232 research outputs found
Improving the financing mechanism for the development of local communities based on the use of digital technologies
No full textSerghiy Radynskyy & Vadym Ratynskiy & Nataliia Diachenko & Valentyn Diachenko & Andrii Krupka & Zoryana Lobodina & Halyna Pohrishchuk & Nataliia Dobizha & Svitlana Shpylyk & Vladyslav Bendiuh, 2024. "Improving the financing mechanism for the development of local communities based on the use of digital technologies," Eastern-European Journal of Enterprise Technologies, PC TECHNOLOGY CENTER, vol. 2(13 (128)), pages 35-46, April
Autobiographical Markers in Halyna Pahutiak’s Mythopoetics
No full textThe purpose of this research is to identify autobiographical markers in H. Pahutiak’s mythopoetics on image and motif levels and characterize the specific character of mythologizing her spiritual-biographical experience. The paper looks at the peculiarities of literary interpretation of the actual events, toposes and persons related to the writer’s neomyth. The author’s essays are used for finding out mythogenic sources of her fiction and discovering the autobiographically marked material, interpreted in the literary prose. The paper analyzes the assimilation of the narrator and the author images characteristic of many H. Pahutiak’s works, which results in the similarity of some philosophical stories to essays on the genre level. It describes the interaction of autobiographical and mythical components in the semantics of the recurring images in the writer’s neomyth: the stone, the river, the road, the black bird, The Girl with yellow hair. The article focuses on the autobiographical marker in the correlation of the female characters with the mythologem of the setting sun. It reveals the interaction of the spiritual-autobiographical and philosophical-mythological intertexts in the “small novel” “The joyous desert”. The paper traces connections of the mythosemantics of the name Lada with the facts of H. Pahutiak’s biography and the motif of the lost harmony, which is considered one of the major motifs in the writer’s neomythological prose. The paper focuses on the strategies of cosmization, mystification and personification of the “private topography” in the writer’s fiction as well as in her essays. It looks at the peculiarities of the readers’ reception of the hypermythologized image of Urizh. The article considers the contamination of autobiographical and mythological elements to be a characteristic feature of H. Pahutiak’s idiostyle. The prospects of further research in this direction lie in defining the role of the autobiographical intertext in H. Pahutiak’s neomyth, in studying the strategies of myhologizing the author’s spiritual experience in her new works
The rear region in wartime Ukraine – language policy and the language situation in Transcarpathia
No full textThe article highlights the peculiarities of the linguistic and political situation in Zakarpattia as a rear border region of Ukraine during the Russian-Ukrainian war.
Attention is drawn to the fact of acute challenges and, at the same time, new opportunities
for the country as a whole and for each of its regions in particular, especially for the state
language policy and institutions involved in its implementation. Examples of successful
implementation of projects in the field of language policy are given, including the adoption
of regional programs for the establishment and development of the Ukrainian language as
the state language and other initiatives. The author emphasizes the change in the language
situation in the region due to the active emigration of local residents of Transcarpathia,
in particular from among the representatives of national minorities, while the population
is replenished by internal migrants. The main reasons for this situation are, on the one
hand, the low level of socio-economic development of the region in the pre-war period,
and on the other hand, the security factor associated with the war in Ukraine. It is noted
that the language issue in the region continues to be used for manipulative purposes.
This is evidenced by the monitoring of all-Ukrainian and regional media content during the
war and the analysis of language biographies concluded with representatives of national
minorities in Zakarpattia during 2021–2023 as part of the international research project
“Debates on Linguistic Diversity - Managing Minority Languages in Post-Soviet Ukraine”.
Important conditions for the return of Ukrainian citizens after the war are the
adoption of a law on multiple citizenship in Ukraine, as well as the creation of conditions in
the region for the proper mastery of Ukrainian as the state language and the coordination of
efforts by government officials and NGOs to study the current needs of ethnic communities
and develop a work plan for the implementation of the necessary programs and activities
Ideological influence of the soviet authority on women in the western regions of the USSR (mid-1940s - first half of 1950s)
No full textDurdas Halyna Vasylivna. Ideological influence of the soviet authority on women in the western regions of the USSR (mid-1940s - first half of 1950s). Journal of Education, Health and Sport. 2019;9(4):662-674. eISSN 2391-8306. DOI http://dx.doi.org/10.5281/zenodo.4421837
http://ojs.ukw.edu.pl/index.php/johs/article/view/7836
The journal has had 7 points in Ministry of Science and Higher Education parametric evaluation. Part B item 1223 (26/01/2017).
1223 Journal of Education, Health and Sport eISSN 2391-8306 7
© The Authors 2019;
This article is published with open access at Licensee Open Journal Systems of Kazimierz Wielki University in Bydgoszcz, Poland
Open Access. This article is distributed under the terms of the Creative Commons Attribution Noncommercial License which permits any noncommercial use, distribution, and reproduction in any medium, provided the original author (s) and source are credited. This is an open access article licensed under the terms of the Creative Commons Attribution Non commercial license Share alike.
(http://creativecommons.org/licenses/by-nc-sa/4.0/) which permits unrestricted, non commercial use, distribution and reproduction in any medium, provided the work is properly cited.
The authors declare that there is no conflict of interests regarding the publication of this paper.
Received: 05.04.2019. Revised: 20.04.2019. Accepted: 30.04.2019.
UDK 94(477.8):316.75–055.2«1944/1955»
IDEOLOGICAL INFLUENCE OF THE SOVIET AUTHORITY ON WOMEN IN THE WESTERN REGIONS OF THE USSR
(MID-1940s - FIRST HALF OF 1950s)
Halyna Vasylivna Durdas
Ternopil Volodymyr Hnatiuk National Pedagogical University
Abstract
The article highlights the features of ideological influence on women in the western regions of the Ukrainian SSR in the first postwar years. It was established that ideological work among women had its own structure, a number of activities and employees of the «ideological front». The quantitative and qualitative composition of agitators was found out, which was often characterized by low level of education, lack of professional experience, elementary culture of behavior. Political distrust of the locals prompted the authorities to enlist the support of immigrant women, mostly from the eastern regions of the Ukrainian SSR and the USSR.
The main forms and methods of ideological work are characterized, among which it is necessary to single out verbal means of influence – conversations, seminars, lectures. In addition, women were involved in meetings and gatherings of various levels, were participants in clubs and conferences. Means of visual propaganda became widespread.
It is investigated that women's worldview was formed under the influence of generally accepted social roles, ways of thinking and patterns of behavior. This practice was to form a myth about the advantages of the Soviet way of life, to impose the image of a «new Soviet woman».
Key words: women’s councils; agitation and propaganda events; agitators; women delegates; first post-war years
Determination of the term “Government official” in the Context of the United Nations Convention against Corruption
No full textThe article deals with the problems of determining the concept of “public official” and definiteness of terms in the context of enforcement of the United Nations Convention against Corruption. The author carried out the analysis of the specified category, identified its attributes and features of the international legal enshrinement both in the text of the Convention, and in the text of other international legal acts in the field of anti-corruption, mainly of regional value . It is established that the definition of “government official” unified by the Convention makes it possible to clearly and unambiguously determine the range of subjects of corruption to which international legal influence of not only the Convention itself
Автобіографічний роман Галини Тарасюк у діалозі з філософією екзистенції
No full textThe paper considers novels “Between Hell and Paradise” and “Sister of My Solitude” by Halyna Tarasiuk with a focus on their autobiographical character and in the light of the philosophical ideas of existentialism. The emphasis is made on the fact that the content of the novels is human being in all its manifestations – historical, existential, religious, metaphysical. Existential discourse is closely intertwined here with the concept of ‘blocking’ the artist in society. Features of the writer’s philosophical reflections are traced in connection with the social and political events at the turn of the 20th – 21st centuries and existential guidelines of the modern literature. It has been indicated that the existential direction of the novels by H. Tarasiuk finds itself in inner need of the author to design pages of her own biography for the manifestations of the national existence.
The research focuses on the historiosophical and culturosophical foundations of the artistic consciousness of the writer. It is noted that the concepts of choice, authenticity of being, loneliness, suicide, absurdity, boundary situation, love, transcendence, suffering and death are presented as central in the philosophical discourse of her novels. It is established that the whole complex of philosophical problems is solved by the writer in the oppositions ‘artist/ruler’, ‘talent/botcher’, ‘person/crowd’, etc. As a result of the research, it is proved that an in-depth understanding of the text is possible under condition of both reading it in the context of existence of the writer herself and taking into account the concepts of the Christian philosophy of existence. Such an approach provides for identification of the author’s conceptual views on the Ukrainian realities at the turn of the 20th – 21st centuries.Стаття присвячена аналізу романів Галини Тарасюк “Між пеклом і раєм”, “Сестра моєї самотності” з погляду проблеми автобіографічності та крізь призму ідей філософії екзистенціалізму. Зроблена спроба довести, що поглиблене розуміння тексту твору можливе за умови його прочитання як у контексті екзистенції самої письменниці, так і в контексті понять християнської філософії екзистенції. Такий підхід забезпечує виявлення концептуальних поглядів авторки на українські реалії перетину ХХ – ХХІ ст
Образ малої батьківщини крізь призму художніх концептів збірки оповідок Галини Гузовської-Корицької “Світ навколо нас”
No full textThe aim of the article is to analyze the image of a small homeland through the prism of artistic concepts in Halyna Guzovska-Korytska\u27s collection of short stories «The World Around Us». The importance of this study is that it reveals the peculiarities of creating the image of a small homeland through the prism of artistic concepts and clearly demonstrates the relevance of the stories and the significance of the collection in the formation of a nationally conscious reader. It synthesises subconcepts that deepen this image, the thoughtful perception of which contributes to the cultivation of a sense of love for the native land, self-awareness as part of one\u27s nation, and forms a patriotic principle. The novelty of the work lies in the attempt to comprehensively study the key concepts of Word, Hope, Goodness, Life, Future, Fate, Memory, Wisdom, Joy, Indifference, Gratitude, Mercy, Childhood, Resilience, and others.
The most widely represented concept in the stories is that of the Family. People depicted in the work are wise, prudent, caring, sincere, and hardworking. The writer creates a gallery of images of a small person who is the bearer of folk morality and is in love with the native land. The concept of Family is revealed by the author on the following levels: a group of people consisting of a man, a woman, children and close relatives living together; a family, a generation; a native land, a homeland.
It is worth noting how consistently and deeply the concept of Life, without which the entire world around us has no meaning, is depicted in the stories. The author embodies this concept with the help of cognates: life, vitality, vivacity, each of which enhances the significance of this concept. The researcher complements this concept by introducing the philosophical categories of fate, future, and futureness into the text of the stories (author\u27s novelty).
The image of a small homeland created by Halyna Guzovska-Korytska in her collection of short stories “The World Around Us” is revealed through numerous concepts, both abstract and emotional, and traditional and characteristic. They are either tightly intertwined or exist independently and are self-sufficient.
A feature of the author\u27s idiom is that each story ends with a short logical conclusion that accumulates the main idea of what the work is about. These are usually nominal one-syllable sentences. The lexemes used in them are mostly abstract and emotional concepts: “Future”, “Friendliness”, “Wisdom”, “Awe”, “Resilience”, “Compassion”.
The imagery of the artistic word, by means of which the concepts are created, is striking: metaphors, similes, personification, gradation, and antithesis.Мета дослідження полягає в аналізі образу малої батьківщини крізь призму художніх концептів збірки оповідок Галини Гузовської-Корицької “Світ навколо нас”. Важливість здійсненого дослідження в тому, що воно розкриває особливості творення образу малої батьківщини крізь призму художніх концептів і наочно демонструє актуальність оповідок та знаковість збірки у формуванні національно свідомого читача, синтезує підконцепти, які поглиблюють цей образ, вдумливе сприйняття яких сприяє вихованню почуття любові до рідної землі, усвідомленню себе як частини свого народу, формує патріотичне начало. Новизна роботи полягає в спробі комплексного дослідження ключових концептів Слово, Надія, Добро, Життя, Майбутнє, Фатум, Пам’ять, Мудрість, Радість, Байдужість, Вдячність, Милосердя, Дитинство, Життєстійкість та інші.
В оповідках найширше представлений концепт Родина. Люди, зображені у творі, – мудрі, розважливі, дбайливі, щирі, працьовиті. Письменниця створює галерею образів малої людини, яка є носієм народної моралі, залюблена в рідну землю. Концепт Родина розкривається авторкою на таких рівнях: група людей, що складається з чоловіка, жінки, дітей та близьких родичів, які живуть разом; рід, покоління; рідна сторона, батьківщина.
Зауважено, як послідовно й глибоко змальовано в оповідках концепт Життя, без якого весь навколишній світ не має сенсу. Авторка втілює цей концепт за рахунок спільнокореневих лексем: життя, життєстійкість, життєдайність, кожна з яких підсилює вагомість цього поняття. Письменниця доповнює цей концепт, уводячи в текст оповідок філософські категорії фатум, майбутнє, майбутність (авторський новотвір).
Образ малої батьківщини, створений Галиною Гузовською-Корицькою в збірці оповідок “Світ навколо нас”, розкривається за рахунок численних концептів, як абстрактно-емоційних, так і традиційно-характерологічних. Вони то щільно переплітаються, то існують самостійно та є самодостатніми.
Особливістю авторського ідіостилю є те, що кожна оповідка закінчується коротким логічним умовиводом, який акумулює основну думку того, про що йдеться у творі. Це зазвичай називні односкладні речення. Лексеми, використані в них, – це здебільшого абстрактно-емоційні концепти: Майбутність, Дружелюбність, Мудрість, Трепетність, Життєстійкість, Щемливість. Вражає образність художнього слова, засобами якого створюються концепти: метафори, порівняння, персоніфікація, градація, антитеза
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