30,142 research outputs found
Maria Bersani
No full textLa voce illustra la biografia e l'apporto letterario dato da Maria Bersani alla letteratura per l'infanziaThe headword explains the biography and the contribution of the author Maria Bersani to the children's literatur
Into the noise : anthropological and aesthetic discourses in public sphere
No full textInto the Noise… to zbiór esejów autorstwa Aleksandry Kunce
i Marii Popczyk. Są one poprzedzone wstępem napisanym przez Marię
Korusiewicz, który porusza problematykę estetyki codzienności,
stanowiącej przeciwwagę dla dyskursów instytucjonalnych.
Rozważania autorek są efektem antropologicznych i estetycznych
eksploracji przestrzeni publicznej. Autorki analizują dyskursy, które
nadają kształt wspólnotom przestrzennym. W centrum uwagi znalazły
się problemy opisu antropologii punktów, perspektyw antropologii
integralnej, instytucji uniwersytetu, tożsamości europejskiej, figur
zdziwienia i humanistyki, a także zakorzenienia epistemologicznego.
Kluczowe są rozważania estetyczne dotyczące miejsca dzieła sztuki
w przestrzeniach publicznych miast (na przykładzie Berlina) oraz
zorganizowanych instytucjonalnie wystawach muzealnych.
Autorki analizują działania artystyczne będące rodzajem dialogu
z zasadami organizacji przestrzeni publicznej. Estetyka jest tu
pojmowana jako dziedzina krytyczna nawiązująca do osiągnięć nowej
muzeologii i kultury wizualnej, a nie jako filozofia sztuki. Perspektywa
antropologiczna i estetyczna uzupełniają się, oświetlając z odmiennych
punktów widzenia debaty toczone na temat przestrzeni publicznej
Into the Noise. Anthropological and Aesthetic Discourses in Public Sphere
No full textInto the Noise… to zbiór esejów autorstwa Aleksandry Kunce i Marii Popczyk. Są one poprzedzone wstępem napisanym przez Marię Korusiewicz, który porusza problematykę estetyki codzienności, stanowiącej przeciwwagę dla dyskursów instytucjonalnych. Rozważania autorek są efektem antropologicznych i estetycznych eksploracji przestrzeni publicznej. Autorki analizują dyskursy, które nadają kształt wspólnotom przestrzennym. W centrum uwagi znalazły się problemy opisu antropologii punktów, perspektyw antropologii integralnej, instytucji uniwersytetu, tożsamości europejskiej, figur zdziwienia i humanistyki, a także zakorzenienia epistemologicznego. Kluczowe są rozważania estetyczne dotyczące miejsca dzieła sztuki w przestrzeniach publicznych miast (na przykładzie Berlina) oraz zorganizowanych instytucjonalnie wystawach muzealnych. Autorki analizują działania artystyczne będące rodzajem dialogu z zasadami organizacji przestrzeni publicznej. Estetyka jest tu pojmowana jako dziedzina krytyczna nawiązująca do osiągnięć nowej muzeologii i kultury wizualnej, a nie jako filozofia sztuki. Perspektywa antropologiczna i estetyczna uzupełniają się, oświetlając z odmiennych punktów widzenia debaty toczone na temat przestrzeni publicznej
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
O curso de licenciatura em educação física da Universidade Federal de Santa Catarina: suas concepções de ensino e de educação física
No full textDissertação (mestrado) - Universidade Federal de Santa Maria. Centro de Educação Fisica e Desporto
Erratum: Lack of immunity against rubella among Italian young adults. [BMC Infect Dis., 17, (2017) (199)] Doi: 10.1186/s12879-017-2295-y
No full textAfter publication of this article [1], the authors noted that the given names and family names of all authors had been inverted, and are therefore incorrect in the original article. In the original article, the author names appear as the following: Gallone Maria Serena, Gallone Maria Filomena, Larocca Angela Maria Vittoria, Germinario Cinzia and Tafuri Silvio. However, this is incorrect, and the author names should appear as per the below: Maria Serena Gallone, Maria Filomena Gallone, Angela Maria Vittoria Larocca, Cinzia Germinario, Silvio Tafuri. The author names have been corrected in the author list and the citation for this Erratum
Przestrzenne praktykowanie muzeum
No full textThe Essay is a reflection about specificity border in space museum. As the Author has convinced, the museum is organized space, in which the system of works builds story about art and the operations, which consist of reading works. Moreover, their aesthetic survival or participate in them are temporary, but essentially spatial resolution, which put this place. In this project, author is trying to prove, that designed space creates a specific world art and multiple reside in it, which could be a crucial subject for an individual reflection directed outside variable everyday life. On the other hand, author thinks, that by plotting in art, borders can become familiar, which means - they enter in circulation the practice sphere in public and renew their interpretations. In this summaries the laborious work called art has making, not only through the theorists of art, but also by authority museum, which has negotiated its own work with masterpieces and creations of the main artists. In fact, every change of story is the results of demonstrated interpretation on the art’s ways, which shows effects of reorganized their space disposition. Instead, there are new interiors and new architecture, which launches nil spatial practice so far, different forms so use of the stories, as well as from the place. Therefore the museum becomes a space, which established dynamically interlocking relationship between story and the place is occupied by the works and spatial specific collection of practices, which shall take visitor. The Author has assured, that in this mutual relationship it is possible to find rationalization, which is reflecting cultural preferences. In the meaningful conclusion, works of art shall be placed in an everlasting duration through the historical exposures. However, they belong to the closed period art - as the Author has convinced. In critical art, museum shall cease to be rapacity, which has wanted to feed by context of closed gallery or has lived in the shadow expression politicians of judicial proceedings, judgments, where has activated and divided the audience. Instead, these are reasons, which set against the museum. That is why museum has to be set against more open space of the city, open to the spontaneous events. In this perspective public space does not have nature in consensus sense, communication between the different, as it wishes to Habermas, but would place dispute, fight between different content, it means - different public spheres.Miłosz Markiewic
Imagens de Otto Maria Carpeaux: esboço de biografia
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em História, Florianópolis, 2015.Este esboço de biografia procura citar algumas imagens de Otto Maria Carpeaux: construções biográficas de naturezas múltiplas, elaboradas em contextos, por atores e sob condições igualmente díspares. Está constituído a partir de uma visão crítica da História, o que permite que ?outras imagens?, fragmentárias e não monumentais, também tenham espaço. Em diálogo com o princípio da montagem, este esboço apresenta-se em duas partes. Na primeira, Imagens possíveis, estão citadas as imagens elaboradas em vida e post mortem acerca do austríaco-brasileiro que nasceu em Viena em 1900, se exilou no Brasil em 1939 e morreu no Rio de Janeiro, em 1978. Na segunda, Montagens possíveis, apresentam-se duas possibilidades de exercício biográfico: pela leitura alegórica do documentário O velho e o Novo (Otto Maria Carpeaux), entendido como instrumento de intervenção no contexto ditatorial brasileiro e de uma reelaboração biográfica concernentes às suas experiências europeias; e pelo Caderno de imagens críticas, registro dos encontros em Carpeaux pelo meio de imagens críticas produzidas a partir da cesura do presente.Abstract : This biographical sketch attempts to quote some images of Otto Maria Carpeaux: various types of biographical constructions, carried out in different contexts by disparate authors under conditions just as distinct. It stems from a critical view of history, allowing for ?other images? fragmented and non-monumental ? to share the space.In dialogue with the montage principle, this sketch has two parts. The first, Possible Images, quotes the images produced during and after the life of the Austrian-Brazilian, who was born in Vienna in 1900, went to Brazil in exile in 1939 and died in Rio de Janeiro in 1978. The second part, Possible Montages, presents two possibilities of a biographical exercise: through the allegorical reading of documentary O Velho e o Novo (Otto Maria Carpeaux), understood as an instrument of intervention in the Brazilian dictatorship context and as a biographical retelling of the author?s European experiences; and through my Scrapbook of Critical Images, a record of the encounters in Carpeaux through critical images produced from the caesura of the present
Ekspozycja muzealna a problem zadomowienia
No full textThe essay treats domestication as a philosophical problem, which rise of human beings need because of sense and safe. Author has convinced, searching for durability in the changing world of happenings. Moreover, domestication creates society and sensuality has an ethical plan, sweetness and warmness signal about bodily closeness, then visual effects become secondary.Miłosz Markiewic
- …
