2,487 research outputs found
Gabriela Zapolska's View on Bourgeoisie
No full textBakalářská práce na téma Měšťanstvo očima Gabriely Zapolské je věnována rozboru vybrané tvorby polské autorky Gabriely Zapolské. V prvé řadě cílem zmíněné práce bude mapovat měšťanskou morálku v románech a dramatech Zapolské. Práce podává jak pohled na děj, tak i detailní rozbor sociálních a kulturních prvků, které autorka do díla vložila.
Je tedy nezbytně nutné pochopit chování měšťanstva a jeho sociokulturní prostředí v 19. století. Především negativní prvky chování, jelikož Zapolská byla ovlivněna naturalismem.
V neposlední řadě je důležité se podívat na život samotné autorky. Zapolská byla nevšední osobností a její životní cesta je velmi zajímavá.The bachelor thesis Gabriela Zapolska's view on the bourgeoisie is dedicated to the analysis of the main work write by polish author Gabriela Zapolska. Firstly this thesis chart to morality of the bourgeoisie in novels and dramas of Zapolska. The
thesis present the view of the story, also a detailed analysis of the social and cultural elements that author put into the work.
It is necessary to understand the behavior of bourgeoisie and its socio-cultural environment in the 19th century. Primarily negative elements of behavior, because Zapolska was influenced by naturalism.
Moreover is important to look at author's life. Zapolska was an unusual personality and her life was very interesting.Fakulta filozofickáPrezentace tématu práce, pramenů a sekundární literatury. Posudky vedoucího práce a oponenta. Rozprava naturalismus, realismus.Dokončená práce s úspěšnou obhajobo
Interpretation and performance of three orchestral compositions by Gabriela Lena Frank: Escaramuza, Elegia Andian, and Three Latin American Dances
No full textThis work presents interpretative and performance suggestions for three of Gabriela Lena Frank’s orchestral works: Escaramuza (2010), Elegia Andina (2000), and Three Latin American Dances (2004). Frank’s compositions frequently include programmatic elements that reference other well-known compositions, and she incorporates melodies, rhythms, timbres, instrumentation, and performance techniques characteristic of her Peruvian cultural heritage. Examples of these elements are presented from a lecture recital format to demonstrate how performance practice and conducting decisions—in rehearsal and performance—can be utilized to honor the composer’s expressed intent and overcome various technical ensemble and conducting challenges. An overview of the cultural contextual elements includes Harawi and Kachampa dance structures. The author also suggests methods for presenting elements that affect the timbre and instrumental scoring specific to each work, for example the Andean Zampoña. This research provides performers with a resource to deepen their score study, and seeks to inspire more people to perform the music of Gabriela Lena Frank.D. A
Gabriela Mistral: narrações, nostalgia e vida desde o autoexílio
No full textGabriela Mistral, a Chilean professor, writer and intellectual (1889-1957), served as a Chilean consul in Brazil between the 1940s and 1945. This work studies especially her texts known as “Recados” (Notes), trying to understand the author as a narrator, in a Benjaminian sense (1994) - her writings present themselves as amalgam of experiences and, in metaphorical terms, as forms of resistance, since they worked as a way to prolong the life of the author in nostalgia and the displacement of self-exile. It was also through the narrations that Mistral generated bonds with others and committed herself to the production of new generations - in this case, in a symbolic way, as a teacher, intellectual and “homeland accountant”.Gabriela Mistral, professora, escritora e intelectual chilena (1889-1957), atuou como consulesa do Chile no Brasil entre os anos 1940 e 1945. Este trabalho estuda especialmente seus textos conhecidos como “Recados”, tentando compreender a autora como narradora, em sentido benjaminiano (1994) – seus escritos se apresentam como amálgamas de experiências e, em termos metafóricos, como formas de resistência, visto que funcionaram como maneira de prolongar a vida da autora na nostalgia e no deslocamento do autoexílio. Foi, também, pelas narrações que Mistral gerou vínculos com outros(as) e se comprometeu na produção de novas gerações – neste caso, de forma simbólica, como professora, intelectual e “contadora de pátria”
Gabriela Mistral and the rural education
No full textEl presente texto propone analizar algunas de las experiencias de Gabriela Mistral (1889-1957), profesora, escritora, intelectual y diplomática chilena, con la educación rural. Se abordará su infancia en el norte de Chile, su relación con Pedro Aguirre Cerda —presidente de este país entre 1938 y 1941— y sus viajes y trabajos en México, donde conoció un concepto amplio de educación, y en Brasil, donde se aproximó a referentes intelectuales comprometidos con la educación y las políticas públicas. Estas experiencias produjeron transformaciones en la autora, dejando marcas en su trabajo y escritura, llevándola a construir un concepto de educación que puso en valor saberes tradicionales y rurales, transmitiendo, por medio de narraciones, experiencias propias y de otros sujetos excluidos por la modernidad: niños/as, mujeres e indígenas, entre otros. Todas estas vivencias fueron amalgamadas en un género particular de la escritura mistraliana llamado Recados que, según palabras de la autora, incluía su “dejo rural”, el tono más suyo, con el que vivió y con el que iba a morir, y que formaron parte de su compromiso con la educación rural de su país natal, poniendo en circulación informaciones “útiles” para ese campo.This text proposes to analyze some of the experiences of Gabriela Mistral (1889-1957), Chilean teacher, writer, intellectual and diplomatic, with rural education. It will address her childhood in northern Chile, her relationship with Pedro Aguirre Cerda —president of that country between 1938 and 1941— and her travels and work in Mexico, where she met a broad concept of education, and in Brazil, where she approached referents intellectuals committed to education and public policy. These experiences produced changes in the author, leaving marks in her work and writing, leading her to build a concept of education that valued traditional and rural knowledge, transmitting, through narratives, her own experiences and those of other subjects excluded by modernity: children, women and indigenous people, among others. All these experiences were amalgamated into a particular genre of Mistralian writing called “Recados” (notes) which, according to the author’s words, included her “rural tone”, her most personal, with what she lived and what she was going to die, and which formed part of her commitment to rural education in their home country, putting “useful” information into circulation in this field.Sepúlveda Vásquez, Carola Gabriela. Universidade Federal da Integração Latino-Americana; Brasil
Aspects of synthetic personalization reflected in travel journalism: A phraseological approach
No full textThis study shows how the commercial orientation of travel journalism may be reflected and reproduced by the pervasive usage of synthetic personalization. This is a mass communication technique simulating an informal, face-to-face interaction between the authors and their readerships with the goal of constructing a consumption community characterised by a shared lifestyle. This promotional strategy is studied by means of a corpus-driven phraseological approach and shown to be notably productive. Two groups of phraseologies are identified and then the most frequent of each group is analysed to show their discursive functions with respect to the market-driven nature of the register
Profesor Gabriela Porębina - przewodnik czy współwędrowiec?
No full textThis article presents the academic career of Professor Gabriela Porębina, the founder of the Institute of Russian Philology, and the author of the first programme of literary studies
Replication Data for: Predictive Modeling in Marketing: Ensemble Methods for Response Modeling
No full textThese files contain the data set used for the empirical analyses in the article, both in CSV format and in R native format, RData. The data set contains anonymized data of 100,000 customers of a leading financial services provider in Germany with 35 variables. Target variable: cross-sell.
We also include an Excel spreadsheet with an overview of the variables contained in the data set and the programming code (programming language R) used in the analyses.
For any questions or inquiries, please contact the corresponding author, Gabriela Alves Werb.
Please cite as:
Alves Werb, G., & Schmidberger, M. (2021). Predictive Modeling in Marketing: Ensemble Methods for Response Modeling. Die Unternehmung, 75(3), 376-396. doi:10.5771/0042-059X-2021-3-37
SIMPLE ENTRAPMENT OF ALCALASE IN DIFFERENT SILICA XEROGELS USING THE TWO STEPS SOL-GEL METHOD
No full textThe present study has focused on the entrapment of Alcalase in different xerogels
obtained by using various molar ratios of methyltriethoxysilane, dimethyldietoxisilane and
tetraethoxysilane. Silica and their derivatives were characterized with regard to specific
surface area (nitrogen adsorbtion), chemical composition (Fourier transform infrared
spectroscopy (FT-IR)), weight loss upon heating (thermogravimetric analysis (TGA)) and
catalytic activity
El Superrealismo De Tala, De Gabriela Mistral
No full textEl presente trabajo tiene como antecedente una publicación del mismo autor (Matrimonio de sol y cordillera, 1988), en la cual se buscó dilucidar la presencia de superrealismo en los poemas "Sol del trópico" y "Cordillera" del libro Tala, de Gabriela Mistral. La presencia de elementos superrealistas en las diversas secciones de este volumen mistraliano es abundante y, esta vez, se ha procurado deslindar algunos de estos elementos con cierta atención en estas otras unidades del libro.
In a previous publication of the author ("Matrimonio de Sol y Cordillera" (A Marriage of Sun and Mountain) 1988), there is a attempt to elucidate that "super-realism" found in "Sol del Trópico" (Tropic Sun), and "Cordillera" (Mountain), two poems included in Gabriela Mistral's "Tala". The following essay goes over the same idea of the abundant presence of super-realistic elements in many sections of the aforesaid volume, but this time the author tries to higlight some of these elements in some other sections of the book
El Superrealismo De Tala, De Gabriela Mistral
No full textEl presente trabajo tiene como antecedente una publicación del mismo autor (Matrimonio de sol y cordillera, 1988), en la cual se buscó dilucidar la presencia de superrealismo en los poemas "Sol del trópico" y "Cordillera" del libro Tala, de Gabriela Mistral. La presencia de elementos superrealistas en las diversas secciones de este volumen mistraliano es abundante y, esta vez, se ha procurado deslindar algunos de estos elementos con cierta atención en estas otras unidades del libro.In a previous publication of the author ("Matrimonio de Sol y Cordillera" (A Marriage of Sun and Mountain) 1988), there is a attempt to elucidate that "super-realism" found in "Sol del Trópico" (Tropic Sun), and "Cordillera" (Mountain), two poems included in Gabriela Mistral's "Tala". The following essay goes over the same idea of the abundant presence of super-realistic elements in many sections of the aforesaid volume, but this time the author tries to higlight some of these elements in some other sections of the book.
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