13,952 research outputs found
The Campbell clan in Virginia /
No full text"This book ... is based largely on the material in the book 'Some Campbell records,̓ published ... in 1942."Bibliography : p. v.Mode of access: Internet.SPECIAL COLLECTIONS: Gift of the author.2 1
Campbell autograph album, MSS.0265
No full textAbstract: An "Atlantic Cable Charm Book" autograph album owned by a person named Campbell, containing the signature of Sam Houston and various handwritten poems.Scope and Content Note: The collection contains one "Atlantic Cable Charm Book," an autograph album with the signature of Sam Houston and various handwritten poems. A letter inside the front cover by an unknown author tells Campbell that the album is a gift.Biographical/Historical Note: An unidentified person whose first name was Campbell owned this autograph album
Consistency determination, USCG Station Siuslaw : geotechnical borings
No full textprepared for: U.S. Coast Guard ; prepared by: Eric Campbell, Jodi Wilmoth, Campbell Environmental, LLC.This archived document is maintained by the State Library of Oregon. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references.Mode of access: Internet from the State Library of Oregon U.S. Government Publications Collection.Text in English
Sarah C. Campbell & Richard, P. Campbell: Cook Prize 2023, Silver Medal Acceptance Speech.
No full textSarah Campbell (author & photographer) and Richard Campbell (photographer) give an acceptance speech and talk about their book Infinity: Figuring Out Forever. Published by Astra Young Readers.https://educate.bankstreet.edu/cook/1005/thumbnail.jp
Charles Simeon Series: Dr. Con Campbell
No full textDr. Constantine Campbell preaches on 1 Peter about how to engage with culture without becoming like it, and how we are to see ourselves in relation to the world.
Dr. Constantine Campbell is Associate Professor of New Testament at Trinity Evangelical Divinity School. He is the author of several books on the Greek language and the Apostle Paul, including Paul and Union with Christ, which was the 2014 Christianity Today Book of the Year in Biblical Studies. Dr Campbell is a busy preacher, evangelist, author, and professionally trained jazz musician. He is married to Bronwyn with three kids, all of whom moved to the United States from their native Australia in 2013. Dr Campbell enjoys playing jazz saxophone, lifting weights, and playing chess, though not normally at the same time
Letter from Carl Hayden to Hugh E. Campbell
No full textLetter from Carl Hayden to Hugh E. Campbell with an enclosed outline map of the proposed boundaries of Grand Canyon National Park
Leslie Campbell, dockworker
No full textDockworker Leslie Campbell signaling a crane at the Port of Los Angeles/Long Beach
Author interview: Q and A with Dr Paul Ian Campbell, author of education, retirement and career transitions for ‘black’ ex-professional footballers
No full textIn this author interview, we speak to Dr Paul Ian Campbell about his new book, Education, Retirement and Career Transitions for ‘Black’ Ex-Professional Footballers: ‘From Being Idolised to Stacking Shelves’, which explores black British male ex-professional footballers’ experiences of, and preparations for, retirement and career transition
Christian Campbell, 41st Annual ODU Literary Festival
No full textChristian Campbell is the author of Running the Dusk (2010), which won the Aldeburgh First Collection Prize and was a finalist for the Forward Prize for the Best First Collection and the Cave Canem Poetry Prize among other awards. Running the Dusk was translated into Spanish and published in Cuba as Correr el Crepúsculo (2015). Campbell studied at the University of Oxford as a Rhodes Scholar and has received awards and fellowships from Cave Canem, the Arvon Foundation, the Lannan Foundation, the Vermont Studio Center, Bread Loaf, and elsewhere. Campbell delivered the fifteenth annual Derek Walcott Lecture for Nobel Laureate Week in St. Lucia and won the Art Writing Award from the Ontario Association of Art Galleries for his work on Jean-Michel Basquiat. He was recently the inaugural writer-in-residence at the Center for African American Poetry and Poetics at the University of Pittsburgh
No Problem. The theatre of Ken Campbell
No full textKen Campbell directing rehearsal of The Hitchhiker’s Guide to the Galaxy. Campbell says that, to speed things up, he uses "the direct method" as taught him "by an Israeli soldier"; demonstrates with the actors. Interviews with actors (and Campbell) talking about Campbell’s methods intercut with rehearsal sequences. "No other director works a similar way." "I compromise all the way round." Douglas Adams, Author, The Hitchhiker’s Guide to the Galaxy, says that Campbell "wants to be legendary" and relates anecdote about him changing actors’ roles shortly before first night. Rainbow Theatre, London. Adams talking about moving the production there. Part of "the Restaurant at the End of the Universe" sequence. Adams describes how larger venue means detail is lost. Long shot of performance: the ship with Improbability Drive. Campbell thinks the Rainbow production was "third rate". Adams says that Campbell’s strength lies in "creating something marvellous and impossible out of nothing".The derelict Regent cinema, Edinburgh. Campbell talking about making the building usable at the same time as rehearsing The Warp. Actors and builders. Campbell likens producing The Warp to the building of Stonehenge: "doing something nobody would believe". Campbell and Neil Oram rehearsing. Campbell talks about first meeting Oram. Oram on putting together the stories for The Warp. They talk about the writing of the play. Campbell explains how the phrase "no problem" became his watchword for this play. Part of The Warp performance. Oram and others talk about the play. The Warp performance.Interviews with actors about Campbell intercut with The Warp rehearsal sequences. The Warp performance. Campbell on meeting "some idea" of the real person. Several scenes from The Warp performance; interviews with actors. Oram on Campbell’s humour. Scenes from The Warp performance; interviews with actors. The Warp audiences. Campbell says "four hours is a very long time for a play to be – longer than four hours seems to be less long, for some curious reason". Dressing room – cast trying lines while making up. The Warp performance; interviews. Campbell on audiences. The Warp performance. Applause. Credits over curtain calls and Campbell holding up The Guinness Book of Records
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