-berlin.mpg.de/).
The first 2 datasets are edges of a network of early modern creators of text-parts whose works were published together during their life time.
The last dataset is a list of text-parts presumably authored or edited by Georg Rheticus.
Prepared for the publication of "The Hidden Praeceptor: How Georg Rheticus Taught Geocentric Cosmology to Europe" by Matteo Valleriani, Olya Nicolaeva and Beate Federau in Perspectives on Science
Graphic identity exploratory development of tourism service provider
No full textBeates Gargurnes diplomdarba tēma ir “Grafiskās identitātes izstrāde izzinošā tūrisma pakalpojumu sniedzējam”.
Izstrādājot darbu, tika veikti literatūras pētījumi un to analīze, kā arī apkopoti un, izmantojot diagrammas, analizēti tūrisma logotipi atbilstoši vairākiem izvēlētajiem kritērijiem.
Pētījuma jautājums: “Kādi grafiskie līdzekļi ir raksturīgi tūrisma industrijas vizuālajiem materiāliem?” Izanalizējot tūrisma industrijas vizuālos materiālus, tika izveidots logotips, kas atbilst mūsdienu tūrisma industrijas vizuālā tēla kopīgajām tendencēm.
Radošajā daļā tika izstrādāta tūrisma uzņēmuma “Tournesol” grafiskā identitāte.The theme of the research paper by Beate Gargurne is “Graphic identity exploratory development of tourism service provider”.
The research paper consists of the investigation and analysis of information, as well as summarization of logotypes of tourism companies and analysis of these logotypes according various established criteria using diagrams.
The advanced question of the research: “What graphical aids are characteristic of visual materials of tourism industry?” According to the analysis of visual materials of tourism industry the author created a logotype which conforms to the common standards of tourism industry.
The practical part of the research consists of the graphical identity created for the tourism company “Tournesol”
Computer Vision and Architectural History at Eye Level:Mixed Methods for Linking Research in the Humanities and in Information Technology
Full text linkInformation on the history of architecture is embedded in our daily surroundings, in vernacular and heritage buildings and in physical objects, photographs and plans. Historians study these tangible and intangible artefacts and the communities that built and used them. Thus valuable insights are gained into the past and the present as they also provide a foundation for designing the future. Given that our understanding of the past is limited by the inadequate availability of data, the article demonstrates that advanced computer tools can help gain more and well-linked data from the past. Computer vision can make a decisive contribution to the identification of image content in historical photographs. This application is particularly interesting for architectural history, where visual sources play an essential role in understanding the built environment of the past, yet lack of reliable metadata often hinders the use of materials. The automated recognition contributes to making a variety of image sources usable for research.</p
Attorialità performative sul confine tra vita e teatro
No full textThis article examines the experiences of four theatre groups: Compagnia Pippo Delbono, Accademia Arte della diversità and Compagnia Babilonia Teatri in Italy, and Theater Hora in Switzerland. The author explores the hypothesis that some of the productions put on by these groups are similar in the way they strive for an authentic uniqueness of performative action, intuitively recognised by visionary directors in the stage presence of disabled actors. The performative and theatrical quality of these groups' actors and production seems to express a synthesis of aesthetic and ethical aspiration that constitutes the essence of theatre. This gives rise to the idea that the theatre is rediscovering its contemporary urgency by breaking through the purely representative, fictional dimension and into a new relationship between life and action on stage, and the possibility of a real transformation of the actors and the audience
Pseudohildegardino proroctví Insurgent gentes v českém kontextu. Srovnání textu Prophecia beate Hildegardis de fratribus minoribus z třeboňského rukopisu a Apologie Konráda Waldhausera
No full textPseudo-hildegardian prophecy Insurgent gentes within the Czech context. A comparison of the text Prophecia beate Hildegardis de fratribus minoribus from the Trebon manuscript and Konrad Waldhauser's Apologia. The article deals with the Pseudo-hildegardian prophecy Insurgent gentes, which became very popular in the 13th century and continued to be throughout the 14th century and also in the first half of the 15th century. Many medieval manuscripts containing the text Insurgent gentes have survived up to the present days and neither full edition or study exist till this time. The prophecy was probably composed in the circle of William of Saint Amour at Paris in the 1250th. In the Middle-Ages it was spread under the name of Hildegarda of Bingen (1098–1179). The text Insurgent gentes draws on genuine Hildegard's letter to the clergy of Cologne (1163), which Gebeno of Eberbach, the author of Pentachronon (1220), read as prophesying a new Cathar treat. The pseudonymous prophecy was shortly to become the valued property of the antimendicant propaganda. Eventually the article focuses on the text Prophecia beate Hildegardis de fratribus minoribus from the Trebon manuscript (1st half of the 15th century), in relation to the prophecy Insurgent gentes so far unknown, and confronts this text with the work of Konrad Waldhauser, one of the Hus's predecessors. It shows that both texts use similar methods and in several cases fully correspond.Pseudo-hildegardian prophecy Insurgent gentes within the Czech context. A comparison of the text Prophecia beate Hildegardis de fratribus minoribus from the Trebon manuscript and Konrad Waldhauser's Apologia. The article deals with the Pseudo-hildegardian prophecy Insurgent gentes, which became very popular in the 13th century and continued to be throughout the 14th century and also in the first half of the 15th century. Many medieval manuscripts containing the text Insurgent gentes have survived up to the present days and neither full edition or study exist till this time. The prophecy was probably composed in the circle of William of Saint Amour at Paris in the 1250th. In the Middle-Ages it was spread under the name of Hildegarda of Bingen (1098–1179). The text Insurgent gentes draws on genuine Hildegard's letter to the clergy of Cologne (1163), which Gebeno of Eberbach, the author of Pentachronon (1220), read as prophesying a new Cathar treat. The pseudonymous prophecy was shortly to become the valued property of the antimendicant propaganda. Eventually the article focuses on the text Prophecia beate Hildegardis de fratribus minoribus from the Trebon manuscript (1st half of the 15th century), in relation to the prophecy Insurgent gentes so far unknown, and confronts this text with the work of Konrad Waldhauser, one of the Hus's predecessors. It shows that both texts use similar methods and in several cases fully correspond
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