6,785 research outputs found
Life is too short to be serious all the time: Donald Duck presents unconventional motivations for publishing in academia
In this food for thought article, we introduce the ‘Donald Duck Phenomenon’ to consider ten unconventional reasons for publishing in academia. These include (i) symbolic immortality, (ii) personal satisfaction, (iii) a sense of pride, (iv) serious leisure, (v) cause credibility, (vi) altruism, (vii) collaboration with a friend or family member, (viii) collaboration with a hero, (ix) conflict or revenge, and (x) for amusement. The article was inspired by the lead author’s social media search for a co-author with the surname ‘Duck’. Through LinkedIn, the lead author, Associate Professor William E. Donald, who is based in the UK and specialises in Sustainable Careers and Human Resource Management, found a collaborator, Dr Nicholas Duck, based in Australia and specialises in Organisational Psychology. While the collaboration may appear somewhat ‘quackers’, per one of Donald Duck’s famous phrases, “Life is too short to be serious all the time, so if you can’t laugh at yourself then call me… I’ll laugh at you, for you”. We hope that this article offers some interesting insights, particularly for academics at the start of their scholarly journey, and acts as a way to stimulate conversation around unconventional reasons for publishing in academia
Cleveland Public Schools -- 1969 -- Correspondence, Individual -- letter, 1969-04-30
Letter from Quick, Donald G. to Sabin, Albert B. dated 1969-04-30.Sabin Collection Fair Use Policy</a
Donald N. Anderson's Quick Files
The Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Donald N. Anderson's Quick Files
The Quick Files feature was discontinued and it’s files were migrated into this Project on March 11, 2022. The file URL’s will still resolve properly, and the Quick Files logs are available in the Project’s Recent Activity
Author and literary critic Donald Shaw
Author and literary critic Donald Shaw, b&w.https://mds.marshall.edu/parthenon_photo_morgue/1399/thumbnail.jp
Donald Elder papers
Donald Elder (1913-1965) was an editor with Doubleday, Doran and Co., which published the English translation of José Joaquín Fernandez de Lizardi's The Itching Parrot in Katherine Anne Porter's name. He was also the author of Ring Lardner, A Biography. The collection consists of correspondence between him and Porter. Important subjects include writers and writing and Porter's personal interests and opinions, as well as The Itching Parrot and Ship of Fools
"Letter with No Address" - Poem by Donald Hall
Donald Hall reads his poem "Letter with No Address," an epistolary poem written for his late wife, the poet Jane Kenyon. Hall is a former U.S. Poet Laureate and the author of 16 books of poetry, as well as fiction.http://deepblue.lib.umich.edu/bitstream/2027.42/85036/1/letterwithnoaddress_donalhall.mp
Dante Thomas (1967-1989), Donald Watt (1967-2002), Richard Quick (1968-1992), Richard Beebe (1968-1974)
LT to R. Dante Thomas - Asst. Prof English, Donald Watt - Asst. Prof English; Richard Quick - Director of Libraries, Richard Beebe, Acquisition Librarianhttps://knightscholar.geneseo.edu/cap-fsa-identified/1091/thumbnail.jp
The Quantitative Determination of Prothrombin and the Criteria for Determining What Kind of Curve Will Best Fit From the Data Obtained
Mathematics and the medical field are now linking hands at the Marquette University School of Medicine to combat the diseases and organic disorders which.have in the past taken such a toll in unnecessary deaths. Dr. Armand J. Quick of the Pharmacology department and the author have set out to discover the amount of prothrombin in blood necessary to coagulate it. It is the first time that mathematics has been applied to this field
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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